Journal of Fine Arts Campus最新文献

{"title":"Origin, Development, Classification and Historicity of Ancient Percussion Instruments","authors":"Pravin Uddhav","doi":"10.3126/jfac.v3i1.42492","DOIUrl":"https://doi.org/10.3126/jfac.v3i1.42492","url":null,"abstract":"Music has a prominent place in fine arts. This art has been considered as a means of spiritual satisfaction. Apart from material excellence and fame, music has an important place in all the different ways of devotion or worship in India. There have been two main types of worship since ancient times as Vedic and Tantric. The Avanaddha instrument maintains the rhythm in singing, dancing and instrument-playing. Different opinions, legends, stories, statements of the origin of instruments are prevalent but differences are found in them. The article describes the method and material of ancient Avanaddha instruments on the basis of various texts. Thereafter, under the classification of instruments opinion of various scholars on Tat, Ghan, Sushir, and Avanaddha instruments and the various classifications have been mentioned and discussed in detail. The origin and association of ancient Avanaddha instruments is described with reference to various deities. The article lists ancient and medieval Avanaddha instruments. The use of instruments by gods, demons, human beings in various ceremonies, events, worship lessons, war sites, on auspicious occasions is evidently shown with their importance, use and antiquity. A musical instrument with serious sound was used at warrior sites and Yagna. From different sources like; ancient texts & other facts, it can be concluded that since ancient times eastern musical instruments have been used in music right from the beginning of the era. Avanaddha vadya were invented to support the singer, accompany his song, engage his mind more, cover up his faults, and measure his singing activity in Taal.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127350285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Effectiveness of educational virtual class during Covid-19- with reference of Music online class of Fine Arts Campus, TU","authors":"P. Poudel","doi":"10.3126/jfac.v3i1.42489","DOIUrl":"https://doi.org/10.3126/jfac.v3i1.42489","url":null,"abstract":"As the Covid19 pandemic started, COVID infected nations announced to keep physical distance, affected all the human activities, as a result, educational institutions closed physically. The aim of the present research was to study the effectiveness of virtual class during Covid-19 with reference to music online class of Fine Arts Campus, TU. An online survey design was used by taking responses of 47 students of the Bachelors' program and further corresponded with 16 teachers, and 17 parents for the data collection through Google Form. The finding of the research indicates that the online mode of the educational class, with reference to practical and theory music subjects, was ineffective for students and effective for teachers and parents.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130197348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"नेपालको सङ्गीत क्षेत्रमा सङ्गीत प्रवीण नरराज ढकालको योगदान (Music expert Nararaj Dhakal's contribution to the music field of Nepal)","authors":"Shiva Raj Poudel","doi":"10.3126/jfac.v3i2.48237","DOIUrl":"https://doi.org/10.3126/jfac.v3i2.48237","url":null,"abstract":"नेपाली भूगोलमा बसोबास गर्ने नेपालीहरूको पहिचान बोकेका र प्रचलनमा रहेका सबै सङ्गीतहरू नेपाली सङ्गीत हुन् । लोक, शास्त्रीय, परम्परागत, आधुनिक गरी सबै विधाका सङ्गीतहरू नेपालमा प्रचलित छन् । शास्त्रीय सङ्गीत क्षेत्रका तपोमूर्ति, सङ्गीतमा सबैको प्रेरणाका स्रोत सङ्गीत प्रवीण नरराज ढकाल प्रायः सबैले सम्मानपूर्वक लिने नाम हो । यस अध्ययनमार्फत उहाँको साङ्गीतिक योगदानलाई अझ नजिकबाट नियाल्ने लक्ष्य लिइएको छ । यस विषयको अध्ययन तथा विश्लेषण गुणात्मक विधिद्वारा गरिएको छ । जस अन्तर्गत उहाँलाई सबै भन्दा नजिकबाट चिन्ने र जानकारी राख्ने व्यक्तित्वहरूको समूह (पारिवारिक सदस्यसंगको प्रत्यक्ष अन्तरवार्ता) मा गरिएको गहिरो छलफललाई अध्ययनको प्राथमिक स्रोतका रूपमा प्रयोग गरिएको छ । साथै उहाँका छापिएका कृति तथा योगदानलाई अध्ययनको सहायक स्रोतको रूपमा प्रयोग गरिएको छ । प्राप्त तथ्यहरूको विश्लेषण गर्दा सङ्गीत प्रवीण नरराज ढकाल सङ्घर्षपूर्ण जीवनका खुड्किलाहरू पार गर्दै, सिमित साधन र स्रोतबाट पनि नेपालको सङ्गीत क्षेत्रलाई धनि बनाउन ठूलो योगदान गर्ने व्यक्तित्व भएको पाइएको छ । उहाँ शास्त्रीय सङ्गीतमा मात्रै नभएर लोक तथा आधुनिक गीत सङ्गीतमा पनि दख्खल रहेको बहुप्रतिभाशाली व्यक्तित्व रहेको पनि पाइएको छ । यस अध्ययनबाट प्राप्त परिणामका आधारमा यस लेखले नेपालका शास्त्रीय सङ्गीतका स्रष्टाहरू मध्ये सङ्गीत प्रवीण नरराज ढकालको योगदान बारे थप जानकारी प्राप्त गर्न सक्नेछन् ।\u0000(All the popular music that carries the identity of Nepali people living in Nepali geography is Nepali music. Folk, classical, traditional, modern music of all genres are popular in Nepal. The icon of classical music, the source of inspiration for everyone in music, Musician Praveen Narraj Dhakal is a name that is respected by almost everyone. The aim of this study is to take a closer look at his musical contribution. The study and analysis of this subject has been done by qualitative method. Under which the in-depth discussion conducted with a group of personalities who know him most closely and have information (direct interviews with family members) has been used as the primary source of the study. Also, his published works and contributions have been used as auxiliary sources of study. Analyzing the facts, it has been found that the music expert Narraj Dhakal, overcoming the pitfalls of his life, has contributed greatly to enriching the music sector of Nepal even with limited means and resources. It has been found that he is a multi-talented personality who is proficient not only in classical music but also in folk and modern song music. Based on the results obtained from this study, this article can get more information about the contribution of Music Praveen Narraj Dhakal, one of the classical music creators of Nepal.)","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"142 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131703405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"नेपालमा संगीत विषयका उच्च शैक्षिक जनशक्तिको वर्तमान अवस्था : एक परिचय {Current Status of Higher Educational Manpower in Music in Nepal: An Introduction}","authors":"Wenkatesh Dhakal","doi":"10.3126/jfac.v3i1.42523","DOIUrl":"https://doi.org/10.3126/jfac.v3i1.42523","url":null,"abstract":"नेपालमा संगीतको प्रचलन विभिन्न बंशहरूको शासन काल हुँदै प्रथम प्रजातन्त्र पछि संस्थागत हुन पुगेको हो । विद्यावारिधिकोलागि भारतकै विश्वविद्यालयहरू एक मात्र विकल्प थियो । वर्तमानमा नेपालमै संगीत विषयमा स्नातक, स्नातकोत्तर एवं विद्यावारिधिसम्मको अध्ययन अध्यापन हुन थालेको छ । त्यस समयमा मन्चमा हुने प्रदर्शनलाई नै परीक्षा मान्ने चलन थियो । संगीतमा क्रियात्मकपक्षलाई मात्र जोड दिइएका कारण धेरै विद्वानहरूको कुनै प्रकारको अभिलेख नपाइएको अवस्था रहेको छ । पुराना पुस्ता क्रियात्मक पक्षमा मात्र कार्य गर्नुहुने भएकाले अनुसन्धानात्मक लेखन कार्यको कमि भएको मान्न सकिन्छ । यस लेखले विभिन्न विश्वविद्यालयबाट संगीतका विभिन्न विषयमा शिक्षा प्राप्त जनशक्तिको बारेमा एवं वर्तमान अवस्थाका बारेमा सबैलाई जानकारी हुनेछ । वर्तमान अवस्था, चुनौती एवं योगदान आदि यस लेखमा सूक्ष्म रूपमा दर्शाउन खोजिएको छ । भविष्यमा अनुसन्धानका लागि पुराना जनशक्तिको नाम खोज्न धेरै समय नलाग्ने कुरामा लेख सहयोगि हुने बिस्वास छ । नेपालमा संगीत विषयमा विद्यावारिधि गर्ने प्रचलन भर्खर–भर्खर मात्र सुरुवात भएको हो । हालसम्म सांगीतिक क्षेत्रमा कतिजनाले उपाधि प्राप्त गर्नु भएको छ लेखबाट थाहा पाउन सकिन्छ । वर्णनात्मक शैलीको लेखबाट ई.सं– २००० पछी विभिन्न विश्वविद्यालयबाट प्रमाणपत्र प्राप्त जनशक्तिको बारेमा महत्वपूर्ण जानकारी दिने छ । द्वितीयक श्रोतः प्रकाशित पुस्तकहरू, विद्यावारिधि थेसिस, जर्नलहरू, साक्षात्कार एवं सांगीतिक विद्वानहरूको सहयोगमा लेख तयार पारिएको हो । प्रमाणपत्र प्राप्त जनशक्तिहरूको स्थाई आर्थिक पक्ष एवं विभिन्न संगीत सम्बन्धित संस्थाहरूमा संलग्नताको बारेमा केहि कुराको साथमा लेखको समापन गरिएको छ ।","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130910023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Abstract Thought: Production of New Knowledge for the Development of Human Civilization","authors":"K. Shah","doi":"10.3126/jfac.v3i2.48232","DOIUrl":"https://doi.org/10.3126/jfac.v3i2.48232","url":null,"abstract":"Abstract thought is the key source of new knowledge production for the development of human civilization. It is the mental state of being able to visualize or imagine beyond the physical world’s existence. Abstract thought has formed the basis of creativity, experimentation, and innovation. Analyzing ideas, creating information, solving problems, composing new ideas, and creating things are sources of new knowledge. So, the human abstract thinking process or thought is the result of new knowledge. New knowledge has always played a vital role in human advancement. The theory of empiricism is that all knowledge is based on experience derived from the senses. Transcendental idealism is another theory that is a term applied to the epistemology of German philosopher Immanuel Kant, who seized that the human self produces knowledge out of sense impressions. Transcendental is the ability to go beyond the usual limits; existence or experience beyond the normal or physical level is abstract. Kant attempts to synthesize sense perception and existing forms of the ideal realm above material reality. Abstract thoughts help people make it possible to imagine, visualize, and exercise to produce new knowledge. New knowledge plays a vital role in developing tools and new ideas that build up the quality of human life. This research theorizes that abstract thought is the root source of producing new knowledge for the development of human civilization. The core objective of this study is how abstract thought produces new knowledge. This study has focused on the imagination and visualization of the human thinking process to create new knowledge in art, science, and human civilization. The qualitative research model is adopted to analyze, interpret, and theorize this research paper.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127302394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Contemporary Nepali Arts: Some Shocking Trends","authors":"Y. Sharma","doi":"10.3126/jfac.v3i1.42488","DOIUrl":"https://doi.org/10.3126/jfac.v3i1.42488","url":null,"abstract":"In contemporary Nepali arts, there are some trends that shock any sensible viewer or any informed person in the area. Some artists repeat the same subject matter, figure and technique throughout their life or from the beginning of their profession till now. The presentation of the same thing all the time creates monotony and nausea in the viewers. The question arises: how can an artist do the same thing all the time? Some artists see the works of famous western artists in art history books, art magazines and the world wide web, and they copy their subject matters and techniques thinking that they can create works and be famous. Some artists randomly splash and pour colors on the canvas and say that the mess and confusion in the canvas is abstract art. They opine that nobody can understand abstract art. They are fooling the viewers. Some artists call themselves modern Nepali artists, for they have practiced modern techniques of western arts. Some artists print the photograph on the canvas, make the photograph rough using paints and call it their paintings thinking that the viewers will be fooled. Some artists do realistic paintings with sweats and tireless efforts to earn their livelihood but when it comes to the exhibition of artworks, they make abstract paintings in few minutes. We can find such naïve and shocking trends in some senior artists as well, and young artists following their footprints. As a result, a substantial portion of Nepali art has already entered the whirlpool presenting its non-existent situation which demands immediate rescue from real artists and intellectuals. The scenario of art can be an analogy of the social and political situation of Nepal. We talk about great revolutions, changes and achievements but the situation of people is getting worse and civilization has been degenerated.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125260162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Distortion of Forms and Subjects in Paul Cezanne’s Paintings","authors":"Nem Bahadur Tamang","doi":"10.3126/jfac.v3i1.42493","DOIUrl":"https://doi.org/10.3126/jfac.v3i1.42493","url":null,"abstract":"Paul Cezanne is the 19th century painter born in France who was a very important figure in the history of modern art. He had painted so many paintings like landscapes, portraits and still life. The figures and forms in his artwork do resemble the real world but the distortion is the most significant feature. The subject matters reveal the changes and gives emphasis upon forms. Subjects lack likeness and negate imitation as art followed by predecessors. The flatness and geometric forms are amplified along with expression in the paintings. The formal distortion played a vital role to give birth to Modernism in 20th century Western Art. So, he is called “Father of Modern Art”.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"25 23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125766224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}