玛丽亚·沃尔什-女性团结作为未被商业化的价值:露西·比奇的《食人族》和蕾哈娜·扎曼的《一些女人,其他女人和所有的苦人》

Maria Walsh
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引用次数: 0

摘要

这一章提供了英国艺术家露西·比奇和蕾哈娜·扎曼作品的仔细阅读。它认为,她们的工作以不同的方式讲述了新自由主义资本主义中女性非物质劳动的物质条件。在“我们新自由主义时代的标志之一正是以企业家的方式塑造每一个人类的努力和活动”的背景下介绍他们的作品(Rottenberg 2014),我探讨了出现在她们电影中的女性“劳动者”群体可能告诉我们的欲望、需求和对被纳入资本主义剥削的抵抗。我认为,虽然女性赋权是新自由主义的一部分,但比奇和扎曼的作品在揭露剥削性的商品化价值观和群体体验中未商品化的治疗性快乐之间摇摆不定。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Maria Walsh – Female solidarity as uncommodified value: Lucy Beech’s Cannibals and Rehana Zaman’s Some Women, Other Women and all the Bittermen
This book chapter offers a close reading of work by British artists Lucy Beech and Rehana Zaman. It argues that their work speak in different ways to the material conditions of women’s immaterial labour in neoliberal capitalism. Introducing their work in a context in which ‘[o]ne of the hallmarks of our neoliberal age is precisely the casting of every human endeavour and activity in entrepreneurial terms’ (Rottenberg 2014), I explore what the groups of female ‘labourers’ that appear in their films might tell us about desire, needs and resistance to being subsumed under capitalist exploitation. I argues that while female empowerment is co-opted by neoliberalism, Beech’s and Zaman’s work oscillate between exposing exploitative commodified values and an uncommodified therapeutic pleasure in group experience.
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