{"title":"CONTEMPORARY SURINAMESE JAZZ","authors":"Marcel Weltak","doi":"10.2307/j.ctv20hcrm0.15","DOIUrl":null,"url":null,"abstract":"This chapter examines the position of jazz musicians in the Netherlands from the 1970s onward and discusses important musical developments and reactions in the Dutch press. It also provides information on the key players. \n\nIn 1973, ten years after the death of Kid Dynamite, social worker and bass guitarist Vincent Henar began organizing jazz concerts in the club Kwakoe-Bijlmermeer. By Surinamese standards quite avant-garde music resounded among the tall blocks of apartment buildings. Surinamese jazz musicians had discovered the music of Charlie Parker and Miles Davis. Ten years later, two groups, Surinam Music Ensemble (SME) and Fra Fra Sound, took over the torch from Kid Dynamite. They developed a new music form in which Afro-Surinamese, Caribbean, and Afro-American traditions all flowed together. These were the most important steps towards the creation of Paramaribop.","PeriodicalId":289452,"journal":{"name":"Surinamese Music in the Netherlands and Suriname","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Surinamese Music in the Netherlands and Suriname","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv20hcrm0.15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter examines the position of jazz musicians in the Netherlands from the 1970s onward and discusses important musical developments and reactions in the Dutch press. It also provides information on the key players.
In 1973, ten years after the death of Kid Dynamite, social worker and bass guitarist Vincent Henar began organizing jazz concerts in the club Kwakoe-Bijlmermeer. By Surinamese standards quite avant-garde music resounded among the tall blocks of apartment buildings. Surinamese jazz musicians had discovered the music of Charlie Parker and Miles Davis. Ten years later, two groups, Surinam Music Ensemble (SME) and Fra Fra Sound, took over the torch from Kid Dynamite. They developed a new music form in which Afro-Surinamese, Caribbean, and Afro-American traditions all flowed together. These were the most important steps towards the creation of Paramaribop.
本章考察了20世纪70年代以来荷兰爵士音乐家的地位,并讨论了荷兰新闻界的重要音乐发展和反应。它还提供了主要参与者的信息。1973年,在“Dynamite小子”去世十年后,社会工作者兼贝斯吉他手文森特·赫纳尔开始在Kwakoe-Bijlmermeer俱乐部组织爵士音乐会。按照苏里南人的标准,相当前卫的音乐在高耸的公寓楼间回荡。苏里南爵士音乐家发现了查理·帕克和迈尔斯·戴维斯的音乐。十年后,苏里南音乐合奏团(SME)和Fra Fra Sound这两个组合从“Dynamite小子”手中接过了火炬。他们发展了一种新的音乐形式,将非裔苏里南人、加勒比人和非裔美国人的传统融合在一起。这些是创建Paramaribop的最重要的步骤。