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Giuseppe Pagano e Franco Albini fotografi. Duplici sguardi 摄影记者朱塞佩·帕加诺和佛朗哥·阿尔比尼。双重的表情
Figure Pub Date : 2017-12-01 DOI: 10.6092/ISSN.2038-6184/7445
S. Setti
{"title":"Giuseppe Pagano e Franco Albini fotografi. Duplici sguardi","authors":"S. Setti","doi":"10.6092/ISSN.2038-6184/7445","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/7445","url":null,"abstract":"The professional relationship and friendship between Giuseppe Pagano and Franco Albini, often recognized as one of the most important and decisive moment for the developments of modern architecture, will be here examined starting from a specific moment of the rediscovery photographic","PeriodicalId":269664,"journal":{"name":"Figure","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114222160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ArtShape: a Blog on Musum Communication ArtShape:一个博物馆交流的博客
Figure Pub Date : 2014-12-30 DOI: 10.6092/ISSN.2038-6184/5971
Paolo Granata
{"title":"ArtShape: a Blog on Musum Communication","authors":"Paolo Granata","doi":"10.6092/ISSN.2038-6184/5971","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/5971","url":null,"abstract":"","PeriodicalId":269664,"journal":{"name":"Figure","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115889229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bologna Mobile: Heritage at Hand 博洛尼亚莫比尔:遗产在手
Figure Pub Date : 2014-12-30 DOI: 10.6092/ISSN.2038-6184/5972
Paolo Granata
{"title":"Bologna Mobile: Heritage at Hand","authors":"Paolo Granata","doi":"10.6092/ISSN.2038-6184/5972","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/5972","url":null,"abstract":"","PeriodicalId":269664,"journal":{"name":"Figure","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131915607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Santa Maria degli Angeli in Florence. The evolution of the camaldolese monastery through the genesis of its cloisters 佛罗伦萨的圣玛利亚天使教堂。卡马多莱斯修道院的演变，通过它的回廊的起源
Figure Pub Date : 2014-12-28 DOI: 10.6092/ISSN.2038-6184/4687
Margherita Cricchio
{"title":"Santa Maria degli Angeli in Florence. The evolution of the camaldolese monastery through the genesis of its cloisters","authors":"Margherita Cricchio","doi":"10.6092/ISSN.2038-6184/4687","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4687","url":null,"abstract":"The present contribute deals the camaldolese foundation of Santa Maria degli Angeli, the well-known florentine settlement, through a architectonic reconsideration of the unit and the genesis of its cloisters, trying to make light of the names and roles of the principal involved authors.","PeriodicalId":269664,"journal":{"name":"Figure","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115478746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vito Acconci and the disappearance of the ego 维托·阿肯西和自我的消失
Figure Pub Date : 2014-12-28 DOI: 10.6092/ISSN.2038-6184/4688
Pasquale Fameli
{"title":"Vito Acconci and the disappearance of the ego","authors":"Pasquale Fameli","doi":"10.6092/ISSN.2038-6184/4688","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4688","url":null,"abstract":"The article examines the performative activity of Vito Acconci. It focuses on relations between Acconci’s actions, monologues and some of the most important theories on the condition of the ego in postmodern times.","PeriodicalId":269664,"journal":{"name":"Figure","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129446715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hercules, Ceres and Proserpine in the decorative cycle at Palazzo Sampieri-Talon in Bologna 大力神、谷神星和珀耳塞福涅在博洛尼亚桑皮耶里-塔隆宫的装饰循环中
Figure Pub Date : 2014-12-28 DOI: 10.6092/ISSN.2038-6184/4686
V. Castelli
{"title":"Hercules, Ceres and Proserpine in the decorative cycle at Palazzo Sampieri-Talon in Bologna","authors":"V. Castelli","doi":"10.6092/ISSN.2038-6184/4686","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4686","url":null,"abstract":"In examining the fresco decorations of the Palazzo Sampieri-Talon in Bologna, the final collective work by Ludovico, Agostino and Annibale Carracci, with later additions by Guercino, the article concentrates on the yet unresolved reconstruction of its iconographic programme. The proposed interpretation is based on Claudian’s Alexandrine poem De raptu Proserpinae .","PeriodicalId":269664,"journal":{"name":"Figure","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134097943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pictures to a story. Notes on Vita di San Filippo Neri at the Civic Museum of Bassano del Grappa 图片配故事。巴萨诺·德尔格拉帕市博物馆的《圣菲利波·内里的生活笔记》
Figure Pub Date : 2014-12-28 DOI: 10.6092/ISSN.2038-6184/4689
Federica Vettori
{"title":"Pictures to a story. Notes on Vita di San Filippo Neri at the Civic Museum of Bassano del Grappa","authors":"Federica Vettori","doi":"10.6092/ISSN.2038-6184/4689","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4689","url":null,"abstract":"During the eighteenth century the venetian publishing knows a flowering season thanks to the involvement of great artists in the field of illustration. Pietro Antonio Novelli was one of the most prolific inventors of decorations for illustrated books. He sketched the illustrations of Vita di San Filippo Neri engraved by Innocente Alessandri and printed in Venice in 1793. At the Museum of Bassano del Grappa we can find a special watercolored edition: sixty large prints that tell, as if they were history paintings, the life of the saint.","PeriodicalId":269664,"journal":{"name":"Figure","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126079600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Master of Celano Pelumi: retrieving an identity through new studies on commissions 塞拉诺·佩鲁米大师:通过对委托的新研究找回身份
Figure Pub Date : 2014-12-28 DOI: 10.6092/ISSN.2038-6184/4683
V. Borghi
{"title":"The Master of Celano Pelumi: retrieving an identity through new studies on commissions","authors":"V. Borghi","doi":"10.6092/ISSN.2038-6184/4683","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4683","url":null,"abstract":"The article is focused on an anonymous Emilian artist, who is mainly known for the altarpiece with Madonna and Child with St. Sebastian and St. Gregory the Great depicted around 1515 for Celumi Chapel in the Benedectine church of St. Peter in Modena and who also painted the Madonna with St. Faustino and St. Giovita in the parish church of St. Faustino of Rubiera in Reggio Emilia. Scholars have long since acknowledged the importance of these works in the artistic context of early sixteenth century Modena, also spotting the stylistic links with other centers such as the Mantua of Leonbruno and the Ferrara of Dosso Dossi. The personality of the artist, however, has always eluded every attempt of identification. The article hails from studies carried out on archival documents and heraldic emblems on the frame of the Rubiera altarpiece, which suggest the two works were commissioned from Mantuan personalities: the St. Peter abbot “Vincentius de Mantua” for the painting in Modena and Ludovico Guidi di Bagno, prominent member of the entourage of Cardinal Ippolito d'Este, for the Rubiera work.  These elements, along with stylistic considerations, lead to think of a provenance from the city of Gonzaga also for the artist.","PeriodicalId":269664,"journal":{"name":"Figure","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121209639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mountaineering and photography. Contacts between 1880 and 1940 登山和摄影。1880年到1940年之间的联系
Figure Pub Date : 2014-12-28 DOI: 10.6092/ISSN.2038-6184/4682
Maria Andorno
{"title":"Mountaineering and photography. Contacts between 1880 and 1940","authors":"Maria Andorno","doi":"10.6092/ISSN.2038-6184/4682","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4682","url":null,"abstract":"Since the second half of the nineteenth century, the photograph produced in high altitude mountain (mountaineering photography) gives rise to peculiar images that do not belong to the tradition of landscape painting. Mountaineering is similar to the art of performance, if we talk about physical and mental commitment. Therefore, photos taken during the ascent of a peak shows both conceptual and formal values.","PeriodicalId":269664,"journal":{"name":"Figure","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132219952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Last Harvest of Anthony Basoli: trip and landing of a visionary artist 安东尼·巴索利的最后收获:一个有远见的艺术家的旅行和着陆
Figure Pub Date : 2014-12-28 DOI: 10.6092/ISSN.2038-6184/4690
Simone D'Andola
{"title":"The Last Harvest of Anthony Basoli: trip and landing of a visionary artist","authors":"Simone D'Andola","doi":"10.6092/ISSN.2038-6184/4690","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4690","url":null,"abstract":"In the sketches “panoramatici” of the Last Harvest , undertaken conclusive of a long and versatile career, Anthony Basoli pours again the themes that more they impassioned him during his human and artistic adventure putting itself to the peak of an intense and vibrating intellectual life.","PeriodicalId":269664,"journal":{"name":"Figure","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121782648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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