Jomantara: Indonesian Journal of Art and Culture最新文献

{"title":"Imagism of Chinese Poem: A Literary Study on Ezra Pound’s Poetry","authors":"Zixi Li","doi":"10.23969/jijac.v2i1.5126","DOIUrl":"https://doi.org/10.23969/jijac.v2i1.5126","url":null,"abstract":"Imagism aims at creating poetry as art, pursuing the clarity and beauty of language, and implying personal emotions via images. While Imagism brings the most influential change in English literature, Chinese traditional poetry with its unique cultural and historical style stands out in world literature with rich emotional expression through images. This literary study compares Ezra Pound’s imagist poems with classical Chinese poetry, reviewing his translations of Chinese. To scrutinize the data, a qualitative research method that covers document analysis techniques was implemented comprehensively. The research reveals that Pound’s translated Chinese poems build a strong bond between the two cultures. Chinese traditional poems and Imagism poems share their love of descriptive language, a passion for accurate detail creation, joyfulness towards metaphor, analogy, personification, and other writing techniques, while they all conserve their own art form and identities Keywords: Chinese poem, Ezra Pound, Imagism","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"383 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133834788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Visual Studies: Identification of Cangkuang Temple As a Heritage Relic of Ancient Sunda Kingdom with Juxtaposing Technique","authors":"R. Rahmadi, Aldi M Fitrah","doi":"10.23969/jijac.v1i2.4446","DOIUrl":"https://doi.org/10.23969/jijac.v1i2.4446","url":null,"abstract":"West Java has various relics of buildings and ancient artifacts that have the characteristics of buildings based on Hinduism, Buddhism and other older cultures. One of these remains is the Cangkuang Temple (8M) located in Garut, West Java. This temple is a Hindu-style temple, and is believed to be a relic of the Ancient Sundanese Kingdom. However, what is interesting about this Cangkuang Temple building is that it has quite different building characteristics from other sacred buildings of the ancient Sundanese people that were around the same era and in the surrounding area. This Cangkuang Temple has some similarities from the characteristics of the buildings generally from Ancient Sundanese, but has quite a few different distinct building features. This makes the question of whether Cangkuang Temple is really a relic from Ancient Sundanese Kingdom or by another kingdom in the different era. Therefore, in this research, the writer tries to raise the issue of these characteristics and differences. In the process, the writer compares the photo of the temple and the comparator with the Diptych and Triptych technique to identify the similarities and differences of the temples as objects. The research methodology used in this reseras is a descriptive qualitative visual study, with the data collection methods used are field observations, literature reviews and interviews. The objects that are observed are the sacred buildings of the Sundanese people of the same era and those in the surrounding area. In the end, after the photos are juxtaposed, they will be further validated to get the final conclusion. This research also includes comparisons with Gedong Songo Temple which complements the existing comparisons between the buildings of the Tarumanegara (Batujaya), Ancient Sundanese (Bojongmenje) and Galuh / Kalingga / Medang (Gedong Songo) era’s building to see their characteristics comparison","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125979194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Vol. 1 No. 2 July 2021","authors":"","doi":"10.23969/jijac.v1i2","DOIUrl":"https://doi.org/10.23969/jijac.v1i2","url":null,"abstract":"","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114571330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mixed Cultural Representation of Stuart's Character in Minions As a Symbol of Strength and Protection\u0000Mixed Cultural Representation of Stuart's Character in Minions As a Symbol of Strength and Protection","authors":"Zaini Ramdhan","doi":"10.23969/jijac.v1i2.4382","DOIUrl":"https://doi.org/10.23969/jijac.v1i2.4382","url":null,"abstract":"The myth of the one eye symbol is a symbol of the symbolism of symbols that are still unclear and hidden visual signs. Interpretations can be unclear and varied, Connecting with the sign of the Illuminati, the sun god with the eye symbol depicted single or one will have a psychological impact on the one who reads it. History records of artifacts made about the shape of the eye symbol and other forms. It is in ancient religious symbols of worship and leadership. The Sumerians demonstrated the sanctity of certain sculptures, the shape of the eyes enlarged by an abnormal size gave the impression, the message of sensation from the statue. Making performances of religious ceremonies, artists seek to bring sculptures to life in the way they do eye openings. The ancient Egyptian civilization was the originator of the disembodied eye as a symbol of the single eye. One of the well-known symbols of Egypt is the eye of the sun god in Pharaoh's mythology. The image is a mixture of the image of a human eye combined with an eagle's eye, with eyebrow markings, dark cheek markings of a bird. And also various forms of the relics of the modern era associated with the shape of the image of the one eye. In this case, Semiotics is a branch of science that studies a sign. Semiotics comes from the Greek word: semeion, which means sign. Sign as something that represents something; metaphor. The process of a sign as a representative occurs when the sign is reinterpreted concerning what it represents, in the form of visual forms, colors in works of art. It can be said that Semiosis is a process in which the sign becomes a function as a representative of the signified. The focus of researchers in the study of semiotics here is a visual sign of combining entities that are used as representations of the represented entities. This representation process is often called signification. This research is how the visual sign of the one eye on the animated minion character named Stuart can be a representation of the one eye symbol in the past and modern era that represents it both in shape and color.","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125301282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Study of the Form and Meaning of the Nawa Gapura Marga Raja as an Artefact of the Cirebon Cultural Community\u0000Form and Meaning Nawa Gapura Marga Raja","authors":"Fadhly Abdillah, S. Sabana, I. Santosa","doi":"10.23969/jijac.v1i2.4371","DOIUrl":"https://doi.org/10.23969/jijac.v1i2.4371","url":null,"abstract":"A work of traditional culture by the geniuses of Cirebon's past, named Nawa Gapura Marga Raja, is one of the historical buildings that are still sacred. There are 9 doors or gates, each of which is gathered in one area of ​​the building. The form and meaning of the number of gates for the author is a very interesting phenomenon to study, its relation to cultural expressions that allow so many symbolic values ​​to be interpreted. This study of form and meaning aims to analyze and gain knowledge related to the form and visual meaning of the gates in this building. To find out the meaning of the physical form of Nawa Gapura Marga Raja, this study uses an art criticism approach from Edmund Burke Feldman with the visual narration method of Gerard Genette. In the process, the research goes through the following stages; literature study, observation, and conducting interviews with related parties. From the results of the analysis, it is understood that the structure of the form and layout of the building is heavily influenced by the spatial concept of primordial culture mixed with a new culture, so that it represents a myth, also has meanings that are closely related to religious teachings, culture and leadership values. Keywords: form, art criticism, visual narrative, meaning, nawa gapura marga raja","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115636758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Development of SWOT Method with Additional Elements of Aspirations and Results in Music Industry","authors":"Kanggep Andrijana Kusuma","doi":"10.23969/jijac.v1i2.4331","DOIUrl":"https://doi.org/10.23969/jijac.v1i2.4331","url":null,"abstract":"The development of strategies to win the music industry business competition is growing and is becoming one of the most important and a mainstay in companies engaged in the music industry in planning strategies for achieving organizational goals both now and in the future. From that thought, the authors combined the well-known SWOT methodology with several complementary elements which are expected to make this method more effective in analyzing and providing valuable inputs for the progress of a music industry. We hereby include the elements of Aspiration and result taken from the SOAR methodology to be combined with the SWOT design so that it is hoped that it will become a method that can provide better results.\u0000Keywords: SWOT, SOAR, Analytical, Business, Method, Planning, Strategic Planning,","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128184097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bloom’s Taxonomy in Viewing Sakola Kautamaan Istri’s Educational Conception (A Historical Cultural Study of Sundanese Women Empowerment Concept in 1904)","authors":"Restu Dessy Maulida","doi":"10.23969/jijac.v1i2.5984","DOIUrl":"https://doi.org/10.23969/jijac.v1i2.5984","url":null,"abstract":"This research is intended to analyse Sundanese women empowerment concept that put into practice in Sakola Kautamaan Istri (Women Proficiency School) –formerly Sakola Istri- that proposed by Rd. Dewi Sartika in 1904. The school she founded was the first women's fomal and legal educational institution for common civilian class to be established in the Dutch colonialism era when the education for women was considered unnecessary. Bloom’s taxonomy is chosen as the utensil for viewing the educational objective concept and lessons learned at school. The research is included into qualitative descriptive research that employed document analysis approach. The discussion result reveals that cageur, bageur, pinter, wanter (vigorous, kind-hearted, intelligent, courageous) philosophy and the lessons learned at Sakola Kautamaan Istri in 1904 had accomplish the Bloom’s taxonomy domains theory, namely: cognitive, affective, and psychomotor. \u0000\u0000Keywords: Bloom’s taxonomy, Historical-cultural Study, Sakola Kautamaan Istri, Sundanese Women Empowerment.","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126829670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Global Culture Reproduction Through The String Orchestra’ Repertoire\u0000\u0000(The Role of Brandenburg Concerto III BWV 1084 J.S Bach toward the Skills and the musical Spirit of Strings Ensemble Students at the Pasundan University Music Study Program)","authors":"Ferry Matias, Abraham Lutfiansyah","doi":"10.23969/jijac.v1i1.3407","DOIUrl":"https://doi.org/10.23969/jijac.v1i1.3407","url":null,"abstract":"The selection of repertoire on a musical ensemble is quite important, especially in the context of rehearsal in the non-professional string ensemble community. It is very common if there is a diversity of skill levels in each member. Such diversity will usually be a common obstacle when it comes to determining a shared repertoire. An overly difficult repertoire (advance) will be difficult for some members otherwise an easy one will create a bored atmosphere for members who are already proficient. Even the role of unbalanced work will make some members may struggle while others will become bored so that the rehearsal atmosphere is not conducive. The author observed that there is an interesting repertoire that is often used as an ensemble rehearsal material in the bowed string’s formation, namely Brandenburg Concerto no. III BWV 1048 Part III in G Major by Johan Sebastian Bach for 3 violins, 3 violas, 3 cellos and 1 double bass. This work is often used as an alternative work together in the community environment of string orchestras in Bandung, and based on the observation of the author of this work is often used in several workshops and ensemble learning materials, with a relatively balanced role, this complex-sounding work has techniques and finger positions that can still be reached by players in the skill range level 3-5 ABRSM. The authors collected data through observations, interviews and documentation on Unpas Music Study Program students who had played this work. After being described and analyzed, the authors found that this work had a significant role in improving ensemble skills playing in string ensembles that would indirectly also improve their individual skills especially for advanced entry-level string instrument students.\u0000\u0000Keywords: Brandenburg Concerto III, String Orchestra, Music Ensembles, Baroque, Bach.","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125502934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Meaning of Tri Tangtu Principles in Sundanese Traditional Game “Oray-orayan”","authors":"Erna Nurmalinda","doi":"10.23969/jijac.v1i1.3451","DOIUrl":"https://doi.org/10.23969/jijac.v1i1.3451","url":null,"abstract":"In West Java (Bandung) there are copious traditional games that are actually still played by children. But because of technological advances and the absence of fields for playing, the traditional games is now sidelined and even forgotten. Games are offered now, not only traditional games but also the games that sophisticated technological based derived from abroad. The traditional games of West Java that used to be played have been put aside. Traditional “Oray-orayan” game is a game of boys and girls known since ancient times. Besides educational elements (choir, sports and sensitivity) this game is also containing a fun entertainment for children. In Traditional Games “Oray-orayan” the desires can arise from thoughts or deeds, then the mind or knowledge evokes desire, after that there is a process of thought so that desire can manifested in action. The pattern of the three relationships in Tritangtu can be known from the structure of objects or artifacts. Tritangtu reflects and is represented in all systems and sub systems in Sundanese culture such as the State system, Social system, Legal system, Art system and others that relates to Tritangtu principles.\u0000\u0000Keywords; Game, Traditional, Oray-orayan, Meaning, Tritangtu.","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127752556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Process of Deepening the Character in Dokudrama “Film Perjuangan K.H. Muhyiddin”","authors":"Muhammad Faiz Bolkiah, Amalia Sabila","doi":"10.23969/jijac.v1i1.3432","DOIUrl":"https://doi.org/10.23969/jijac.v1i1.3432","url":null,"abstract":"Dokudrama is a non-fiction film that presents a story based on a true story. Besides being an entertainment medium, a film can also be a learning medium since film provides a good story content and messages. Therefore, it needs an actor as a subject to convey the message of the story that the director wants to deliver. To play a character in a movie, an actor must be able to delve into whatever character is given. Unlike documentaries, dokudrama films use actors as the main subject. An actor in a docudrama should be able to play a subject who has ever been real. An actor in a dokudrama film should be able to play a good role without removing the hallmarks of the original subject. A deepening process in a role, making every actor have their own way in learning the character. The differences in studying and delving into these characters is the focus of this research by using qualitative research methods, by re-describing the results of the researcher's analysis with the main theory. To create this study, the researchers used the presentation theory from Stanislavsky. The acting theory of this presentation has been used since the world of casting art entered Indonesia. This research aim is to find out the character deepening conducted by actors in the dokudrama film “Perjuangan K.H. Muhyiddin” based on the Stanislavsky’s acting presentation theory.\u0000Keywords: Dokudrama, Qualitative, Casting, Stanislavsky, Biography","PeriodicalId":279934,"journal":{"name":"Jomantara: Indonesian Journal of Art and Culture","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116452598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}