在 Andrei Bialobotskii 的《Pentateugum》中寻找自然与意识:古典回响与现代冲动

Erica Camisa Morale
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摘要

通过细读和参考当时的哲学思想,本文论证了安德烈-比亚洛博茨基(Andrei Bialobotskii,约 1640-1720 年)的长诗《Pentateugum》(1690 年代)如何为我们提供了一幅动态的图景,展现了古典文化与东正教文化之间、宗教文学与世俗化文学之间导致东斯拉夫启蒙运动的紧张关系。安德烈-比亚洛博茨基认为,文化是虚妄的,因为这就是人类的知识。同时,文化之所以胜利,是因为主体通过文化获得并在包含整个人类历史的总和中表达自己的意识。在这种情况下,古典文化为写作技巧提供了一个范本,是被惩罚的虚荣心的最高体现,同时也表达了自然与个人之间的和谐。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
In Search of Nature and Consciousness in Andrei Bialobotskii’s Pentateugum: Classical Echoes and Modern Impulses
Through close reading and reference to the philosophies of the time, this paper demonstrates how the long poem Pentateugum (1690s) by Andrei Bialobotskii (ca. 1640-1720) offers us a dynamic picture of the tensions —between Classical and Orthodox cultures and between religious and secularized literatures—leading to the East Slavic Enlightenment. According to Andrei Bialobotskii, culture is vain because such is human knowledge. Simultaneously, culture triumphs because, through it, the subject acquires and expresses their consciousness in a summa that comprises the whole history of humankind. In this context, Classical culture provides a model for writing techniques and functions as the highest instance of punished vanity, while expressing the harmony between nature and the individual.
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