{"title":"古代打击乐器的起源、发展、分类和历史性","authors":"Pravin Uddhav","doi":"10.3126/jfac.v3i1.42492","DOIUrl":null,"url":null,"abstract":"Music has a prominent place in fine arts. This art has been considered as a means of spiritual satisfaction. Apart from material excellence and fame, music has an important place in all the different ways of devotion or worship in India. There have been two main types of worship since ancient times as Vedic and Tantric. The Avanaddha instrument maintains the rhythm in singing, dancing and instrument-playing. Different opinions, legends, stories, statements of the origin of instruments are prevalent but differences are found in them. The article describes the method and material of ancient Avanaddha instruments on the basis of various texts. Thereafter, under the classification of instruments opinion of various scholars on Tat, Ghan, Sushir, and Avanaddha instruments and the various classifications have been mentioned and discussed in detail. The origin and association of ancient Avanaddha instruments is described with reference to various deities. The article lists ancient and medieval Avanaddha instruments. The use of instruments by gods, demons, human beings in various ceremonies, events, worship lessons, war sites, on auspicious occasions is evidently shown with their importance, use and antiquity. A musical instrument with serious sound was used at warrior sites and Yagna. From different sources like; ancient texts & other facts, it can be concluded that since ancient times eastern musical instruments have been used in music right from the beginning of the era. Avanaddha vadya were invented to support the singer, accompany his song, engage his mind more, cover up his faults, and measure his singing activity in Taal.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Origin, Development, Classification and Historicity of Ancient Percussion Instruments\",\"authors\":\"Pravin Uddhav\",\"doi\":\"10.3126/jfac.v3i1.42492\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Music has a prominent place in fine arts. This art has been considered as a means of spiritual satisfaction. Apart from material excellence and fame, music has an important place in all the different ways of devotion or worship in India. There have been two main types of worship since ancient times as Vedic and Tantric. The Avanaddha instrument maintains the rhythm in singing, dancing and instrument-playing. Different opinions, legends, stories, statements of the origin of instruments are prevalent but differences are found in them. The article describes the method and material of ancient Avanaddha instruments on the basis of various texts. Thereafter, under the classification of instruments opinion of various scholars on Tat, Ghan, Sushir, and Avanaddha instruments and the various classifications have been mentioned and discussed in detail. The origin and association of ancient Avanaddha instruments is described with reference to various deities. The article lists ancient and medieval Avanaddha instruments. The use of instruments by gods, demons, human beings in various ceremonies, events, worship lessons, war sites, on auspicious occasions is evidently shown with their importance, use and antiquity. A musical instrument with serious sound was used at warrior sites and Yagna. From different sources like; ancient texts & other facts, it can be concluded that since ancient times eastern musical instruments have been used in music right from the beginning of the era. Avanaddha vadya were invented to support the singer, accompany his song, engage his mind more, cover up his faults, and measure his singing activity in Taal.\",\"PeriodicalId\":201405,\"journal\":{\"name\":\"Journal of Fine Arts Campus\",\"volume\":\"18 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Fine Arts Campus\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3126/jfac.v3i1.42492\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Fine Arts Campus","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3126/jfac.v3i1.42492","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
音乐在美术中占有重要地位。这门艺术被认为是一种精神满足的手段。除了物质上的卓越和名声,音乐在印度所有不同的奉献或崇拜方式中都占有重要地位。自古以来,印度就有两种主要的崇拜方式,即吠陀崇拜和密宗崇拜。阿瓦那达(Avanaddha)乐器保持着歌唱、舞蹈和乐器演奏的节奏。关于乐器的起源,流传着不同的观点、传说、故事和说法,但其中也存在着差异。本文根据各种文献介绍了古代阿瓦纳达乐器的制作方法和材料。随后,在乐器分类下,详细提及并讨论了不同学者对塔塔(Tat)、甘(Ghan)、苏希尔(Sushir)和阿瓦纳达(Avanaddha)乐器的看法以及各种分类。文章介绍了古代阿瓦纳达乐器的起源和与各种神灵的联系。文章列举了古代和中世纪的阿瓦纳达乐器。神灵、恶魔、人类在各种仪式、活动、崇拜课程、战争场所、吉祥场合中使用乐器的重要性、用途和古老性显而易见。在战争遗址和雅格纳(Yagna)中使用的是一种声音严肃的乐器。从古文献和其他事实等不同来源可以得出结论,自古以来,东方乐器就被用于音乐。Avanaddha vadya 的发明是为了支持歌手,为他的歌声伴奏,让他更加投入,掩盖他的缺点,并衡量他在 Taal 中的歌唱活动。
Origin, Development, Classification and Historicity of Ancient Percussion Instruments
Music has a prominent place in fine arts. This art has been considered as a means of spiritual satisfaction. Apart from material excellence and fame, music has an important place in all the different ways of devotion or worship in India. There have been two main types of worship since ancient times as Vedic and Tantric. The Avanaddha instrument maintains the rhythm in singing, dancing and instrument-playing. Different opinions, legends, stories, statements of the origin of instruments are prevalent but differences are found in them. The article describes the method and material of ancient Avanaddha instruments on the basis of various texts. Thereafter, under the classification of instruments opinion of various scholars on Tat, Ghan, Sushir, and Avanaddha instruments and the various classifications have been mentioned and discussed in detail. The origin and association of ancient Avanaddha instruments is described with reference to various deities. The article lists ancient and medieval Avanaddha instruments. The use of instruments by gods, demons, human beings in various ceremonies, events, worship lessons, war sites, on auspicious occasions is evidently shown with their importance, use and antiquity. A musical instrument with serious sound was used at warrior sites and Yagna. From different sources like; ancient texts & other facts, it can be concluded that since ancient times eastern musical instruments have been used in music right from the beginning of the era. Avanaddha vadya were invented to support the singer, accompany his song, engage his mind more, cover up his faults, and measure his singing activity in Taal.