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ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies最新文献

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Inside the Linguistic Laboratory: The New Languages of Politics in Eighteenth-Century Russia and their Craftsmen 语言实验室内部：十八世纪俄罗斯的新政治语言及其工匠
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1434
Rodolphe Baudin
{"title":"Inside the Linguistic Laboratory: The New Languages of Politics in Eighteenth-Century Russia and their Craftsmen","authors":"Rodolphe Baudin","doi":"10.21900/j.vivliofika.v11.1434","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v11.1434","url":null,"abstract":"Review of: S. V. Pol’skoi & V. S. Rzheutskii, eds., Laboratoriia poniatii. Perevod i iazyki politiki v Rossii XVIII veka. Moscow: Novoe literaturnoe obozrenie, 2022.","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"54 33","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138946348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Search of Nature and Consciousness in Andrei Bialobotskii’s Pentateugum: Classical Echoes and Modern Impulses 在 Andrei Bialobotskii 的《Pentateugum》中寻找自然与意识：古典回响与现代冲动
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1425
Erica Camisa Morale
{"title":"In Search of Nature and Consciousness in Andrei Bialobotskii’s Pentateugum: Classical Echoes and Modern Impulses","authors":"Erica Camisa Morale","doi":"10.21900/j.vivliofika.v11.1425","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v11.1425","url":null,"abstract":"Through close reading and reference to the philosophies of the time, this paper demonstrates how the long poem Pentateugum (1690s) by Andrei Bialobotskii (ca. 1640-1720) offers us a dynamic picture of the tensions —between Classical and Orthodox cultures and between religious and secularized literatures—leading to the East Slavic Enlightenment. According to Andrei Bialobotskii, culture is vain because such is human knowledge. Simultaneously, culture triumphs because, through it, the subject acquires and expresses their consciousness in a summa that comprises the whole history of humankind. In this context, Classical culture provides a model for writing techniques and functions as the highest instance of punished vanity, while expressing the harmony between nature and the individual.","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"46 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138946439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ivan Argunov’s Portrait of Anna Kalmykova 伊万-阿尔贡诺夫的《安娜-卡尔梅科娃肖像
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1423
Alexandra Helprin
{"title":"Ivan Argunov’s Portrait of Anna Kalmykova","authors":"Alexandra Helprin","doi":"10.21900/j.vivliofika.v11.1423","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v11.1423","url":null,"abstract":"This article examines Ivan Petrovich Argunov’s 1767 painting of Anna Nikolaevna Kalmykova, one of many Kalmyk children removed from their families by the Russian military and forcibly adopted by elite Russians and Europeans. Both sitter and painter were, in different ways, unfree: Argunov was enserfed by the Sheremetev family and Kalmykova was their ward. Examining the portrait’s many visual antecedents and references, this paper argues that Argunov used the intimate, informal styles of Enlightenment portraiture in a way that enmeshed its subject and author in the harsh social hierarchies of the Sheremetev household and imperial society. The relatively loose facture of the painting and its attention to the sitter’s liveliness and youth demonstrate Argunov’s skill as a modern portraitist. But although Kalmykova dominates the composition of her own portrait (which makes it unlike most other portraits of Kalmyk people in Russia during this period), Argunov makes clear that she is subordinate to her patron and other members of her “adoptive” family. Mapping the power structures of the household that enserfed him, Argunov combined private and ceremonial idioms in a way that said much about Kalmykova’s status and his own – a manner of portraiture that could only be copied by other artists from outside the household.","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"48 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138946551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Гравированный автопортрет и портрет гравера. К вопросу о самосознании и социальном статусе граверов в России второй половины XVIII века 雕刻师的自画像和肖像。十八世纪下半叶俄罗斯雕刻家的自我意识和社会地位问题
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1422
З В Тетермазова
{"title":"Гравированный автопортрет и портрет гравера. К вопросу о самосознании и социальном статусе граверов в России второй половины XVIII века","authors":"З В Тетермазова","doi":"10.21900/j.vivliofika.v11.1422","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v11.1422","url":null,"abstract":"This paper examines the unique self-portrait prints which provide rich material for raising a number of previously overlooked questions related to Russian art in the age of Catherine the Great. It reveals why self-portrait prints were so rare in eighteenth-century Russia; what were the motives of those few printmakers who decided to turn to such an unpopular type of portrait at the time; what was the social position of printmakers; how they viewed themselves and their profession and what are the specifics of self-portraiture in printmaking in comparison with self-portraits in other media. As is shown in this work, the printed self-portrait allowed a printmaker to freely express himself in the way he wanted and also claimed a privileged social position for the depicted, reflecting the desire of the author-model to fit his image into the social hierarchy. The phenomenon was set somewhat apart from the official strategy for the development of Russian art in the eighteenth century, for it presumed a higher status for the artist as individual than was usual at the time, and anticipated, however unconsciously, the depths that would be discovered in artist’s self-portraits in the era of romanticism.\u0000 ","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"44 31","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138946561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Making Sense of the Empire’s Others:Mikhail Chulkov’s Dictionary of Russian Superstitions and the European Enlightenment 理解帝国的他者：米哈伊尔-丘尔科夫的《俄罗斯迷信词典》与欧洲启蒙运动
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1426
W. F. Holden
{"title":"Making Sense of the Empire’s Others:Mikhail Chulkov’s Dictionary of Russian Superstitions and the European Enlightenment","authors":"W. F. Holden","doi":"10.21900/j.vivliofika.v11.1426","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v11.1426","url":null,"abstract":"This article is an analysis of Mikhail Chulkov’s Dictionary of Russian Superstitions, published in 1782. It places the dictionary in the historical and cultural context of Enlightenment Europe, from which the genre was drawn, and suggests that Chulkov’s use of the genre was part of his own efforts to fashion himself as a civilized, Enlightened man. The article considers the various practices and beliefs described in the dictionary and lays out the various categories of people those which “superstitious” practices and beliefs were ascribed. By comparing the various categories of people described in the dictionary, the article argues that Chulkov’s vision of the Others of the Russian Empire was characterized by a sympathy towards Orthodox Christians and a skepticism about the ability of non-Orthodox subjects of the empire to become civilized. It also considers how Chulkov’s treatment of women and Old Believers reveals his own anxieties about the persistence of superstition into an ostensibly Enlightened era of history.","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"39 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138946468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Скиты” веселой Елизавет: Русские эрмитажи середины XVIII века 快乐伊丽莎白的 "小品"：18 世纪中叶的俄罗斯隐居生活
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1421
Анна Корндорф
{"title":"“Скиты” веселой Елизавет: Русские эрмитажи середины XVIII века","authors":"Анна Корндорф","doi":"10.21900/j.vivliofika.v11.1421","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v11.1421","url":null,"abstract":"The article is devoted to the history of the appearance of garden pavilions and Russian palace chambers also known as \"hermitages.\" The tradition of building hermitages as special-purpose premises, adopted in Russia in the early eighteenth century, had acquired during the reign of Empress Elizabeth Petrovna a meaningful national character and scope. Hereby, this tradition may be considered as one of the major cultural phenomena of that time. At the same time, Russian hermitages were significantly different in their function from the British and continental European hermitages. Their main function throughout the eighteenth century remained that of a private, isolated dining room equipped with a special table volante mechanism that allowed those who had gathered to eat without servants. The article therefore also pays attention to the role of mechanical tables and mechanical amusement machines in the baroque court culture. It also compares the design of Elizabeth Petrovna's dining hermitage in Tsarskoye Selo with European architectural treatises. The reader is also acquainted with the reasons for the development of such functional and iconographic features of Russian hermitage architecture, which occupies a special place in the vast and varied European tradition of hermitage construction.","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138944382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Karamzin Returns to France 卡拉姆钦返回法国
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1435
Sara Dickinson
{"title":"Karamzin Returns to France","authors":"Sara Dickinson","doi":"10.21900/j.vivliofika.v11.1435","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v11.1435","url":null,"abstract":"Review of: Nikolai Karamzin, Lettres d’un voyageur russe. Introduction, translation, notes and commentary by Rodolphe Baudin. Paris, Institut d’Études Slaves, 2022","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"49 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138945735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New Perspectives on Ukraine’s Eighteenth Century 乌克兰十八世纪的新视角
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1432
B. Skinner
{"title":"New Perspectives on Ukraine’s Eighteenth Century","authors":"B. Skinner","doi":"10.21900/j.vivliofika.v11.1432","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v11.1432","url":null,"abstract":"Review of: Zenon E. Kohut, Volodymyr Sklokin, and Frank E. Sysyn, with Larysa Bilous, eds., Eighteenth-Century Ukraine: New Perspectives on Social, Cultural and Intellectual History. Montreal & Kingston: McGill-Queens University Press and Edmonton & Toronto: Canadian Institute of Ukrainian Studies Press, 2023","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"58 43","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138946327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
St. Petersburg through Venetian Eyes: An Episode in Late Eighteenth-Century Book Illustration 威尼斯眼中的圣彼得堡：十八世纪晚期书籍插图的一个插曲
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2023-12-22 DOI: 10.21900/j.vivliofika.v11.1424
Emily Roy
{"title":"St. Petersburg through Venetian Eyes: An Episode in Late Eighteenth-Century Book Illustration","authors":"Emily Roy","doi":"10.21900/j.vivliofika.v11.1424","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v11.1424","url":null,"abstract":"This article analyzes a print that was published in Venice in 1797 as the opening image to a biography of Catherine II. Certainly prepared during the empress’s life, the publication appeared just months after her death in a watershed year for Europe which saw the fall of the Republic of Venice. The print imagines the moment that Peter the Great founded the new city of St. Petersburg over ninety years earlier. Through an exploration of the carefully constructed messages in the print, this paper examines the legacy of the image of Peter in Western Europe against which Catherine was understood. It considers the imagery of St. Petersburg in relation to Venice: the capitals of two empires, one in its ascendency and one at the point of collapse.","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138947345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Революция или эволюция? Взгляд на русский язык XVIII века сквозь призму источников 1740-х гг. 革命还是进化?从17世纪40年代源的棱镜中观察18世纪的俄语。
ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies Pub Date : 2022-12-15 DOI: 10.21900/j.vivliofika.v10.1151
Н. Д. Карева
{"title":"Революция или эволюция? Взгляд на русский язык XVIII века сквозь призму источников 1740-х гг.","authors":"Н. Д. Карева","doi":"10.21900/j.vivliofika.v10.1151","DOIUrl":"https://doi.org/10.21900/j.vivliofika.v10.1151","url":null,"abstract":"Review of Thomas Rosén, Russian in the 1740s. Boston: Academic Studies Press. 2022. 212 p. ISBN: 9781644697979.","PeriodicalId":269883,"journal":{"name":"ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122970467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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