{"title":"传统音乐rapa 'I geurimpheng作为pidie社区的一种象征性交流形式","authors":"Ahmad Syai","doi":"10.35631/ijcrei.38003","DOIUrl":null,"url":null,"abstract":"Rapa'i is traditional music perform in Aceh, especially in Pidie Regency. Rapa'i geurimpheng way of playing musical instruments like round like tambourine. Geurimpheng in Acehnese means rapa'i, \"grik and pheng\". There is no literature yet on when rapa'i geurimpheng appears, but rapa'i geurimpheng music is behind several phases, ranging from a period of very long conflict to the peak of the tsunami disaster. Today rapa'i geurimpheng began to exist again and continued father. The purpose of this study (1) is to study traditional music rapa'i geurimpheng as a form of symbolic communication in pidie society. (2) Reviewing traditional rapa'i geurimpheng music as a form of symbolic communication for educational media for pidie people. The method used in this study is descriptive qualitative which is interpretive with a cultural approach. The results showed that communication took place between rapa'i players and the audience, communication settings occurred during the performance, as well as better audience understanding during the performance, stimulus from the performer, and response from the audience.","PeriodicalId":274231,"journal":{"name":"International Journal of Creative Industries","volume":"33 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"TRADITIONAL MUSIC RAPA'I GEURIMPHENG AS A FORM OF SYMBOLIC COMMUNICATION IN THE PIDIE COMMUNITY\",\"authors\":\"Ahmad Syai\",\"doi\":\"10.35631/ijcrei.38003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Rapa'i is traditional music perform in Aceh, especially in Pidie Regency. Rapa'i geurimpheng way of playing musical instruments like round like tambourine. Geurimpheng in Acehnese means rapa'i, \\\"grik and pheng\\\". There is no literature yet on when rapa'i geurimpheng appears, but rapa'i geurimpheng music is behind several phases, ranging from a period of very long conflict to the peak of the tsunami disaster. Today rapa'i geurimpheng began to exist again and continued father. The purpose of this study (1) is to study traditional music rapa'i geurimpheng as a form of symbolic communication in pidie society. (2) Reviewing traditional rapa'i geurimpheng music as a form of symbolic communication for educational media for pidie people. The method used in this study is descriptive qualitative which is interpretive with a cultural approach. The results showed that communication took place between rapa'i players and the audience, communication settings occurred during the performance, as well as better audience understanding during the performance, stimulus from the performer, and response from the audience.\",\"PeriodicalId\":274231,\"journal\":{\"name\":\"International Journal of Creative Industries\",\"volume\":\"33 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Creative Industries\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.35631/ijcrei.38003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Creative Industries","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35631/ijcrei.38003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
拉帕伊是亚齐的传统音乐,尤其是在皮迪摄政。Rapa'i geurimpheng是一种演奏乐器的方式,比如圆形的小手鼓。Geurimpheng在亚奇语中的意思是rapa'i,“grik and pheng”。目前还没有关于rapa'i geurimpheng何时出现的文献,但rapa'i geurimpheng音乐背后有几个阶段,从漫长的冲突时期到海啸灾难的高峰期。今天,rapa'i geurimpheng开始再次存在,并继续父亲。本研究的目的(1)是研究传统音乐rapa'i geurimpheng在pidie社会中作为一种符号交流形式。(2)回顾传统的rapa'i geurimpheng音乐作为pidie人教育媒介的符号传播形式。本研究中使用的方法是描述性定性的,这是用文化方法解释的。结果表明:演奏者与观众之间发生了交流,演奏过程中发生了交流设置,演奏过程中观众的理解、表演者的刺激和观众的反应都有所提高。
TRADITIONAL MUSIC RAPA'I GEURIMPHENG AS A FORM OF SYMBOLIC COMMUNICATION IN THE PIDIE COMMUNITY
Rapa'i is traditional music perform in Aceh, especially in Pidie Regency. Rapa'i geurimpheng way of playing musical instruments like round like tambourine. Geurimpheng in Acehnese means rapa'i, "grik and pheng". There is no literature yet on when rapa'i geurimpheng appears, but rapa'i geurimpheng music is behind several phases, ranging from a period of very long conflict to the peak of the tsunami disaster. Today rapa'i geurimpheng began to exist again and continued father. The purpose of this study (1) is to study traditional music rapa'i geurimpheng as a form of symbolic communication in pidie society. (2) Reviewing traditional rapa'i geurimpheng music as a form of symbolic communication for educational media for pidie people. The method used in this study is descriptive qualitative which is interpretive with a cultural approach. The results showed that communication took place between rapa'i players and the audience, communication settings occurred during the performance, as well as better audience understanding during the performance, stimulus from the performer, and response from the audience.