{"title":"西班牙巴洛克时期有着神奇根源的恐怖故事","authors":"Eva Lara Alberola","doi":"10.1353/rvs.2022.0029","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores works of Spanish Golden Age literature to gauge their potential as antecedents of horror literature, paying particular attention to the magic-terror juncture. Reference is made to six texts (mainly short novels) that include macabre and supernatural episodes where sorcery, necromancy, and witchcraft play a fundamental role. The objective of this essay is to identify common, unifying features in order to determine if horror stories did, in fact, exist in the sixteenth and seventeenth centuries.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Relatos terroríficos de raíz mágica en el Barroco español\",\"authors\":\"Eva Lara Alberola\",\"doi\":\"10.1353/rvs.2022.0029\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article explores works of Spanish Golden Age literature to gauge their potential as antecedents of horror literature, paying particular attention to the magic-terror juncture. Reference is made to six texts (mainly short novels) that include macabre and supernatural episodes where sorcery, necromancy, and witchcraft play a fundamental role. The objective of this essay is to identify common, unifying features in order to determine if horror stories did, in fact, exist in the sixteenth and seventeenth centuries.\",\"PeriodicalId\":281386,\"journal\":{\"name\":\"Revista de Estudios Hispánicos\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de Estudios Hispánicos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/rvs.2022.0029\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de Estudios Hispánicos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/rvs.2022.0029","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Relatos terroríficos de raíz mágica en el Barroco español
Abstract:This article explores works of Spanish Golden Age literature to gauge their potential as antecedents of horror literature, paying particular attention to the magic-terror juncture. Reference is made to six texts (mainly short novels) that include macabre and supernatural episodes where sorcery, necromancy, and witchcraft play a fundamental role. The objective of this essay is to identify common, unifying features in order to determine if horror stories did, in fact, exist in the sixteenth and seventeenth centuries.
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