{"title":"Ironic Confrontation as a Mode of Resistance: The Homeland Security T-Shirt at the Dakota Access Pipeline Protests","authors":"Cortney L. Smith","doi":"10.5250/AMERINDIQUAR.43.3.0339","DOIUrl":"https://doi.org/10.5250/AMERINDIQUAR.43.3.0339","url":null,"abstract":"Abstract:In August 2016 Standing Rock Sioux activists began to protest the construction of the Dakota Access Pipeline; by the end of the year, thousands of Native and non-Native activists had joined Sioux tribal members to create one of the largest and most sustained protests in recent memory. Throughout the many images that circulated from Standing Rock, a constant form of embodied rhetoric used by activists was the graphic T-shirt. One of these tees, the Homeland Security shirt, has the words \"Homeland Security\" emblazoned above an image of Geronimo with three fellow Apache warriors and the words \"Fighting Terrorism since 1492\" located below the photograph. The Homeland Security shirt is a site of understanding the way irony and confrontation—specifically, a wearable, visual form of rhetoric—may be used as a form of critique and resistance. Through a textual analysis of the T-shirt and the discourse surrounding it, this essay demonstrates how the shirt ironically appropriates the dominant discourse and critiques the status quo using a confrontational tone.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"13 1","pages":"339 - 364"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88742101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Who Lies Buried in Satanta's Tomb? Co-memorating a Kiowa Warrior","authors":"Drew Lopenzina, Travis Franks","doi":"10.5250/AMERINDIQUAR.43.3.0249","DOIUrl":"https://doi.org/10.5250/AMERINDIQUAR.43.3.0249","url":null,"abstract":"Abstract:The Kiowa leader Satanta gained a reputation in the 1860s and 1870s as the most reviled Native figure on the western plains—public enemy number one to post–Civil War generals like William Tecumseh Sherman and Philip Sheridan, who viewed the very existence of Native people as an expendable impediment to white expansion. Satanta's incarceration at the Huntsville penitentiary in Texas was considered an innovative approach to America's ongoing \"Indian problem\" in its attempt to disavow tribal sovereignty and prosecute Native \"criminals\" through the US penal system. Satanta's contested death remains a troubling signifier of the untenable combination of political and racial forces rendering this approach both impractical and unjust. This essay reconsiders Satanta's life and career, aiming to place his actions, motives, and recorded speeches within a necessary framework of Kiowa culture and tradition. Taking for an opening text Satanta's gravestone marker, located in the prison cemetery in Huntsville, Texas, this essay also launches an interrogation into the archive of western conquest itself and the processes of historical production that work to construct negative Indigenous identities out of the violent imperatives of Manifest Destiny.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"102 1","pages":"249 - 280"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80521941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How Grandma Kate Lost Her Cherokee Blood and What This Says about Race, Blood, and Belonging in Indian Country","authors":"M. Lambert","doi":"10.5250/AMERINDIQUAR.43.2.0135","DOIUrl":"https://doi.org/10.5250/AMERINDIQUAR.43.2.0135","url":null,"abstract":"Abstract:This article documents how the Eastern Band of Cherokee Indians (EBCI) created the now ubiquitous minimum blood quantum requirement as a rule for tribal membership. In making this argument, received ideas about Indian blood are decentered by demonstrating how Indian blood is created through bureaucratic acts rather than biological processes. As a vehicle to these larger questions, I examine how the US government and the EBCI negotiated the boundary between Indians and non- Indians over the course of the nineteenth century. Central to these boundaries were rolls assembled by the US government in the context of Cherokee claims that were made before and after the Treaty of New Echota of 1835. Toward the end of the nineteenth and into the twentieth century, the EBCI politically operationalized these rolls as a foundation for defining their tribal membership requirements. In so doing, they created and became the first tribe to adopt a minimum blood quantum requirement as a criterion for tribal membership. A particular focus is given to the debates surrounding the efforts of Keziah Vann’s descendants to secure their place on the Cherokee rolls and acknowledgment by the US government and the EBCI of their Cherokee identity. Because this family was situated on the boundary between Indians and non-Indians from the time of the Cherokee Reservation Roll of the Treaty of 1817 until the Guion Miller Roll of 1909, debates surrounding this family have much to reveal about the Indian and non-Indian divide and the uses of blood and bureaucracy to construct Indian identity.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"107 1","pages":"135 - 167"},"PeriodicalIF":0.0,"publicationDate":"2019-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74464626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Girls Breaking Boundaries: Acculturation and Self-Advocacy at Chemawa Indian School, 1900–1930s","authors":"Rebecca Wellington","doi":"10.5250/amerindiquar.43.1.0101","DOIUrl":"https://doi.org/10.5250/amerindiquar.43.1.0101","url":null,"abstract":"Abstract:This article focuses on female student experiences at Chemawa Indian School in Salem, Oregon, between 1900 and the 1930s. It examines the broader meaning and significance of the federally funded boarding school education provided to Indigenous female students at Chemawa during a period of educational reform in which the long-standing emphasis on gendered vocational education for Indigenous youth became part of a national movement in public education. By demanding and actively seeking forms of education that fit their needs and desires, some female Indigenous students carved out spaces of maneuverability and access within and beyond the Chemawa campus. They negotiated these spaces to create greater opportunity for themselves. Many existing stories of Indigenous youth resistance in education—including those told by David Wallace Adams, K. Tsianina Lomawaima, and Theresa McCarty—are stories of students turning away from schools. The stories told here, by contrast, are examples of Indigenous youth turning toward education and actively negotiating for different options. Female students’ resistance at Chemawa took two distinct forms: advocacy for choice and advocacy for self-definition. These students advocated for themselves by negotiating both the curriculum and broader educational access, and their stories add depth and new angles to the historiography of Indigenous education in federally funded government boarding schools during this period. Their educational self-empowerment disrupted the boundaries of control that Office of Indian Affairs boarding schools sought to exert.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"94 1","pages":"101 - 132"},"PeriodicalIF":0.0,"publicationDate":"2019-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77291155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Poetry [Film] = Anger × Imagination”: Intermediality, the Synthesis of Poetry and Film, and Cross-Cultural Belonging in Sherman Alexie’s The Business of Fancydancing","authors":"S. Meyer","doi":"10.5250/AMERINDIQUAR.43.1.0036","DOIUrl":"https://doi.org/10.5250/AMERINDIQUAR.43.1.0036","url":null,"abstract":"Abstract:This article sheds light on the interaction between practices of intermediality and identity formation in Alexie’s The Business of Fancydancing, which I read as an Indigenized version of the so-called poetry film. First, I give a short historical overview and definition of the genre of poetry film, reflect upon the concept of intermediality, and connect these generic and theoretical considerations to Alexie’s conception of his art. I then analyze the practices of intermediality in The Business of Fancydancing, that is, the conjunction of poetry and film through adaptation, intermedial referencing, and media combination. My readings of selected sequences illustrate that Alexie combines poetry, film, and Indigenous experience to challenge the human tendency to categorize, to attribute fixed and stable qualities to category members, and to define rigid boundaries between us and them. By exploring the interstices between media, genres, and cultures, he foregrounds the tremendous potential of Indigenous art to decenter both hegemonic artistic forms and practices of identity formation.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"49 1","pages":"36 - 73"},"PeriodicalIF":0.0,"publicationDate":"2019-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85081694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Buffalo, the Chickadee, and the Eagle: A Multispecies Textual History of Plenty Coups’s Multivocal Autobiography","authors":"J. Spencer","doi":"10.5250/AMERINDIQUAR.43.2.0168","DOIUrl":"https://doi.org/10.5250/AMERINDIQUAR.43.2.0168","url":null,"abstract":"Abstract:Plenty Coups’s autobiography comes from a time of intensive genocidal warfare both military and legal in scope, yet his account is mediated not so much by significant events in human history as by several significant dreams of animals. I want to consider some of the ways that this narrative is a multispecies, multivocal text composed of many viewpoints, human and more-than-human. Thus my analysis integrates some of the paradoxical disjunctures between the archival records with the book itself by following the animals, the eagle and the chickadee, two birds who serve as guides to Plenty Coups in dreams he has early in life. My thesis is that Plenty Coups shares some of his animal dreams— and does not share other animal dreams— to serve as interpretive cues to future readers.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"6 1","pages":"168 - 203"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90847145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“They Grow as Speakers, as Leaders”: A Case Study of Experiential Leadership in the Miss World Eskimo–Indian Olympics Pageant","authors":"Caroline Williams","doi":"10.5250/AMERINDIQUAR.43.2.0204","DOIUrl":"https://doi.org/10.5250/AMERINDIQUAR.43.2.0204","url":null,"abstract":"Abstract:This research explores the adaptation of traditionally objectified women’s spaces into an arena for community leadership. Indigenous pageants offer a place for women to become spokespersons on social justice issues without the sexual objectification associated with beauty pageants. Within Native nations, we see examples of youth creating a better life for their community through Indigenous pageants. There is a growing literature among Indigenous studies scholars on community-based women’s leadership. Wilma Mankiller offers a theory on Indigenous women’s leadership that centers the community at the heart of decision making. The winners of the Miss World Eskimo–Indian Olympics (WEIO) all share this common feature; they want to better their communities, and they view the pageant as an opportunity to do so. The women who undertake the weeklong experience participate in community service events in the Fairbanks region. These leaders are immersed in experiential learning, an invaluable opportunity that cannot be replicated through theoretical knowledge. The women are presented with situations in which they share cultural experiences and give advice cross-culturally and cross-generationally. Gaining the opportunity to be a voice for their peoples, the women must quickly consolidate their knowledge and sharpen their communication skills as they are repeatedly questioned about Native Alaskan societies. Using Wilma Mankiller’s ideas on community-centered leadership, this article explores the case study of community service events featured in the Miss WEIO contest to illustrate that Native Alaskan pageants can provide youth with an invaluable opportunity for experiential leadership that is intrinsically linked to promoting community well-being.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"56 1","pages":"204 - 235"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88301374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Ethos of Responsibility and Indigenous Women Water Protectors in the #NoDAPL Movement","authors":"Meredith Privott","doi":"10.5250/AMERINDIQUAR.43.1.0074","DOIUrl":"https://doi.org/10.5250/AMERINDIQUAR.43.1.0074","url":null,"abstract":"Abstract:This work builds upon Elizabeth Archuleta’s (Yaqui) term “ethos of responsibility” by contextualizing it within the #NoDAPL movement and applies a cultural rhetorics methodology to constellate an understanding of an ethos of responsibility utilized by Indigenous women water protectors in the #NoDAPL movement, as seen in video-recorded interviews selected from the #NoDAPL digital archive. This study attempts to understand the rhetoric of Indigenous women water protectors through the lens of Indigenous feminism(s), Indigenous rhetoric(s), and Dakota/Lakota/Nakota history and worldviews. When speaking from an ethos of responsibility, the water protectors featured in this study locate agency in traditional teachings and in the experience of Indigenous women, including responsive care in/to the interconnectedness of life, the special role of women in the care of water, and the collective survival of Indigenous women in colonial and patriarchal violence.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"9 1","pages":"100 - 74"},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82180176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“We Need New Stories”: Trauma, Storytelling, and the Mapping of Environmental Injustice in Linda Hogan’s Solar Storms and Standing Rock","authors":"S. Harrison","doi":"10.5250/AMERINDIQUAR.43.1.0001","DOIUrl":"https://doi.org/10.5250/AMERINDIQUAR.43.1.0001","url":null,"abstract":"Abstract:Given the recent struggle at Standing Rock and the ever-growing threat of climate change, examining the cultural and political narratives that enable these crises has become increasingly pressing. Therefore, as a contribution to discussions around Indigenous sovereignty and environ-mental justice, this article draws on Hogan’s novel to show how colonizing representations work to perpetuate trauma—revealing diverse traumas as linked, intergenerational, and tied to stories. To counter these threats, the novel employs formal strategies to construct alternative representations that promote healing by uncovering links between trauma to situated (racialized/gendered) bodies and the environment and by proffering “new stories” that recognize the living agency of the more-than-human world. Drawing parallels between the extractive and representational histories of James Bay and Standing Rock/DAPL, the article analyzes maps and cultural narratives alongside the novel to demonstrate how these representations justify violence against Indigenous peoples and lands based on ethnic and speciesist hierarchies. Ultimately, it is argued, Hogan creates a multivocal ceremonial form of storytelling modeled on healing and mourning rituals designed to reintegrate the individual into a more-than-human living community and to redistribute responsibility for ethical trauma responses among a wider alliance public, functions increasingly relevant to current struggles for environmental and climate justice.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"38 1","pages":"1 - 35"},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83763962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"American Indian Landowners, Leasemen, and Bureaucrats: Property, Paper, and the Poli-Technics of Dispossession in Southwestern Oklahoma","authors":"T. VanWinkle, J. Friedman","doi":"10.5250/AMERINDIQUAR.42.4.0508","DOIUrl":"https://doi.org/10.5250/AMERINDIQUAR.42.4.0508","url":null,"abstract":"Abstract:Drawing from a combination of archival and ethnographic evidence, this article examines historic and contemporary land tenure issues within a single county in southwestern Oklahoma. Specifically, we look at the way in which bureaucratic control has created a system that, while originally and ostensible intended to protect the “rights” of American Indian landowners, in fact functions to restrict, undermine, and redirect “access” to those lands, often to the economic benefit of non-Indian farmers and ranchers. We consider how the leasing system administered by the Anadarko Agency of the Bureau of Indian Affairs generates a “bundle of powers” that creates profound barriers to American Indian access to their own property. At work in the BIA’s bundle of powers over access to this land are a host of actors and institutions, both contemporary and historic, that have worked together to shape the social relations that give rise to the current alienation from and dispossession of Oklahoma’s Native-owned lands from their intended beneficiaries. Indeed, this tenuous situation is reflective of complexities attending continual retrenchments and revisions of federal Indian land policy—periodic reassertions of bureaucratic authority and control that reposition actors in perennially shifting sociolegal relationalities. We seek if not to disentangle these relationships, then to at least render them visible and thus open to debate and intervention.","PeriodicalId":22216,"journal":{"name":"The American Indian Quarterly","volume":"21 1","pages":"508 - 533"},"PeriodicalIF":0.0,"publicationDate":"2018-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81997125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}