Revista de Estudios Hispánicos最新文献_第3页

La casa del dolor ajeno, de Julián Herbert frente a Francisco L. Urquizo y Rafael F. Muñoz: replanteamientos de los mecanismos de integración a la nación 《别人的痛苦之家》，julian Herbert面对Francisco L. Urquizo和Rafael F. munoz:对国家一体化机制的重新思考

Revista de Estudios Hispánicos Pub Date : 2022-10-01 DOI: 10.1353/rvs.2022.0027

Luis Miguel Estrada Orozco

{"title":"La casa del dolor ajeno, de Julián Herbert frente a Francisco L. Urquizo y Rafael F. Muñoz: replanteamientos de los mecanismos de integración a la nación","authors":"Luis Miguel Estrada Orozco","doi":"10.1353/rvs.2022.0027","DOIUrl":"https://doi.org/10.1353/rvs.2022.0027","url":null,"abstract":"Abstract:Current readings of La casa del dolor ajeno underscore its potential to disrupt the Mexican national historical discourse. Since the work directly dialogues with the literature of the Mexican Revolution, the present article compares Herbert’s material with two works by iconic writers of the period: Tropa vieja, by Francisco L. Urquizo, which Herbert uses as one of his many sources; and “Villa ataca Ciudad Juárez,” where the Chinese community is briefly presented performing a particular action: that of shooting some of the villista rebels leaving the town in defeat. Through this comparative analysis, I argue that these works present two different mechanisms of national integration: in the Revolutionary discourse, the active participation in the armed conflict; in the early twenty-first century, the vulnerability of the subject in the presence of both criminal and state violence. In addition to focusing on the disruptive potential of La casa del dolor ajeno, this reading posits that books such as Julián Herbert’s rethink the terms in which Mexican national community is conceived in the present day against the imposed terms of twentieth-century officialdom.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114343441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Affective Geographies: Cervantes, Emotion, and the Literary Mediterranean by Paul Michael Johnson (review) 《情感地理学:塞万提斯、情感与地中海文学》作者:保罗·迈克尔·约翰逊(书评)

Revista de Estudios Hispánicos Pub Date : 2022-10-01 DOI: 10.1353/rvs.2022.0032

Steven Wagschal

引用次数: 0

Santa Evita de Tomás Eloy Martínez: la excritura del pasado para otra comunidad 圣埃维塔tomas Eloy martinez:另一个社区的过去的书写

Revista de Estudios Hispánicos Pub Date : 2022-10-01 DOI: 10.1353/rvs.2022.0030

Matías Beverinotti

引用次数: 0

Me veo a mi mismo leyendo: Ricardo Piglia’s Aesthetic Education in Los diarios de Emilio Renzi 我看到自己在读:里卡多·皮格利亚的美学教育在埃米利奥·伦齐的日记

Revista de Estudios Hispánicos Pub Date : 2022-10-01 DOI: 10.1353/rvs.2022.0028

Bret Leraul

{"title":"Me veo a mi mismo leyendo: Ricardo Piglia’s Aesthetic Education in Los diarios de Emilio Renzi","authors":"Bret Leraul","doi":"10.1353/rvs.2022.0028","DOIUrl":"https://doi.org/10.1353/rvs.2022.0028","url":null,"abstract":"Abstract:This article examines Ricardo Piglia’s relationship to the literary field as an aesthetic education that emerges from the encounter between his field-shaping poetics and its reflection among critics, or critical mimesis. Piglia’s field poetics are exemplified by the disjunctive “I” that narrates the diaries, the misattribution of their authorship to Piglia’s longtime alter ego Emilio Renzi, and a constant representation of acts of self-observation. The architecture of the diaristic subject is wedded to its institutional inscription; that is, the form of this subject is the communion of readers and writers in the autobiographical and autofictive genres. Similarly, material inscription not only reflects Piglia Renzi’s life to others; it transforms self-reflection into second-order observation by turning the writer into a reader of his own life-become-text. Raised in this way to the second degree, the diaries exemplify Piglia’s poetics by engaging readers in the form of a conspiracy. This is the political lesson of our Piglian aesthetic education: a willingness to challenge the reality of reality and build alternatives in a community of co-conspirators convened by the author’s work.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127520793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Portraits in the Andes: Photography and Agency, 1900–1950 by Jorge Coronado (review) 安第斯山脉的肖像:摄影和代理，1900-1950，乔治·科罗纳多(评论)

Revista de Estudios Hispánicos Pub Date : 2022-10-01 DOI: 10.1353/rvs.2022.0031

Maria Chiara d'Argenio

引用次数: 1

Relatos terroríficos de raíz mágica en el Barroco español 西班牙巴洛克时期有着神奇根源的恐怖故事

Revista de Estudios Hispánicos Pub Date : 2022-10-01 DOI: 10.1353/rvs.2022.0029

Eva Lara Alberola

引用次数: 0

Food, Texts, and Cultures in Latin America and Spain ed. by Rafael Climent-Espino and Ana M. Gómez-Bravo (review) 拉丁美洲和西班牙的食物、文本和文化，作者:拉斐尔·克莱门特-埃斯皮诺和安娜M. Gómez-Bravo(评论)

Revista de Estudios Hispánicos Pub Date : 2022-06-01 DOI: 10.1353/rvs.2022.0023

R. D. Aguila

引用次数: 0

Casilda's Letters, Archive Fever, and the Juan Goytisolo Brand 卡西尔达的信件，档案热，和胡安·戈伊蒂索罗品牌

Revista de Estudios Hispánicos Pub Date : 2022-06-01 DOI: 10.1353/rvs.2022.0020

H. Jackson

{"title":"Casilda's Letters, Archive Fever, and the Juan Goytisolo Brand","authors":"H. Jackson","doi":"10.1353/rvs.2022.0020","DOIUrl":"https://doi.org/10.1353/rvs.2022.0020","url":null,"abstract":"Abstract:This article reconsiders the canonical figure of Juan Goytisolo through the lens of archive studies. Focusing on Goytisolo's allusions to and fictionalized interpolations of letters written by Casilda, a Black woman who was enslaved in the nineteenth century in Cuba by Goytisolo's great-grandfather, I contend that Goytisolo used Casilda's letters as archival elements in his major works, in such a way that he came to control the discourse of Spanish self-critique. Goytisolo set the terms by which his relationship to his family's coloniality would be understood, continually evoking the letters to renounce his colonial lineage. Following Jacques Derrida's theory of archive fever, I interpret Goytisolo's compulsive desire for Casilda's letters as his own death drive, since Goytisolo reproduces the letters in an attempt to distance and destroy a part of himself, his whiteness. I read Goytisolo's longing for Casilda as a real desire for a secret origin, as archive fever, and not as simply postmodernist intertextuality. Goytisolo reinscribed Casilda's letters within an autofictional counter-archive, recontextualizing Casilda herself as the secret in the national/family archive, and as the source, or source material, of his own brand.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124215113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Desertmakers: Travel, War, and the State in Latin America by Javier Uriarte (review) 《沙漠制造者:拉丁美洲的旅行、战争和国家》作者:Javier Uriarte

Revista de Estudios Hispánicos Pub Date : 2022-06-01 DOI: 10.1353/rvs.2022.0022

Elizabeth M. Chant

{"title":"The Desertmakers: Travel, War, and the State in Latin America by Javier Uriarte (review)","authors":"Elizabeth M. Chant","doi":"10.1353/rvs.2022.0022","DOIUrl":"https://doi.org/10.1353/rvs.2022.0022","url":null,"abstract":"composer and figures in Catalan literary circles, where Granados is perhaps better known for a compositional voice that used central European Romanticism to give voice to more traditionally Castilian subjects. The astute reader of Dissonances of Modernity will undoubtedly discover even more dissonances within these essays that will surely provide further food for thought and new ways of thinking about Spanish culture. Given the centrality of music to this collection of essays, many readers will be pleased to discover that sound files of the musical works discussed in the book have been placed on the publisher’s website and are immediately accessible to any reader with a smartphone that can read a QR code. Less attention to Spanish music is paid by academics and audiences than is paid to the music of any other major European country; so despite the cavils of this reviewer, Dissonances of Modernity is a necessary and worthwhile addition to the academic literature on gender, nationalism, and performance in nineteenthand twentieth-century Spain. There is no shortage of studies discussing how the Spanish people thought about these topics; now we can begin to learn how they heard these ideas as well.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"52-54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123643296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Los proyectos digitales de Eugenio Tisselli y la estética poshumana: Entre cultura_RAM, neguentropía y necrocapitalismo Eugenio Tisselli的数字项目和后人类美学:在文化ram、黑暗熵和死亡资本主义之间

Revista de Estudios Hispánicos Pub Date : 2022-06-01 DOI: 10.1353/rvs.2022.0018

Wolfgang Bongers

{"title":"Los proyectos digitales de Eugenio Tisselli y la estética poshumana: Entre cultura_RAM, neguentropía y necrocapitalismo","authors":"Wolfgang Bongers","doi":"10.1353/rvs.2022.0018","DOIUrl":"https://doi.org/10.1353/rvs.2022.0018","url":null,"abstract":"Abstract:This essay analyzes the experimental work of Mexican programmer, artist, and writer Eugenio Tisselli (Mexico City, 1972), accessible on motorhueso.net. The audiovisual, literary, and musical pieces in digital formats are processual artifacts with recognizable contents and forms that are expanded, modified, and reutilized in diverse recompositions over time, accompanying Tisselli's installations and performances in art centers and galleries. All his work is in constant dialogue with contemporary critical thinking about the digital era and its social and political configurations, the Anthropocene and its consequences, and the relations between arts, technologies, and human beings. Tisselli's symptomatic and somehow paradoxical artworks condense, in their practical and theoretical dimensions, some core questions of posthuman aesthetics from a Latin American point of view. In three sections, this essay traces some aspects of posthuman aesthetics, the \"cultura_RAM\", the postmedial condition, informational capitalism, and the construction of subjectivities in the context of epistemological changes produced by cybernetics, algorithmic language, and new materialities between the analogue and the digital, focusing on the (art) machine that presumably guarantees life and negentropy, in order to combat entropy, chaos, and death.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114476207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0