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ACKNOWLEDGMENTS (TO THE 1990 EDITION) 致谢(致1990年版)
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.2307/j.ctv20hcrm0.18
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引用次数: 0
BIGI POKU AND KASEKO
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.2307/j.ctv20hcrm0.12
Marcel Weltak
{"title":"BIGI POKU AND KASEKO","authors":"Marcel Weltak","doi":"10.2307/j.ctv20hcrm0.12","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.12","url":null,"abstract":"This chapter discusses the features of the music and instrumentation of the two most popular forms of Afro-Surinamese music. It also gives portraits of key players up until 1990. Kaseko does not deviate all that much from such other African music styles such as highlife from Ghana and soukous from Congo, which in turn have been influenced by calypso, samba, and Cuban music. \u0000\u0000One explanation of the world kaseko is that it is a corruption of ‘kase le corp’, Patois for ‘break the body’ (Patois is the creolized French spoken in neighboring French Guiana). In general, dance music in that country—and in the Lawa region of eastern Suriname—is also referred to as kaseko. A third possibility is that the word derives from the African language (presumably Ashanti) ‘kaiso’, which means both ‘shake’ and ‘bravo’. In that case, kaseko would then share the same root of the name with calypso.","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128963025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TRANSLATOR’S NOTES TO THE ORIGINAL PUBLICATION OF 1990 译者对1990年原版出版物的注释
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.2307/j.ctv20hcrm0.3
S. Rollins
{"title":"TRANSLATOR’S NOTES TO THE ORIGINAL PUBLICATION OF 1990","authors":"S. Rollins","doi":"10.2307/j.ctv20hcrm0.3","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.3","url":null,"abstract":"","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132907125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
POP 流行
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.1007/1-4020-0613-6_14305
J. Ketwaru, Herman Dijo, Marcel Weltak, G. Koster
{"title":"POP","authors":"J. Ketwaru, Herman Dijo, Marcel Weltak, G. Koster","doi":"10.1007/1-4020-0613-6_14305","DOIUrl":"https://doi.org/10.1007/1-4020-0613-6_14305","url":null,"abstract":"","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121175987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SURINAMESE EAST INDIAN (HINDUSTANI) MUSIC 苏里南东印度(印度斯坦语)音乐
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.2307/j.ctv20hcrm0.9
J. Ketwaru
{"title":"SURINAMESE EAST INDIAN (HINDUSTANI) MUSIC","authors":"J. Ketwaru","doi":"10.2307/j.ctv20hcrm0.9","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.9","url":null,"abstract":"Surinamese of East Indian descent, arrived in the late 19th century from Bihar and Uttar Pradesh in northern India, which is also the origin of Surinamese East Indian music, alternately referred to as Sarnami-Hindustani music. It arose in a country of several different ethnic groups. This means emotions and musical patterns of other population groups can be heard in it. The sitar and tabla are often used across the entire spectrum of the world of Surinamese music. An example is the interplay of tabla, the Creole apinti drum, and congas.\u0000\u0000This chapter discusses the instruments and Indian musical styles in Suriname such as Baithak gana, developed especially by a second generation of Surinamese Hindustanis. Musicians sit on the ground and make use of simple texts and a sober musical accompaniment, which usually consists of harmonium, dholak, and dandtaal. The texts are in the Surinamese-Hindustani language.","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122084616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
GLOSSARY OF MUSICAL STYLES 音乐风格词汇表
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.2307/j.ctv20hcrm0.26
{"title":"GLOSSARY OF MUSICAL STYLES","authors":"","doi":"10.2307/j.ctv20hcrm0.26","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.26","url":null,"abstract":"","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128957930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SURINAMESE MUSIC IN THE NETHERLANDS AND SURINAME, 1990–2017—A NEW INTRODUCTION 荷兰和苏里南的苏里南音乐，1990 - 2017 -新介绍
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.2307/j.ctv20hcrm0.4
Marcel Weltak
{"title":"SURINAMESE MUSIC IN THE NETHERLANDS AND SURINAME, 1990–2017—A NEW INTRODUCTION","authors":"Marcel Weltak","doi":"10.2307/j.ctv20hcrm0.4","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.4","url":null,"abstract":"","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130121509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
JAVANESE MUSIC IN SURINAME 苏里南的爪哇音乐
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.2307/j.ctv20hcrm0.10
Herman Dijo
{"title":"JAVANESE MUSIC IN SURINAME","authors":"Herman Dijo","doi":"10.2307/j.ctv20hcrm0.10","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.10","url":null,"abstract":"Javanese music in Suriname came with the first group of Javanese who arrived there in 1890 as indentured servants for the sugar company, Nederlandsche Handelsmaatschappij at Mariënburg plantation. Gamelan, steel gamelan, terbangen, and kroncong were the main types of Javanese music that developed in Suriname. Due to a lack of brass, scrapped iron from abandoned railway ties were used to make the pans, and a lack of experienced gamelan musicians made for drastically reduced ensembles of five people. Gamelan in Suriname also came under the influence of the nearby Caribbean music, especially by steel bands from Trinidad. Islamic religious songs were accompanied by a terbangen ensemble, consisting of kinds of tambourines and large drum called bedug, Surinamese kroncong ensembles mostly use three or more acoustic guitars, a ukulele (sometimes a banjo), a double bass (or bass guitar), and a cello. However, because cellists are scarce, this is usually taken over by a guitar.","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116334609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
JAZZ IN SURINAME 苏里南的爵士乐
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.2307/j.ctv20hcrm0.14
Marcel Weltak
{"title":"JAZZ IN SURINAME","authors":"Marcel Weltak","doi":"10.2307/j.ctv20hcrm0.14","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.14","url":null,"abstract":"There was an enormous influx of jazz in Suriname itself, especially in the decades after World War II. Jazz and swing got their niche alongside other more traditional native music and European classical and ‘light’ entertainment music. Many Surinamers were inspired by jazz from the United States. A few of them founded their own jazz bands. Jazz records came into the country via the American soldiers who were stationed in Suriname during World War II “to protect the bauxite industry.” Musicians in Paramaribo first heard and saw the North American orchestras in the movie houses.","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115319668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SURINAMESE JAZZ IN THE NETHERLANDS 荷兰的苏里南爵士乐
Surinamese Music in the Netherlands and Suriname Pub Date : 2021-07-29 DOI: 10.2307/j.ctv20hcrm0.13
Marcel Weltak
{"title":"SURINAMESE JAZZ IN THE NETHERLANDS","authors":"Marcel Weltak","doi":"10.2307/j.ctv20hcrm0.13","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.13","url":null,"abstract":"Surinamese jazz musicians began playing jazz in The Netherlands earlier than they did in Suriname, and jazz has different backgrounds in both countries as well. This chapter deals with the rise and reception of Surinamese jazz musicians in The Netherlands from the 1930s through to the 1970s. \u0000\u0000“It cannot be a coincidence,” wrote Herman ‘Doctor Jazz’ Openneer, “that Surinamese jazz began in The Netherlands in 1935.” The fee people like Armstrong commanded for a performance was much too high for many promotors in those days. Someone soon came up with the idea of offering Surinamers contracts and giving them American names. From then on Theodoor Kantoor was known as Teddy Cotton, and Arthur Parisius became Kid Dynamite. The Dutch believed that all blacks who played jazz were American. Rumor has it a notice was sent to Suriname: “Guys, come to Holland and take your guitar and two drumsticks with you.”","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114299639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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