International Journal of Creative Industries最新文献

{"title":"THE INFLUENTIAL MUSICAL COMPOSITIONAL TOOLS OF MALAY POPULAR MUSIC IN MALAYSIA OF THE MID 20th AND THE EARLY 21st CENTURY","authors":"James P. S. Boyle, Mohd Nasir Hashim, Y. Chang","doi":"10.35631/ijcrei.49001","DOIUrl":"https://doi.org/10.35631/ijcrei.49001","url":null,"abstract":"In the mid-20th century, it is noteworthy that Malay popular music composed\u0000in this era was heavily influenced by various stylistic and cultural musical forms\u0000of both the traditional Malay styles such as asli, inang, joget, zapin and even\u0000keroncong, and also by Western idioms and styles. Branded as jazz ballads in\u0000the Mid-20th Century, Malay popular music is a key subject in unveiling the\u0000musical changes in the Malay popular music history of Peninsula Malaysia. In\u0000the 1960s, there was a trend to compose Malay popular music with heavily\u0000influenced idiomatic jazz harmonics in the many various Western styles. In the\u0000early 21st century, as it has musically and stylistically evolved, Malay popular\u0000music became closely associated with the continuous dissemination of patriotic\u0000songs in Malaysia as well as an amalgamation of the various trending styles of\u0000the Western hemisphere such as funk, pop, rhythm and blues, gospel and even\u0000rock music. Throughout it all, the continued and consistent harmonics of Jazz\u0000Music have been an ever-present tool for many Malay Popular Music\u0000composers since the early years of independence. This paper will focus on four\u0000chosen compositions, two from each of the time frames in focus and each tune\u0000will have an analysis from a singular compositional viewpoint, be it melodic\u0000(Gema Rembulan-Jimmy Boyle, 1956), chordal (Air Mata Berderai-Alfonso\u0000Soliano,1964) or the dissertation of the song-form (Selingkuh Kasih-Mokhzani\u0000Ismail,2006 & Gemilang-Aubrey Suwito,2005). Through the analysis of the\u0000chosen musical scores, this paper intends to reintroduce and refresh the\u0000essential elements of composing a Malay Popular Music composition as well\u0000as the musical influences and changing mindsets of approach on the different\u0000compositional styles of Malay popular music, its culture, and identity, of the mid-20th and the early 21st centuries of Malaysia to the current and future\u0000composers of this genre.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122436394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CUPAK GERANTANG TRADITIONAL THEATER: INTERPRETATION OF TEXT MEANING AS EFFORT TO STRENGTHEN CHARACTER","authors":"Taufik Mawardi, Fara Dayana Mohd Jufry, Rapi Renda","doi":"10.35631/ijcrei.38007","DOIUrl":"https://doi.org/10.35631/ijcrei.38007","url":null,"abstract":"The Cupak Gerantang Theater is a traditional art that is starting to be threatened with extinction (crisis-existence). This happens because the younger generation (Lombok) were more likely to be interested in and enjoy modern spectacles which are considered more interesting and entertaining. Whereas the traditional art of Cupak Gerentang does not only talk about entertainment, but there is a content of meaning about the value of local wisdom of the Sasak people which can be used as guidance or learning. This research is a descriptive qualitative type of library method. The purpose of this study is to describe the meaning of the local wisdom values of the Sasak people in the Cupak Gerantang drama script and how the traditional Cupak Gerentang theater supports efforts to strengthen character education. Analysis of the data using the semiotic theory of Aston and Savona. Aston and Savona's theory is used to interpret the meaning of the local wisdom values of the Sasak people in the text, that values are then relevant to character education. The data in this study are the dialogues of the characters in the script, the characters, and the storyline of the Cupak Gerantang script. The data sources of this research are the complete script and video of the Cupak Gerantang performance obtained from the documentation study. The results of the study found that there were meanings about the value of local wisdom of the Sasak people in the text, including moral teachings, independence, religiosity, mutual cooperation, love for the homeland, and personal integrity.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125782918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANALYSIS OF PHILOSOPHICAL VALUE IN PENCAK SILAT’S SALUTATION AND PRASETYA THREE MOVE AS A SUNDANESE’S VIEW OF LIFE","authors":"Yuliawan Kasmahidayat","doi":"10.35631/ijcrei.38008","DOIUrl":"https://doi.org/10.35631/ijcrei.38008","url":null,"abstract":"The study of the philosophy of human life on this earth is visualized in the behavioral patterns of the people in which they were born. Such behavior reflects the cultural pattern of the ancestors of the community which is passed down from generations. The concept of Sajatina Hirup was adopted from the journey of life that is applied among the community residing in the village of Mekar Wangi, Saketi District, Pandeglang Regency, Banten Province, Indonesia. The journey of life is illustrated in three parts, namely birth, life, and death. While Islamic’s point of view in life on this earth conditioned by habluminannas, habluminnallah, and habluminalam. The concept of Sajatina Hirup is expressed in Pencak Silat, in the salutation phase and the three Prasetya moves. It is also supported by the costumes in Pencak Silat which relfect deep philosophical values of human life. The Sundanese philosophy of life is analyzed based on the depth of the meanings contained in the presentation of the Prasetya moves.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127672450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ABSTRACTION OF TRADITIONAL CRAFTS INTO EXPRESSIVE SUSTAINABLE ARCHITECTURE","authors":"N. Baniyamin, Aida Shazlin Shaharom","doi":"10.35631/ijcrei.38006","DOIUrl":"https://doi.org/10.35631/ijcrei.38006","url":null,"abstract":"Socio-cultural aspects of craft, along with aesthetic and creativity, are expressed in the products of craft practices. Craft activities of weaving may be deeply imbued with unique cultural values and expressive of cultural identities. The paper concerns how traditional Malay craft is abstracted onto a real-life project which has to deal with the problem of modularity and buildability. The focus is on the food covers or better known as tudung saji pattern, woven using a specific technique called triaxial or hexagonal weave, where the strands are plaited in three directions. Understanding and making explicit, formalizing and computing the craft patterns provide new insights into its cultural dynamics as well as creative and generative possibilities. The paper summarizes the design process from craft to meaning and philosophy to variations of modern abstraction. The concepts were integrated into an innovative cladding design of a passive cooling system. The design and development process of water-wall design includes the production of digital three-dimensional model. The efforts to merge craft sensibilities and practices with new making technologies and computational strategies have uncovered several interesting viewpoints. The implication of the study is to inculcate the symbolic application of cultural values in craft goods towards design. Future work towards sustainability in craft is part of revival. Traditional Malay craft need abstraction and reinvention in a contemporary way, to create an expressive connection and foster cultural identity within time and space.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124848200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ONLINE COMIC/CARTOONS (Covid-19) AS A MEDIUM OF SATIRE CONSCIOUSNESS","authors":"Fazlina Mohd Radzi, Liza Marziana Binti Mohammad Noh, Haslinda Abd Razak, Shaliza Dasuki, Nor Arseha Karimon","doi":"10.35631/ijcrei.38004","DOIUrl":"https://doi.org/10.35631/ijcrei.38004","url":null,"abstract":"This study aims to examine the meaning and style of satire delivery through comics and cartoons websites by making the theme of the Covid-19 pandemic uploaded through social media. Apart from that, the researcher will trace the history of the beginning of cartoons and comics in Malaysia starting from the pre-independence and post-independence era in brief until the era of digitization. The approach of this study and writing is to understand the appreciation of the form and meaning of the work and also the context of its production. Using art history methodology based on contextual analysis is the basis of this study. Includes aspects of description, analysis, interpretation, and consideration used as a guide in the research of the work. Apart from that, there are also themes related to cultural and social aspects which are very close to the souls of Malaysians by using Edmund Burke Feldman's method of analysis. The findings of this study indicate that advances in the use of technology do not ignore the link between the visual art of website cartoons and current issues plaguing the world.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124472030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"NARRATIVE GENIUS AND THINKING IN TWO MALAY ORAL LITERATURE","authors":"A. Ridhwan","doi":"10.35631//ijcrei.38005","DOIUrl":"https://doi.org/10.35631//ijcrei.38005","url":null,"abstract":"In Malaysia, oral literature which is conveyed through a storyteller is the most ancient and instinctive art. Through the recording of the oral literature, which is then printed and marketed, the people today can enjoy the heritage of oral literature that narrates the structure of the society as well as various issues and conflicts of its time. In oral literature, it contains the genius of narrative and the genius thought of the nation’s storyteller, especially Pawang Ana through his masterpieces namely Hikayat Malim Dewa and Hikayat Anggun Che Tunggal. Both stories, recorded around 1886, narrate the voyage of a group of Malay warriors to Portugal to counter-attack the western colonists and gain victory. These two works of oral literature not only contain elements of ethnocentrism but are laden with postcolonial thinking, about seven decades ahead of postcolonial discourse by modern scholars that began to emerge around the 1950s.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129874494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CREATIVITY ELEMENT IN 21ST CENTURY LEARNING: THEORY AND AFFECTING FACTORS","authors":"Faridah Anum Abdul Wahid, A. Husain, Z. Haris","doi":"10.35631/ijcrei.38002","DOIUrl":"https://doi.org/10.35631/ijcrei.38002","url":null,"abstract":"Creativity is acknowledged as one of the most important elements of skills in 21st-century learning but to which extent that it is possible to draw researchers to study the driving factors and barriers to the implementation of such elements. Using systematic review is a process of identifying all credible evidence of a clinical problem, the main objective of this article is to provide a theoretical justification of the variables of student creativity development. This article will explain the different aspects of factors affecting the development of student creativity focusing on students with low socioeconomic background problems and at risk of dropping out. In addition, opinions from creativity theories and models were analyzed to obtain similarities and differences of views on contributing and hindering factors. The purpose is that the findings of the analysis will help various parties to find alternatives in helping the problem of creativity among the students. Based on the purpose of this study is to identify the factors of creativity of students based on theory and literature review, researchers use content analysis methods on theory, model, the study literature from 2015 to 2021. The results of the study discovered that individual factors, motivation, environment, and actualization are key variables that aid the creative process of students from low socioeconomic backgrounds. In line with the theoretical framework model, we suggest that future research can complement the research gap as the basis for long-term creative development as well as methods of how to overcome controllable dominant factors. Our literature review has underlined a number of themes and insights that hopefully will be useful for future studies.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125968614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TRADITIONAL MUSIC RAPA'I GEURIMPHENG AS A FORM OF SYMBOLIC COMMUNICATION IN THE PIDIE COMMUNITY","authors":"Ahmad Syai","doi":"10.35631/ijcrei.38003","DOIUrl":"https://doi.org/10.35631/ijcrei.38003","url":null,"abstract":"Rapa'i is traditional music perform in Aceh, especially in Pidie Regency. Rapa'i geurimpheng way of playing musical instruments like round like tambourine. Geurimpheng in Acehnese means rapa'i, \"grik and pheng\". There is no literature yet on when rapa'i geurimpheng appears, but rapa'i geurimpheng music is behind several phases, ranging from a period of very long conflict to the peak of the tsunami disaster. Today rapa'i geurimpheng began to exist again and continued father. The purpose of this study (1) is to study traditional music rapa'i geurimpheng as a form of symbolic communication in pidie society. (2) Reviewing traditional rapa'i geurimpheng music as a form of symbolic communication for educational media for pidie people. The method used in this study is descriptive qualitative which is interpretive with a cultural approach. The results showed that communication took place between rapa'i players and the audience, communication settings occurred during the performance, as well as better audience understanding during the performance, stimulus from the performer, and response from the audience.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126722593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MALAY GAMELAN: PLAYING TECHNIQUES OF THE KEROMONG AND GAMBANG","authors":"Teuku Umar Ilany Teuku Iskandar, Marzelan Salleh","doi":"10.35631/ijcrei.38001","DOIUrl":"https://doi.org/10.35631/ijcrei.38001","url":null,"abstract":"Malay gamelan is a traditional music ensemble that accompanies the Joget Gamelan dance and was found in the palace of Johor-Riau, Pahang, and Terengganu in the 19th century, before disappearing in 1942. Malay Gamelan was exclusively taught in the palace orally, that is, through the process of listening, observing, memorising, and repeating; much like other classical Malay traditional arts. This study was initiated to discuss some aspects of Malay gamelan music in detail as there is little documentation regarding Malay gamelan in the academic world. Several writings on Joget Gamelan were produced based on the 1966 discovery in Terengganu and the inaugural performance in 1969 at the University of Malaya. However, attention to the different aspects of Malay gamelan music was not exhaustive. This study explores the playing techniques of keromong and gambang that were traditionally taught and passed down among Malay gamelan practitioners. A qualitative method was used in this research, whereby the earliest recordings of Malay gamelan music were analysed and interviews were conducted with informants, or also known as adiguru of Malay gamelan practitioners who studied directly with the last generation of Terengganu court musicians. The objective of this study is to 1) identify the techniques of keromong playing in Malay gamelan, and 2) identify the techniques of gambang playing in Malay gamelan. Findings from this study will provide an understanding of the musical instruments and what defines the style of Malay gamelan music, as well as become a guide for future researchers and practitioners in efforts to conserve and preserve the Malay traditional art.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126987473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EXPERIMENTATION COLOUR OF GLAZE USING A VARIOUS STONE IN SABAH","authors":"Noresah Fauzi, I. Ibrahim, S. E. Arshad","doi":"10.35631/ijcrei.37001","DOIUrl":"https://doi.org/10.35631/ijcrei.37001","url":null,"abstract":"Ceramics are the oldest art objects ever produced by humans since prehistoric times. Ceramics are made from clay and will change character when exposed to high temperatures above 1200 degrees celsius. Ceramic product is covered with a layer of glass which is a glaze and has a high resistance to temperature or heat. This research aims to document the production of glaze color systematically using various types of stone in Sabah such as Sungai Moyog stone, Lombong Mamut stone, and stone in Sports Complex, Ranau on the surface of the specimen body produced using by kaolin. In addition, this research also aims to identify the response of experimental samples using a mixture of different percentages using the formula Triaxial Line Blend on the surface of kaolin involving aspects of the material, type of combustion, and decoration techniques. The production of glaze color using natural materials which is a Sungai Moyog stone, Lombong Mamut stone, and Sports Complex stone found around Ranau and Kota Kinabalu, Sabah is an innovation in the production of color sourced from natural materials as well as efforts to develop the ceramic industry in Malaysia. It is more to the production of natural materials that have undergone the production process to produce a new glaze color. Preliminary studies using samples from color agents which are Sungai Moyog stone, Lombong Mamut stone, and Ranau Sports Complex stone were conducted experimentally. The research includes the preparation and formulation of glaze using the material until it successfully produces color pigments according to the temperature reaction and the type of combustion that has been implemented. This research also aims to study the suitability of glaze color on the surface of ceramic products such as kaolin. In conclusion, through this research, we will better understand the processes and ways how to produce glaze color in the ceramic industry by using natural materials found in the environment. Through this research as well, it is possible to identify the minerals present in the experimental materials that influence the reaction in the production of ceramic glaze color.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122489662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}