莎拉·尼利和莎拉·史密斯-最大的腹语艺术:女性在雷切尔·麦克林电影中的劳动

Sarah Neely, Sarah Smith
{"title":"莎拉·尼利和莎拉·史密斯-最大的腹语艺术:女性在雷切尔·麦克林电影中的劳动","authors":"Sarah Neely, Sarah Smith","doi":"10.5040/9781350124295.ch-009","DOIUrl":null,"url":null,"abstract":"Using a mixture of green screen and recycled audio texts from a range of recognisable sources - including films, television advertisements, chat shows and TV dramas such as Sex and the City and Downton Abbey – Rachel Maclean’s video works share an aesthetic with a variety of online texts, from virtual worlds to mash-ups. Often, the weird and wonderful array of characters played by MacLean serve as ventriloquists for contemporary culture, enabling her to excavate the saccharine surfaces of the popular culture that she presents in order to reveal the more grotesque and disturbing seam running beneath. This chapter focuses on MacLean’s work as a feminist critique, positioning her within a history of women performance artists and considers how the intensive labour of her own performances foregrounds a wider consideration of the ‘work’ of performances of femininity in contemporary culture. Furthermore, it will examine how MacLean’s explorations of marginalised gendered online spaces, and their own existence as a space for the formation and performance of identity, connect to the wider debates around the Internet, utopianism and participatory culture.","PeriodicalId":208331,"journal":{"name":"Women Artists, Feminism and the Moving Image","volume":"63 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sarah Neely and Sarah Smith – The art of maximal ventriloquy: Femininity as labour in the films of Rachel Maclean\",\"authors\":\"Sarah Neely, Sarah Smith\",\"doi\":\"10.5040/9781350124295.ch-009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Using a mixture of green screen and recycled audio texts from a range of recognisable sources - including films, television advertisements, chat shows and TV dramas such as Sex and the City and Downton Abbey – Rachel Maclean’s video works share an aesthetic with a variety of online texts, from virtual worlds to mash-ups. Often, the weird and wonderful array of characters played by MacLean serve as ventriloquists for contemporary culture, enabling her to excavate the saccharine surfaces of the popular culture that she presents in order to reveal the more grotesque and disturbing seam running beneath. This chapter focuses on MacLean’s work as a feminist critique, positioning her within a history of women performance artists and considers how the intensive labour of her own performances foregrounds a wider consideration of the ‘work’ of performances of femininity in contemporary culture. Furthermore, it will examine how MacLean’s explorations of marginalised gendered online spaces, and their own existence as a space for the formation and performance of identity, connect to the wider debates around the Internet, utopianism and participatory culture.\",\"PeriodicalId\":208331,\"journal\":{\"name\":\"Women Artists, Feminism and the Moving Image\",\"volume\":\"63 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-08-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Women Artists, Feminism and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5040/9781350124295.ch-009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women Artists, Feminism and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9781350124295.ch-009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

雷切尔·麦克莱恩的视频作品混合使用了绿屏和回收的音频文本,这些音频文本来自一系列可识别的来源,包括电影、电视广告、聊天节目和电视剧,如《欲望都市》和《唐顿庄园》。她的视频作品与各种网络文本分享了一种美学,从虚拟世界到混播。通常,麦克莱恩扮演的古怪而精彩的角色是当代文化的腹语表演者,使她能够挖掘她所呈现的流行文化的甜蜜表面,以揭示其背后更为怪诞和令人不安的接缝。本章重点关注麦克林作为女权主义批判的作品,将她置于女性行为艺术家的历史中,并考虑她自己的表演的密集劳动如何在当代文化中对女性气质表演的“工作”进行更广泛的考虑。此外,它将研究麦克莱恩对边缘化性别在线空间的探索,以及它们作为形成和表现身份的空间的存在,如何与围绕互联网、乌托邦主义和参与性文化的更广泛辩论联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sarah Neely and Sarah Smith – The art of maximal ventriloquy: Femininity as labour in the films of Rachel Maclean
Using a mixture of green screen and recycled audio texts from a range of recognisable sources - including films, television advertisements, chat shows and TV dramas such as Sex and the City and Downton Abbey – Rachel Maclean’s video works share an aesthetic with a variety of online texts, from virtual worlds to mash-ups. Often, the weird and wonderful array of characters played by MacLean serve as ventriloquists for contemporary culture, enabling her to excavate the saccharine surfaces of the popular culture that she presents in order to reveal the more grotesque and disturbing seam running beneath. This chapter focuses on MacLean’s work as a feminist critique, positioning her within a history of women performance artists and considers how the intensive labour of her own performances foregrounds a wider consideration of the ‘work’ of performances of femininity in contemporary culture. Furthermore, it will examine how MacLean’s explorations of marginalised gendered online spaces, and their own existence as a space for the formation and performance of identity, connect to the wider debates around the Internet, utopianism and participatory culture.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信