{"title":"大力神、谷神星和珀耳塞福涅在博洛尼亚桑皮耶里-塔隆宫的装饰循环中","authors":"V. Castelli","doi":"10.6092/ISSN.2038-6184/4686","DOIUrl":null,"url":null,"abstract":"In examining the fresco decorations of the Palazzo Sampieri-Talon in Bologna, the final collective work by Ludovico, Agostino and Annibale Carracci, with later additions by Guercino, the article concentrates on the yet unresolved reconstruction of its iconographic programme. The proposed interpretation is based on Claudian’s Alexandrine poem De raptu Proserpinae .","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Hercules, Ceres and Proserpine in the decorative cycle at Palazzo Sampieri-Talon in Bologna\",\"authors\":\"V. Castelli\",\"doi\":\"10.6092/ISSN.2038-6184/4686\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In examining the fresco decorations of the Palazzo Sampieri-Talon in Bologna, the final collective work by Ludovico, Agostino and Annibale Carracci, with later additions by Guercino, the article concentrates on the yet unresolved reconstruction of its iconographic programme. The proposed interpretation is based on Claudian’s Alexandrine poem De raptu Proserpinae .\",\"PeriodicalId\":269664,\"journal\":{\"name\":\"Figure\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-12-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Figure\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6092/ISSN.2038-6184/4686\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Figure","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.2038-6184/4686","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Hercules, Ceres and Proserpine in the decorative cycle at Palazzo Sampieri-Talon in Bologna
In examining the fresco decorations of the Palazzo Sampieri-Talon in Bologna, the final collective work by Ludovico, Agostino and Annibale Carracci, with later additions by Guercino, the article concentrates on the yet unresolved reconstruction of its iconographic programme. The proposed interpretation is based on Claudian’s Alexandrine poem De raptu Proserpinae .
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