JAVANESE MUSIC IN SURINAME

Herman Dijo
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Abstract

Javanese music in Suriname came with the first group of Javanese who arrived there in 1890 as indentured servants for the sugar company, Nederlandsche Handelsmaatschappij at Mariënburg plantation. Gamelan, steel gamelan, terbangen, and kroncong were the main types of Javanese music that developed in Suriname. Due to a lack of brass, scrapped iron from abandoned railway ties were used to make the pans, and a lack of experienced gamelan musicians made for drastically reduced ensembles of five people. Gamelan in Suriname also came under the influence of the nearby Caribbean music, especially by steel bands from Trinidad. Islamic religious songs were accompanied by a terbangen ensemble, consisting of kinds of tambourines and large drum called bedug, Surinamese kroncong ensembles mostly use three or more acoustic guitars, a ukulele (sometimes a banjo), a double bass (or bass guitar), and a cello. However, because cellists are scarce, this is usually taken over by a guitar.
苏里南的爪哇音乐
第一批爪哇人于1890年作为糖业公司Nederlandsche Handelsmaatschappij在Mariënburg种植园的契约仆人来到苏里南,爪哇音乐也随之而来。佳美兰、钢佳美兰、特邦根和kronong是在苏里南发展起来的爪哇音乐的主要类型。由于缺乏铜管,从废弃的铁路上取下的废铁被用来制作平底锅,并且缺乏经验丰富的佳美兰音乐家,因此大大减少了五人的合奏。苏里南的甘美兰音乐也受到了附近加勒比海音乐的影响,尤其是特立尼达的钢乐队。伊斯兰教的宗教歌曲由terbangen合奏团伴奏,由各种铃鼓和称为bedug的大鼓组成,苏里南的kroncong合奏团大多使用三把或更多的木吉他,一把尤克里里琴(有时是班卓琴),一把低音提琴(或低音吉他)和一把大提琴。然而,由于大提琴手很少,这通常由吉他代替。
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