{"title":"The Master of Celano Pelumi: retrieving an identity through new studies on commissions","authors":"V. Borghi","doi":"10.6092/ISSN.2038-6184/4683","DOIUrl":null,"url":null,"abstract":"The article is focused on an anonymous Emilian artist, who is mainly known for the altarpiece with Madonna and Child with St. Sebastian and St. Gregory the Great depicted around 1515 for Celumi Chapel in the Benedectine church of St. Peter in Modena and who also painted the Madonna with St. Faustino and St. Giovita in the parish church of St. Faustino of Rubiera in Reggio Emilia. Scholars have long since acknowledged the importance of these works in the artistic context of early sixteenth century Modena, also spotting the stylistic links with other centers such as the Mantua of Leonbruno and the Ferrara of Dosso Dossi. The personality of the artist, however, has always eluded every attempt of identification. The article hails from studies carried out on archival documents and heraldic emblems on the frame of the Rubiera altarpiece, which suggest the two works were commissioned from Mantuan personalities: the St. Peter abbot “Vincentius de Mantua” for the painting in Modena and Ludovico Guidi di Bagno, prominent member of the entourage of Cardinal Ippolito d'Este, for the Rubiera work. These elements, along with stylistic considerations, lead to think of a provenance from the city of Gonzaga also for the artist.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Figure","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.2038-6184/4683","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article is focused on an anonymous Emilian artist, who is mainly known for the altarpiece with Madonna and Child with St. Sebastian and St. Gregory the Great depicted around 1515 for Celumi Chapel in the Benedectine church of St. Peter in Modena and who also painted the Madonna with St. Faustino and St. Giovita in the parish church of St. Faustino of Rubiera in Reggio Emilia. Scholars have long since acknowledged the importance of these works in the artistic context of early sixteenth century Modena, also spotting the stylistic links with other centers such as the Mantua of Leonbruno and the Ferrara of Dosso Dossi. The personality of the artist, however, has always eluded every attempt of identification. The article hails from studies carried out on archival documents and heraldic emblems on the frame of the Rubiera altarpiece, which suggest the two works were commissioned from Mantuan personalities: the St. Peter abbot “Vincentius de Mantua” for the painting in Modena and Ludovico Guidi di Bagno, prominent member of the entourage of Cardinal Ippolito d'Este, for the Rubiera work. These elements, along with stylistic considerations, lead to think of a provenance from the city of Gonzaga also for the artist.
这篇文章的重点是一位匿名的艾米利亚艺术家,他主要以1515年左右为摩德纳圣彼得本笃会教堂的Celumi教堂绘制的圣母和圣婴与圣塞巴斯蒂安和圣格雷戈里大帝的祭坛画而闻名,他还在雷吉奥艾米利亚Rubiera的圣福斯蒂诺教区教堂画了圣母与圣福斯蒂诺和圣乔维塔。学者们早就认识到这些作品在16世纪早期摩德纳艺术环境中的重要性,也发现了与其他中心的风格联系,如莱昂布鲁诺的曼图亚和多索·多西的费拉拉。然而,艺术家的个性总是让人无法识别。这篇文章来自对档案文件和Rubiera祭坛框架上的纹章标志的研究,表明这两幅作品是由曼图亚名人委托的:摩德纳的圣彼得修道院院长“文森特·德·曼图亚”和红衣主教伊波利托·德·埃斯特的重要随从成员Ludovico Guidi di Bagno为Rubiera工作。这些元素,连同风格上的考虑,导致想到来自贡萨加市的起源也为艺术家。