角色作为改编工具：音乐剧“船长和黄色饱和器”

Q4 Arts and Humanities

Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI:10.14746/pspsl.2022.42.16

M. Woźniak

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引用次数: 0

摘要

本文分析了沃切赫Kościelniak导演的音乐剧《Kapitan Żbik i żółty saturator》(《Captain Żbik and The yellow carbonator》)的改编思路。该节目于2020年在华沙的Syrena剧院创作，其直接灵感来自1968年至1982年出版的漫画系列。对彩色书籍的文化意义的解释形成了对展览分析的介绍。作者还介绍了来源的文学类型如何影响剧本和人物。舞台和服装设计、台词和歌曲以及表演风格都可以追溯到漫画书。这篇文章试图确定舞台上的船长Żbik与它的来源有多相似，以及使用了哪些改编工具来调整漫画书的语言以适应戏剧舞台的要求。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Postać jako wehikuł adaptacji: musical „Kapitan Żbik i żółty saturator”

The article presents an analysis of the adaptation idea for the musical Kapitan Żbik i żółty saturator (Captain Żbik and the yellow carbonator) directed by Wojciech Kościelniak. The direct inspiration for the show created in 2020 in the Syrena theatre in Warsaw was the comic book series published between 1968 and 1982. The interpretation of the cultural significance of the colourful books forms the introduction to the analysis of the show. The author also presents how the literary genre of the source affects the screenplay and the characters. The stage and costume design, the spoken texts and songs and the acting style all refer back to the comic books. The article is an attempt at determining how similar the staged Captain Żbik is to its source and what adaptation tools have been used to adjust the comic book language to the requirement of a theatre stage.

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来源期刊

Poznanskie Studia Polonistyczne Seria Literacka Arts and Humanities-Literature and Literary Theory

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0.00%

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审稿时长

14 weeks