荷兰的苏里南爵士乐

Marcel Weltak
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引用次数: 0

摘要

苏里南爵士音乐家在荷兰演奏爵士乐的时间比在苏里南更早,而且爵士乐在这两个国家也有不同的背景。这一章讲述了从20世纪30年代到70年代苏里南爵士音乐家在荷兰的兴起和接受。“这绝不是巧合,”赫曼·“爵士医生”·奥纳尔写道,“苏里南爵士于1935年起源于荷兰。”在那个年代,像阿姆斯特朗这样的人要求的演出费用对许多发起人来说太高了。很快就有人想出了给苏里南人提供合同并给他们取美国名字的主意。从那时起,西奥多·坎图尔被称为泰迪·科顿,亚瑟·帕里西乌斯被称为“炸药小子”。荷兰人认为所有演奏爵士乐的黑人都是美国人。据说苏里南收到了一个通知:“伙计们,带着你们的吉他和两只鸡腿来荷兰吧。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SURINAMESE JAZZ IN THE NETHERLANDS
Surinamese jazz musicians began playing jazz in The Netherlands earlier than they did in Suriname, and jazz has different backgrounds in both countries as well. This chapter deals with the rise and reception of Surinamese jazz musicians in The Netherlands from the 1930s through to the 1970s. “It cannot be a coincidence,” wrote Herman ‘Doctor Jazz’ Openneer, “that Surinamese jazz began in The Netherlands in 1935.” The fee people like Armstrong commanded for a performance was much too high for many promotors in those days. Someone soon came up with the idea of offering Surinamers contracts and giving them American names. From then on Theodoor Kantoor was known as Teddy Cotton, and Arthur Parisius became Kid Dynamite. The Dutch believed that all blacks who played jazz were American. Rumor has it a notice was sent to Suriname: “Guys, come to Holland and take your guitar and two drumsticks with you.”
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