{"title":"So Mayer – ‘Being a together woman is a bitch’: An ‘African American woman’s film’ genealogy of Julie Dash’s Four Women (1975)","authors":"Sophie Mayer","doi":"10.5040/9781350124295.ch-003","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women Artists, Feminism and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9781350124295.ch-003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}