Rachel Garfield – Prescient intersectionality: Women, moving image and identity politics in 1980s Britain

R. Garfield
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Abstract

This text will look at some women artist filmmakers working in London through the formation and legacies of the multiculturalism in the UK. These artist filmmakers were pioneers in the development of intersectional moving image artwork but have been somewhat overlooked compared to future generations of artists dealing with these issues in moving image. The chapter contextualises their work in relation to the period and draw out some of the wider forces that formed their work from second wave Feminism, Punk, Rock against Racism to the race riots and Black Arts in the 1980s that pioneered work exploring Black identity. Specifically this chapter looks at Sankofa films, Alia Syed, Vivienne Dick, Ruth Novaczek and reflects on the wider impact of the cultural studies debates in the 1980s on Diasporic communities in the UK.
蕾切尔·加菲尔德:《先见之明的交叉性:20世纪80年代英国的女性、运动形象和身份政治》
本文将通过英国多元文化主义的形成和遗产来审视在伦敦工作的一些女性艺术家电影制作人。这些艺术家电影制作人是交叉运动图像艺术发展的先驱,但与未来几代艺术家在运动图像中处理这些问题相比,他们有些被忽视了。这一章将他们的作品置于与那个时期相关的背景下,并引出一些更广泛的力量,这些力量形成了他们的作品,从第二波女权主义、朋克、反对种族主义的摇滚到20世纪80年代的种族骚乱和黑人艺术,这些都是探索黑人身份的先驱作品。具体来说,本章着眼于桑科法电影、阿丽亚·赛义德、薇薇安·迪克、露丝·诺瓦切克,并反思20世纪80年代文化研究辩论对英国散居社区的更广泛影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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