两种马来口头文学的叙事天才与思考

A. Ridhwan
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引用次数: 1

摘要

在马来西亚,通过讲故事的人来传达的口头文学是最古老、最本能的艺术。通过对口头文学的记录,然后印刷和销售,今天的人们可以享受口头文学的遗产,它讲述了社会结构以及当时的各种问题和冲突。在口头文学中,它包含了叙事的天才和民族说书人的天才思想,特别是帕旺阿那通过他的代表作《Hikayat Malim Dewa》和《Hikayat Anggun Che Tunggal》。这两个故事都记录于1886年左右,讲述了一群马来战士前往葡萄牙反击西方殖民者并取得胜利的故事。这两部口头文学作品不仅包含种族中心主义的元素,而且充满了后殖民思想,比20世纪50年代左右开始出现的现代学者的后殖民话语早了大约70年。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
NARRATIVE GENIUS AND THINKING IN TWO MALAY ORAL LITERATURE
In Malaysia, oral literature which is conveyed through a storyteller is the most ancient and instinctive art. Through the recording of the oral literature, which is then printed and marketed, the people today can enjoy the heritage of oral literature that narrates the structure of the society as well as various issues and conflicts of its time. In oral literature, it contains the genius of narrative and the genius thought of the nation’s storyteller, especially Pawang Ana through his masterpieces namely Hikayat Malim Dewa and Hikayat Anggun Che Tunggal. Both stories, recorded around 1886, narrate the voyage of a group of Malay warriors to Portugal to counter-attack the western colonists and gain victory. These two works of oral literature not only contain elements of ethnocentrism but are laden with postcolonial thinking, about seven decades ahead of postcolonial discourse by modern scholars that began to emerge around the 1950s.
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