“半词”和“半音”……关于克拉辛斯基与肖邦的关系

Q4 Arts and Humanities
Ewa Hoffmann-Piotrowska
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引用次数: 0

摘要

本文介绍了弗雷德里克·肖邦和齐格蒙特·克拉辛斯基在传记层面上的关系,以及克拉辛斯基在信中经常提到的单词和声音之间的关系。肖邦对同时代诗人的作品是诗人诗歌与音乐对话的一种特殊表达,尤其是克拉辛斯基的诗歌《奥斯塔特尼》(最后一首诗)中的座右铭。这在肖邦歌曲的背景下是非同寻常的,因为它不仅是一个音乐插图,而且是通过音乐对文本的复杂解读。文章试图通过乐谱来呈现诗意的内容,从而得出这样的结论:肖邦是一个有意识的文学作品接受者,他和克拉辛斯基一样,在词与音的共生中看到了表达内心经验的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
„W półsłowa” i „w półdźwięku”… O relacji Zygmunta Krasińskiego i Fryderyka Chopina
The article presents the relationship between Frédéric Chopin and Zygmunt Krasiński both on the biographical level and in the relationship between the word and the sound that Krasiński often wrote about in his letters. A special expression of the dialogue between poetry and music described by the poet are Chopin’s compositions to the words of poets contemporary to him, which is especially true about the words of the motto from Krasiński’s poem Ostatni (The last poem). It is extraordinary in the context of Chopin’s songs as it is not only a musical illustration, but also a sophisticated interpretation of the text through music. The attempts to present poetic content through musical notation presented in the article lead to the conclusion about Chopin as a conscious recipient of a literary work who, like Krasiński, saw in the symbiosis of word and sound the possibility for expressing internal experience.
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来源期刊
Poznanskie Studia Polonistyczne Seria Literacka
Poznanskie Studia Polonistyczne Seria Literacka Arts and Humanities-Literature and Literary Theory
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发文量
17
审稿时长
14 weeks
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