La casa del dolor ajeno, de Julián Herbert frente a Francisco L. Urquizo y Rafael F. Muñoz: replanteamientos de los mecanismos de integración a la nación

Luis Miguel Estrada Orozco
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Abstract

Abstract:Current readings of La casa del dolor ajeno underscore its potential to disrupt the Mexican national historical discourse. Since the work directly dialogues with the literature of the Mexican Revolution, the present article compares Herbert’s material with two works by iconic writers of the period: Tropa vieja, by Francisco L. Urquizo, which Herbert uses as one of his many sources; and “Villa ataca Ciudad Juárez,” where the Chinese community is briefly presented performing a particular action: that of shooting some of the villista rebels leaving the town in defeat. Through this comparative analysis, I argue that these works present two different mechanisms of national integration: in the Revolutionary discourse, the active participation in the armed conflict; in the early twenty-first century, the vulnerability of the subject in the presence of both criminal and state violence. In addition to focusing on the disruptive potential of La casa del dolor ajeno, this reading posits that books such as Julián Herbert’s rethink the terms in which Mexican national community is conceived in the present day against the imposed terms of twentieth-century officialdom.
《别人的痛苦之家》,julian Herbert面对Francisco L. Urquizo和Rafael F. munoz:对国家一体化机制的重新思考
摘要:当前对《墨西哥之家》的解读强调了其破坏墨西哥民族历史话语的潜力。由于这部作品直接与墨西哥革命文学对话,本文将赫伯特的材料与当时标志性作家的两部作品进行比较:弗朗西斯科·l·乌尔奎索的《Tropa vieja》,赫伯特将其作为众多资料来源之一;还有《阿塔卡城别墅Juárez》(Villa ataca Ciudad Juárez),在那里,华人社区被简短地展示了一项特殊的行动:射杀一些失败地离开城镇的反政府武装。通过这种比较分析,我认为这些作品呈现了两种不同的民族整合机制:在革命话语中,积极参与武装冲突;在21世纪初,主体在犯罪和国家暴力面前的脆弱性。除了关注La casa del dolor ajeno的破坏性潜力之外,这篇阅读文章还假设,Julián Herbert等书重新思考了墨西哥民族社区在当今被构想出来的术语,而不是20世纪官场强加的术语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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