Study of the Form and Meaning of the Nawa Gapura Marga Raja as an Artefact of the Cirebon Cultural Community Form and Meaning Nawa Gapura Marga Raja

Fadhly Abdillah, S. Sabana, I. Santosa
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Abstract

A work of traditional culture by the geniuses of Cirebon's past, named Nawa Gapura Marga Raja, is one of the historical buildings that are still sacred. There are 9 doors or gates, each of which is gathered in one area of ​​the building. The form and meaning of the number of gates for the author is a very interesting phenomenon to study, its relation to cultural expressions that allow so many symbolic values ​​to be interpreted. This study of form and meaning aims to analyze and gain knowledge related to the form and visual meaning of the gates in this building. To find out the meaning of the physical form of Nawa Gapura Marga Raja, this study uses an art criticism approach from Edmund Burke Feldman with the visual narration method of Gerard Genette. In the process, the research goes through the following stages; literature study, observation, and conducting interviews with related parties. From the results of the analysis, it is understood that the structure of the form and layout of the building is heavily influenced by the spatial concept of primordial culture mixed with a new culture, so that it represents a myth, also has meanings that are closely related to religious teachings, culture and leadership values. Keywords: form, art criticism, visual narrative, meaning, nawa gapura marga raja
Nawa Gapura Marga Raja的形式和意义研究——作为奇雷邦文化社区的人工制品
由西里本过去的天才们建造的传统文化作品,名为Nawa Gapura Marga Raja,是仍然神圣的历史建筑之一。有9个门或大门,每一个都聚集在建筑的一个区域。对于作者来说,门的数量的形式和意义是一个非常有趣的研究现象,它与文化表达的关系使得许多象征性的价值得以解释。形式与意义的研究旨在分析和获得与该建筑中大门的形式和视觉意义相关的知识。为了找出《Nawa Gapura Marga Raja》的物质形式的意义,本研究采用了Edmund Burke Feldman的艺术批评方法和Gerard Genette的视觉叙事方法。在此过程中,研究经历了以下几个阶段;文献研究,观察,并与相关方进行访谈。从分析的结果中可以了解到,建筑的形式和布局的结构深受原始文化与新文化混合的空间概念的影响,使其代表了一个神话,也具有与宗教教义、文化和领导价值观密切相关的意义。关键词:形式,艺术批评,视觉叙事,意义,nawa gapura marga raja
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