AFRO-SURINAMESE MUSIC

Ponda O’Bryan
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Abstract

The African slaves who were brought to Suriname in the 17th, 18th, and 19th centuries originated from powerful people who at the time were endowed with a rich culture. These people from the African Gold Coast (now Ghana), the Slave Coast (Togo, Benin, and Nigeria), Ivory Coast, Guinea, and Congo all had cultures based on oral traditions. Of extreme importance is the Winti religion, on which nearly all Afro-Surinamese music is based. Nonetheless, the Afro-Surinamese culture that grew from this was anything but uniform. To be sure, the slaves were spread across the plantations, without regard to their country of origin, but they in turn were extremely isolated from one another. In this way, for instance, each plantation had its own Winti songs, which were later named after the plantation where they were created. And soon thereafter small groups of runaway slaves were formed, who all created their own music.
AFRO-SURINAMESE音乐
在17、18、19世纪被带到苏里南的非洲奴隶,都来自当时被赋予丰富文化的权势人物。这些来自非洲黄金海岸(现在的加纳)、奴隶海岸(多哥、贝宁和尼日利亚)、象牙海岸、几内亚和刚果的人都有基于口头传统的文化。最重要的是温提宗教,几乎所有非裔苏里南人的音乐都以它为基础。尽管如此,从这里成长起来的非裔苏里南文化一点也不统一。可以肯定的是,奴隶们分散在各个种植园,而不考虑他们的原籍国,但他们彼此之间又极度孤立。例如,通过这种方式,每个种植园都有自己的Winti歌曲,这些歌曲后来以它们创作的种植园命名。此后不久,一些逃亡的奴隶组成了小团体,他们都创作了自己的音乐。
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