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Women Artists, Feminism and the Moving Image最新文献

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In conversation: Club des Femmes, Helena Reckitt – An interview on International Women’s Day 2017 在对话中:Club des Femmes, Helena Reckitt——2017年国际妇女节采访
Women Artists, Feminism and the Moving Image Pub Date : 2019-09-01 DOI: 10.5040/9781350124295.0012
Selina Robertson, S. Wood, Helena Reckitt, L. Reynolds
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引用次数: 0
Rachel Garfield – Prescient intersectionality: Women, moving image and identity politics in 1980s Britain 蕾切尔·加菲尔德:《先见之明的交叉性:20世纪80年代英国的女性、运动形象和身份政治》
Women Artists, Feminism and the Moving Image Pub Date : 2019-08-22 DOI: 10.5040/9781350124295.ch-005
R. Garfield
{"title":"Rachel Garfield – Prescient intersectionality: Women, moving image and identity politics in 1980s Britain","authors":"R. Garfield","doi":"10.5040/9781350124295.ch-005","DOIUrl":"https://doi.org/10.5040/9781350124295.ch-005","url":null,"abstract":"This text will look at some women artist filmmakers working in London through the formation and legacies of the multiculturalism in the UK. These artist filmmakers were pioneers in the development of intersectional moving image artwork but have been somewhat overlooked compared to future generations of artists dealing with these issues in moving image. The chapter contextualises their work in relation to the period and draw out some of the wider forces that formed their work from second wave Feminism, Punk, Rock against Racism to the race riots and Black Arts in the 1980s that pioneered work exploring Black identity. Specifically this chapter looks at Sankofa films, Alia Syed, Vivienne Dick, Ruth Novaczek and reflects on the wider impact of the cultural studies debates in the 1980s on Diasporic communities in the UK.","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128542745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sarah Neely and Sarah Smith – The art of maximal ventriloquy: Femininity as labour in the films of Rachel Maclean 莎拉·尼利和莎拉·史密斯-最大的腹语艺术:女性在雷切尔·麦克林电影中的劳动
Women Artists, Feminism and the Moving Image Pub Date : 2019-08-22 DOI: 10.5040/9781350124295.ch-009
Sarah Neely, Sarah Smith
{"title":"Sarah Neely and Sarah Smith – The art of maximal ventriloquy: Femininity as labour in the films of Rachel Maclean","authors":"Sarah Neely, Sarah Smith","doi":"10.5040/9781350124295.ch-009","DOIUrl":"https://doi.org/10.5040/9781350124295.ch-009","url":null,"abstract":"Using a mixture of green screen and recycled audio texts from a range of recognisable sources - including films, television advertisements, chat shows and TV dramas such as Sex and the City and Downton Abbey – Rachel Maclean’s video works share an aesthetic with a variety of online texts, from virtual worlds to mash-ups. Often, the weird and wonderful array of characters played by MacLean serve as ventriloquists for contemporary culture, enabling her to excavate the saccharine surfaces of the popular culture that she presents in order to reveal the more grotesque and disturbing seam running beneath. This chapter focuses on MacLean’s work as a feminist critique, positioning her within a history of women performance artists and considers how the intensive labour of her own performances foregrounds a wider consideration of the ‘work’ of performances of femininity in contemporary culture. Furthermore, it will examine how MacLean’s explorations of marginalised gendered online spaces, and their own existence as a space for the formation and performance of identity, connect to the wider debates around the Internet, utopianism and participatory culture.","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124663985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Maria Walsh – Female solidarity as uncommodified value: Lucy Beech’s Cannibals and Rehana Zaman’s Some Women, Other Women and all the Bittermen 玛丽亚·沃尔什-女性团结作为未被商业化的价值:露西·比奇的《食人族》和蕾哈娜·扎曼的《一些女人，其他女人和所有的苦人》
Women Artists, Feminism and the Moving Image Pub Date : 2019-08-22 DOI: 10.5040/9781350124295.ch-012
Maria Walsh
{"title":"Maria Walsh – Female solidarity as uncommodified value: Lucy Beech’s Cannibals and Rehana Zaman’s Some Women, Other Women and all the Bittermen","authors":"Maria Walsh","doi":"10.5040/9781350124295.ch-012","DOIUrl":"https://doi.org/10.5040/9781350124295.ch-012","url":null,"abstract":"This book chapter offers a close reading of work by British artists Lucy Beech and Rehana Zaman. It argues that their work speak in different ways to the material conditions of women’s immaterial labour in neoliberal capitalism. Introducing their work in a context in which ‘[o]ne of the hallmarks of our neoliberal age is precisely the casting of every human endeavour and activity in entrepreneurial terms’ (Rottenberg 2014), I explore what the groups of female ‘labourers’ that appear in their films might tell us about desire, needs and resistance to being subsumed under capitalist exploitation. I argues that while female empowerment is co-opted by neoliberalism, Beech’s and Zaman’s work oscillate between exposing exploitative commodified values and an uncommodified therapeutic pleasure in group experience.","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129442042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lis Rhodes – Certain measures 利斯·罗兹——某些措施
Women Artists, Feminism and the Moving Image Pub Date : 1900-01-01 DOI: 10.5040/9781350124295.0009
L. Reynolds
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引用次数: 0
Catherine Elwes – Strategies of exposure and concealment in moving image art by women; a cross-generational account 凯瑟琳·埃尔维斯——女性运动影像艺术中的暴露与隐藏策略跨代账户
Women Artists, Feminism and the Moving Image Pub Date : 1900-01-01 DOI: 10.5040/9781350124295.ch-010
Catherine Elwes
{"title":"Catherine Elwes – Strategies of exposure and concealment in moving image art by women; a cross-generational account","authors":"Catherine Elwes","doi":"10.5040/9781350124295.ch-010","DOIUrl":"https://doi.org/10.5040/9781350124295.ch-010","url":null,"abstract":"","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125272847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
So Mayer – ‘Being a together woman is a bitch’: An ‘African American woman’s film’ genealogy of Julie Dash’s Four Women (1975) “在一起的女人是婊子”:朱莉·达什的《四个女人》(1975)的“非裔美国女性电影”系谱图
Women Artists, Feminism and the Moving Image Pub Date : 1900-01-01 DOI: 10.5040/9781350124295.ch-003
Sophie Mayer
{"title":"So Mayer – ‘Being a together woman is a bitch’: An ‘African American woman’s film’ genealogy of Julie Dash’s Four Women (1975)","authors":"Sophie Mayer","doi":"10.5040/9781350124295.ch-003","DOIUrl":"https://doi.org/10.5040/9781350124295.ch-003","url":null,"abstract":"","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127971999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Melissa Gronlund – Can we still talk about women artists? 梅丽莎·格伦德:我们还能谈论女性艺术家吗?
Women Artists, Feminism and the Moving Image Pub Date : 1900-01-01 DOI: 10.5040/9781350124295.ch-013
M. Gronlund
{"title":"Melissa Gronlund – Can we still talk about women artists?","authors":"M. Gronlund","doi":"10.5040/9781350124295.ch-013","DOIUrl":"https://doi.org/10.5040/9781350124295.ch-013","url":null,"abstract":"","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123939910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In conversation: MORE – Pauline Boudry/Renate Lorenz with Irene Revell 对话:更多- Pauline Boudry/Renate Lorenz和Irene Revell
Women Artists, Feminism and the Moving Image Pub Date : 1900-01-01 DOI: 10.5040/9781350124295.0010
L. Reynolds
{"title":"In conversation: MORE – Pauline Boudry/Renate Lorenz with Irene Revell","authors":"L. Reynolds","doi":"10.5040/9781350124295.0010","DOIUrl":"https://doi.org/10.5040/9781350124295.0010","url":null,"abstract":"","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114413416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
May Adadol Ingawanij – Aesthetics of potentiality: Nguyen Trinh Thi’s Essay Films May Adadol Ingawanij -潜在的美学:Nguyen Trinh Thi的散文电影
Women Artists, Feminism and the Moving Image Pub Date : 1900-01-01 DOI: 10.5040/9781350124295.ch-008
M. A. Ingawanij
{"title":"May Adadol Ingawanij – Aesthetics of potentiality: Nguyen Trinh Thi’s Essay Films","authors":"M. A. Ingawanij","doi":"10.5040/9781350124295.ch-008","DOIUrl":"https://doi.org/10.5040/9781350124295.ch-008","url":null,"abstract":"","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"202 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114574913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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