{"title":"CONTEMPORARY SURINAMESE JAZZ","authors":"Marcel Weltak","doi":"10.2307/j.ctv20hcrm0.15","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.15","url":null,"abstract":"This chapter examines the position of jazz musicians in the Netherlands from the 1970s onward and discusses important musical developments and reactions in the Dutch press. It also provides information on the key players. \u0000\u0000In 1973, ten years after the death of Kid Dynamite, social worker and bass guitarist Vincent Henar began organizing jazz concerts in the club Kwakoe-Bijlmermeer. By Surinamese standards quite avant-garde music resounded among the tall blocks of apartment buildings. Surinamese jazz musicians had discovered the music of Charlie Parker and Miles Davis. Ten years later, two groups, Surinam Music Ensemble (SME) and Fra Fra Sound, took over the torch from Kid Dynamite. They developed a new music form in which Afro-Surinamese, Caribbean, and Afro-American traditions all flowed together. These were the most important steps towards the creation of Paramaribop.","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130717928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE EUROPEAN TRADITION","authors":"Marcel Weltak, Herman Dijo","doi":"10.2307/j.ctv20hcrm0.11","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.11","url":null,"abstract":"This chapter discusses the European influences on Surinamese music and provides a survey of the most important classical music composers as well as detailing the music of military and police brass bands, church choirs, and bazuinkoor ensembles that played music with heavy European influences. European classical music in Suriname was mainly influenced by German composers, and predominately Johannes Sebastian Bach. The most plausible explanation for this can be found in the largest European religious denomination in Suriname the Protestant church founded by Moravian missionaries. \u0000\u0000Another influence stems from English church music that dates to the time of English rule. English hymns that together with German chorales that were played by the bazuinkoor (choir of trumpets) small ensembles of brass instruments, ended up becoming vehicles for the composer’s repertoire. The earliest songs were almost purely European, but gradually evolved to incorporate popular local rhythmic patterns to become part of compositions.","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133282087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SURINAMESE WOMEN IN MUSIC","authors":"Marcel Weltak","doi":"10.2307/j.ctv20hcrm0.17","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.17","url":null,"abstract":"This chapter charts the key women figures in Surinamese music since the 1930s up to 1990. It includes women who sang jazz and popular forms of light music.","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132646540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"APPENDIX 2:","authors":"","doi":"10.2307/j.ctv20hcrm0.20","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.20","url":null,"abstract":"","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"297 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121375024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"AFRO-SURINAMESE MUSIC","authors":"Ponda O’Bryan","doi":"10.2307/j.ctv20hcrm0.8","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.8","url":null,"abstract":"The African slaves who were brought to Suriname in the 17th, 18th, and 19th centuries originated from powerful people who at the time were endowed with a rich culture. These people from the African Gold Coast (now Ghana), the Slave Coast (Togo, Benin, and Nigeria), Ivory Coast, Guinea, and Congo all had cultures based on oral traditions. \u0000\u0000Of extreme importance is the Winti religion, on which nearly all Afro-Surinamese music is based. Nonetheless, the Afro-Surinamese culture that grew from this was anything but uniform. To be sure, the slaves were spread across the plantations, without regard to their country of origin, but they in turn were extremely isolated from one another. In this way, for instance, each plantation had its own Winti songs, which were later named after the plantation where they were created. And soon thereafter small groups of runaway slaves were formed, who all created their own music.","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124791341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"AMERINDIAN MUSIC","authors":"Marcel Weltak","doi":"10.2307/j.ctv20hcrm0.7","DOIUrl":"https://doi.org/10.2307/j.ctv20hcrm0.7","url":null,"abstract":"The colonization of Suriname brought precious little benefit to the original inhabitants of the Surinamese jungle, the Amerindians. Of the original inhabitants there are now only 20,000 left living in Suriname divided among the members of the Trio, Wayana, Akurio, Kalina, and Arawak (Lokono) tribes. The first four groups are regarded as Carib Indians who inhabited northern South America. The 15,000 Kalina make up three quarters of Amerindian people living in Suriname, who live predominately along the coastal area. The Trio and Wayana live in the southern Sipaliwini district, along the border with Brazil and French Guiana. The Arawaks, the only non-Carib Indians, inhabit the central savannas of Suriname. \u0000It discusses the music of religious feasts, devotional songs, and laments. The Kalini tribe’s instruments of the sambura drum and krawasie rattle are featured as is the role played by the pyjaiman (shaman).","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"930 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127019115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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