T'oung Pao最新文献_第9页

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-11-29 DOI: 10.1163/15685322-10245P05

Joshua Capitanio

引用次数: 2

Returning to Zhu Xi: Emerging Patterns within the Supreme Polarity. Edited by David Jones and Jinli He, 2015 回到朱熹:在最高极性中出现的模式。大卫·琼斯和何金丽编辑，2015年

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-11-29 DOI: 10.1163/15685322-10245p10

Maud M’Bondjo

引用次数: 0

The Qinghua “Jinteng” Manuscript: What it Does Not Tell Us about the Duke of Zhou 清华“金坛”手稿:它没有告诉我们的关于周公的事情

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-11-29 DOI: 10.1163/15685322-10245P01

M. Gren

{"title":"The Qinghua “Jinteng” Manuscript: What it Does Not Tell Us about the Duke of Zhou","authors":"M. Gren","doi":"10.1163/15685322-10245P01","DOIUrl":"https://doi.org/10.1163/15685322-10245P01","url":null,"abstract":"This study suggests that the so-called “Jinteng” manuscript held by Qinghua University should be read independently of its received counterpart. When read on its own terms, the manuscript provides a straightforward account of rituals surrounding the Duke of Zhou’s ascension to the throne after the demise of King Wu. As such it represents a continuation of King Wu’s abdication in favor of his meritorious brother, as recorded in the Yi Zhou shu . Read in this light, the fourth century BCE manuscript provides further evidence for the prominence of abdication doctrines during the Warring States period, an intellectual tradition that was deemed subversive in the early empire and became gradually obliterated over the course of the Qin-Han dynasties.\u2029Cet article propose de lire le manuscrit dit “Jinteng” conserve a l’universite Qinghua independamment des textes recus qui lui correspondent. Considere par lui-meme, le manuscrit offre une relation claire des rituels ayant entoure l’accession au trone du duc de Zhou apres la mort du roi Wu. De ce fait, il represente le prolongement de l’abdication du roi Wu en faveur de son vertueux frere telle qu’elle est relatee dans le Yi Zhou shu . Considere sous cet angle, ce manuscrit du IVe siecle avant notre ere offre de nouveaux arguments en faveur de l’importance des doctrines sur l’abdication a l’epoque des Royaumes Combattants, alors que cette tradition intellectuelle etait consideree comme subversive au debut de l’empire et qu’elle est progressivement tombee dans l’oubli sous les Qin et les Han.","PeriodicalId":23193,"journal":{"name":"T'oung Pao","volume":"40 1","pages":"291-320"},"PeriodicalIF":0.4,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78339172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

India in the Chinese Imagination: Myth, Religion, and Thought . Edited by John Kieschnick and Meir Shahar, 2014 中国人想象中的印度:神话、宗教和思想。John Kieschnick和Meir Shahar编辑，2014年

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-11-29 DOI: 10.1163/15685322-10245P07

Zhang Chao

引用次数: 0

The Chinese Market Economy, 1000-1500 . By William Guanglin Liu, 2015 中国市场经济，1000-1500年。作者:刘光林，2015年

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-11-29 DOI: 10.1163/15685322-10245P11

R. Glahn

引用次数: 2

From Warhorses to Ploughshares: The Later Tang Reign of Emperor Mingzong. By Richard L. Davis, 2015 从战马到犁头:唐明宗的后唐统治。理查德·l·戴维斯著，2015年

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-11-29 DOI: 10.1163/15685322-10245P08

H. Clark

引用次数: 0

An Ambivalent Historian: Ouyang Xiu and His New Histories 矛盾的历史学家:欧阳修和他的新史学

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-11-29 DOI: 10.1163/15685322-10245P03

Chia-fu Sung

{"title":"An Ambivalent Historian: Ouyang Xiu and His New Histories","authors":"Chia-fu Sung","doi":"10.1163/15685322-10245P03","DOIUrl":"https://doi.org/10.1163/15685322-10245P03","url":null,"abstract":"This article examines the historiographical practice of Ouyang Xiu (1007-72) in the context of his scholarly and official career and of the development of traditional Chinese historiography. By focusing on where, when, and how Ouyang’s two “new histories” of the Tang and Five Dynasties were produced, I suggest that Ouyang displayed an ambivalent relationship to the Northern Song official historiographical operation both in terms of modus operandi and of the format of the final text. Acting deliberately inside and outside the Historiography Office, he wrote not only new histories but actually new “old” histories, in the sense that Sima Qian’s classical model was creatively restored. Historiographical novelty calls for contextualization, and in this case, Ouyang’s newness is embodied in the creative tension between his contemporary predicament and the applicability of various classical paradigms.\u2029Cet article etudie la pratique historiographique de Ouyang Xiu (1007-1072) dans le contexte de sa carriere d’erudit et de fonctionnaire et dans celui du developpement de l’historiographie chinoise traditionnelle. Me demandant ou, quand et comment les deux “nouvelles histoires” dues a Ouyang, celle des Tang et celle des Cinq Dynasties, ont ete redigees, j’en conclus que l’historien a entretenu une relation ambivalente avec le mode de production historiographique officiel, tant du point de vue du modus operandi que de celui de la forme finale du texte. Agissant deliberement a l’interieur et a l’exterieur du Bureau d’historiographie, il composa non seulement des “nouvelles histoires”, mais egalement des nouvelles “anciennes histoires” au sens ou le modele classique de Sima Qian s’y trouvait retabli de facon originale. L’innovation en histoire implique la contextualisation, et dans le cas present la nouveaute de Ouyang reside dans la tension creatrice opposant ses difficultes du moment et l’applicabilite de divers paradigmes classiques.","PeriodicalId":23193,"journal":{"name":"T'oung Pao","volume":"34 1","pages":"358-406"},"PeriodicalIF":0.4,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87964461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Constructing a Playful Space: Eight-Legged Essays on Xixiang ji and Pipa ji 建构戏谑空间:西乡集、琵琶集八足散文

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-11-29 DOI: 10.1163/15685322-10245P06

Yinghui Wu

{"title":"Constructing a Playful Space: Eight-Legged Essays on Xixiang ji and Pipa ji","authors":"Yinghui Wu","doi":"10.1163/15685322-10245P06","DOIUrl":"https://doi.org/10.1163/15685322-10245P06","url":null,"abstract":"This article examines the “playful eight-legged essay” as a form of literary parody and discusses its circulation in printed editions of The Story of the Western Wing and The Story of the Lute in late imperial China. The rise of the playful eight-legged essay was part of a philosophical and literary tradition of “game-playing,” and occurred in the context of publications that appropriated canonical genres for fashionable entertainment. Reading the playful compositions against the generic conventions of the standard examination essay, on the one hand, and the original drama commentary, on the other, the author explores the playful eight-legged essay as an increasingly autonomous mode of critical commentary that was independent from, yet still associated with, the dramatic text. Employing dramatic impersonation, the essays opened up a playful space for the staging of passion and extended the appeal of the original play by involving the reader in its imaginative performance.\u2029Cet article etudie les adaptations plaisantes des “dissertations en huit jambes” comme forme de parodie litteraire et en examine la diffusion a travers les editions imprimees du Pavillon de l’ouest et de l’ Histoire du luth a la fin de l’empire. L’emergence de telles adaptations, inscrites dans une tradition ludique a la fois philosophique et litteraire, est contemporaine de la parution d’ouvrages qui detournaient les genres canoniques a des fins de recreation elegante. La lecture de ces dissertations amusantes que propose l’auteur se refere a la fois aux conventions presidant a la composition des dissertations d’examen et aux commentaires d’œuvres theâtrales proprement dits. Il en ressort que le genre de la dissertation parodique a acquis une autonomie croissante en tant que commentaire critique independant des œuvres dramatiques tout en y restant associe. En s’appropriant la voix des personnages des pieces, de tels textes ouvrent un espace de fantaisie propice a la mise en scene des passions et renforcent l’attrait des œuvres originales en impliquant le lecteur dans leur realisation imaginee.","PeriodicalId":23193,"journal":{"name":"T'oung Pao","volume":"22 1","pages":"503-545"},"PeriodicalIF":0.4,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84872472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Beginning of the Subtle School of Taoism 一切道經音義妙門由起: An Official Perception of Taoism in the Early T’ang Period. By Florian C. Reiter, 2014 道教微妙学派的开始:唐初官方对道教的看法。作者:Florian C. Reiter, 2014

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-11-29 DOI: 10.1163/15685322-10245P09

T. Barrett

引用次数: 0

Capital Punishment in East Asia, edited by Itaru Tomiya, 2012 《东亚的死刑》，富宫伊塔鲁主编，2012年

IF 0.4 3区社会学

T'oung Pao Pub Date : 2016-10-03 DOI: 10.1163/15685322-10213P17

F. Constant

引用次数: 0