Journal of Fine Arts Campus最新文献

{"title":"Transitioning Towards a Paperless Library: Advantages and Implications","authors":"Mahendra Prasad Adhikari","doi":"10.3126/jfac.v5i1.60297","DOIUrl":"https://doi.org/10.3126/jfac.v5i1.60297","url":null,"abstract":"The transition towards a paperless library represents a significant shift in the way libraries operate and engage with their patrons. This transformation offers numerous advantages, including enhanced accessibility, cost savings, expanded collections, and sustainability benefits. Digital libraries often refer to paperless libraries; differ from traditional libraries in terms of format, accessibility, space requirements, and user engagement. The historical significance of paper in libraries underscores its enduring role, even in the digital age. This paper delves into the evolution of libraries, the differences between traditional and paperless libraries, and the implications of going paperless. It also explores the history of information sources before and after the development of paper and printing, highlighting the profound impact of these technologies on knowledge dissemination. Furthermore, it discusses the role of libraries in modern society, including their roles as Information Centers and Knowledge Communication Centers. The paper emphasizes the need and importance of transitioning to paperless libraries, citing advantages such as improved accessibility, expanded collections, cost savings, and sustainability. As libraries embrace technology and digital resources, they continue to serve as essential pillars of education, research, and cultural preservation in an ever-changing world.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139199130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"तवलावादनको क्षेत्रमा लगानी एवम् प्रतिफल: नेपालको सन्दर्भमा","authors":"Wenkatesh Dhakal","doi":"10.3126/jfac.v5i1.60301","DOIUrl":"https://doi.org/10.3126/jfac.v5i1.60301","url":null,"abstract":"तबलावादनको सुरुवात १८ औं शताब्दीका उस्ताद सिद्धार (सुधार) खाँले भारतको दिल्लीमा गरेका थिए । उनले पखावजमा वादन गरिने बोल÷वर्णहरूको आधारमा तबलावादन गरेको तथ्यमा धेरै विद्वानहरूको मतैक्यता रहेको छ । त्यस समयदेखि प्रचलनमा आएको तबला वर्तमान समयमा स्वतन्त्र एवम् सङ्गत गर्नका लागि प्रयोग हुने सर्वाधिक लोकप्रिय ताल वाजा हो । तबलावादन अन्तर्गत प्रमुखतः शास्त्रीय एवम् आधुनिक दुईवटा शैली रहेका छन् । शास्त्रीय शैलीको तबलावादन अन्तर्गत गायन, तन्त्र÷स्वर वादन एवम् कत्थक नृत्यमा सङ्गतका रूपमा गरिन्छ भने स्वतन्त्रवादन पनि यस अन्तर्गत पर्दछ । आधुनिक अन्तर्गत समसामयिक रूपमा प्रचलनमा रहेका फ्युजन, रक, ब्लुज आदि सङ्गीत शैलीसँग गरिने वादन पर्दछ । उक्त दुवै शैलीमा सङ्गत गर्दा तबलावादकले अभ्यासका साथै विवेकको प्रयोग गर्नु पर्दछ । यसरी स्वतन्त्र तथा सङ्गीत शैलीहरूसँग उत्कृष्ट तबलावादनका लागि तालीम ग्रहण तथा अभ्यासमा समय लगानी हुन्छ । त्यस्तै उत्कृष्ट वादनका लागि वाद्ययन्त्र पनि गुणस्तरीय हुनुपर्दछ । गुणस्तरीय तबला खरिदका लागि उच्च आर्थिक लगानी गर्नुपर्दछ । यसरी उत्कृष्ट तबलावादनको पृष्ठभूमिमा आर्थिक, वौद्धिक तथा समयको लगानी एक आपसमा अन्तर्सम्बन्धित रहेका हुन्छन् । नेपालका विद्वानहरूद्वारा शास्त्रीय सङ्गीत विषयमा हालसम्म भएको अनुसन्धानद्वारा राणाहरूको समयदेखि विभिन्न दरवार, सङ्गीत अध्यापन एवम् कार्यक्रम हुने स्थानहरूमा स्वतन्त्र एवम् विभिन्न विधाहरूका साथमा तबलावादन हुने तथ्य रहेको छ । नेपालमा तबलावादनको पृष्ठभूमिमा हुने लगानी तथा त्यसबाट उपलब्ध हुने प्रतिफल बारेमा अध्येताले अनुसन्धानात्मक लेख प्राप्त नगरेको हुनाले एउटा प्रयास गरिएको हो । प्रस्तुत लेखबाट नेपालमा तबलावादनलाई पेशागत रूपमा अगाडी बनाउने चाहना भएका व्यक्तिहरूलाई यस विषयमा हुने लगानी र प्रतिफल बारेमा जानकारी हुनेछ । प्राथमिक, द्वितीयक, एवम् लेखक तबलावादक भएको हुनाले अनुभवको आधारमा गुणात्मक विधिमा लेख तयार गरिएको छ।","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139203282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"कार्तिक नाँचमा सङ्गीत अन्तर्गत ताल र वाद्य विश्लेषण","authors":"Swojan Raghubanshi","doi":"10.3126/jfac.v5i1.60304","DOIUrl":"https://doi.org/10.3126/jfac.v5i1.60304","url":null,"abstract":"प्रस्तुत अनुसन्धान लेखमा कार्तिक नाँचमा सङ्गीत अन्तर्गत ताल र वाद्यको विश्लेषण रहेको छ । गायन, वादन र नृत्य सङ्गीतको तीन विधा जसमा ताल पक्षले महवपूर्ण भूमिका खेलेको हुन्छ । ताल लयमा केन्द्रित रहेको हुन्छ । ताल र लय अनुसार बजाईएको वाद्यबाट आएको (सुर वा स्वर) ध्वनीले साङ्गीतिक माहोलको सृजना गर्दछ । सङ्गीत प्रस्तुतिको उद्देस्य विभिन्न किसिमको हुनसक्दछ । ताललाई वाद्य एवं गानाका साथमा सम्पादन गरिन्छ भने सोही अनुरूपको नृत्य हुने गर्दछ । मल्लकालमा सुरुवात भएको कार्तिक नाँच एक अद्वितीय एवं विभिन्न विशेषताले भरिएको एक मौलिक नाँच जुन आजको दिनसम्म पनि अटूट रूपले चलिआएको छ जसमा नेवाः समुदायमा प्रचलित विभिन्न ताल एवं वाद्यहरुको प्रयोग गरिएको पाईन्छ । प्राथमिक तथा द्वितियक दुवै विधिबाट तथ्य सङ्कलन गरी तयार पारिएको यस अनुसन्धान लेखमा कार्तिक नाँचमा प्रयोग गरिने विभिन्न तालहरुको लिपी (नोटेशन), त्यस तालको विशेषता, कुन नाँचमा कुन तालको प्रयोग तथा केही नेवाः तालको लिपीहरु प्रस्तुत गरिएको छ भने नाँचमा प्रयोग हुने विभिन्न वाद्यको वारेमा संक्षिप्त रुपमा जानकारी, कार्तिक नाँचमा ताल र वाद्यको महत्व एवं कार्तिक नाँचमा ताल र वाद्यको चुनौतीको बारे लेखिएको छ जसले गर्दा कार्तिक नाँचको ताल एवं वाद्यको बारे खोज तथा अनुसन्धान गर्नेहरुको लागि केही आधार मिल्दछ ।","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139201506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Logos of South Asian Countries: A Visual Aesthetic and Symbolic Significance","authors":"Koshal Hamal","doi":"10.3126/jfac.v5i1.60293","DOIUrl":"https://doi.org/10.3126/jfac.v5i1.60293","url":null,"abstract":"A national logo is a visual representation of a country, and it signifies the most powerful visual language of any country in the world. All the countries have their own logo to represent their country in visual form. In the context of each country in South Asia, a national logo is categorized as a national emblem. The national emblems of South Asian countries have different and unique meanings and are made with different cultural, religious, natural, and historical motifs and shapes. The main objective of this paper is to identify the visual aesthetic and symbolic significance of the national emblems of each South Asian country. The visual aesthetic contains elements of composition, color, shapes, and the essential rules of a logo, while the symbolic significance contains the symbolic meaning of each motif used for the entire logo of a South Asian country. This study finds that a country's culture, religion, and history should not be disconnected from the national emblem because the national emblem creates unique values for a country. A national emblem is like a mirror of a country, which represents the appropriate visual symbol of a country. This study is an analytical study based on qualitative method.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139208438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mukesh Shrestha's Paintings: Visual Narration of Buddhist Myths","authors":"Y. Sharma","doi":"10.3126/jfac.v5i1.60291","DOIUrl":"https://doi.org/10.3126/jfac.v5i1.60291","url":null,"abstract":"In Mukesh Shrestha's compositions, Buddhist icons, images, symbols and figures have been reread and reformulated along with altered abstract background having sublime setting with magical and mystical atmosphere. Spontaneous visual rhythm is ever present in both foreground and background due to sinuous shapes and flowing colorful form. The archetypal characters and contents in coherent colors convey the message of coexistence, meditation and peace. The artist is in the quest of harmony and order in the state of chaos.  Friendly and comfortable color combination sustains the viewers' interest. The artwork creates its own unique world with multiple significances to explore. The fineness of form adds intensity to visual experience. The primitive textures arouse the tactile sensation giving way to the imaginative flight to the far distance in time and space. The unique visual compositions present the aesthetic blend of tradition and modernity, myths and mysticism, the individual self and the cosmos. The condensed visual form presents the retrospection, recollection of native cultural treasure and anticipation of prosperity and peace. Fine craftsmanship and minutely detailed works with precision give a clue to the artist's patience and dedication. Monumental figures of divinity decked with traditional decorum along with symbols like lotus and vajra suggest invisible and intangible dimensions of the reality.  Ritual postures and gestures convey a sense of mystical procession, a journey to the world beyond.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139208890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"राजनीतिक परिवर्तनमा प्रगतिशील गीतः नेपाली मिडियाको दृष्टिकोण (वि.सं. २०७३–२०७८)","authors":"टीकाप्रसाद Tika भण्डारी Bhandari","doi":"10.3126/jfac.v4i2.54831","DOIUrl":"https://doi.org/10.3126/jfac.v4i2.54831","url":null,"abstract":"समाजको आधुनिकीकरण परिवर्तनको सबैभन्दा महत्वपूर्ण प्रक्रिया हो, जसमा सामाजिक, आर्थिक, राजनैतिक, मनोवैज्ञानिक सबै किसिमका परिवर्तनहरु गाँसिएका हुन्छन् । पञ्चायतकालमा प्रगतिशील गीत र नेपाली मिडिया एक अर्काबीच पुरक रहेका थिए । दुबैले प्रजातन्त्रको पुनःस्थापना लागी राजनैतिक दलहरूको उद्धेश्यलाई सघाएका थिए । यी दुईको सम्बन्ध प्रजातन्त्रपछि पनि अन्नोन्याश्रित छ । यसै सन्दर्भमा राजनैतिक परिवर्तन वि.सं. २०४६, २०६२÷६३  मा प्रगतिशील गीतले व्यवस्था विरोधी आन्दोलनमा खेलेको भूमिका र त्यस उपर नेपालका स्वतन्त्र नेपाली छापा तथा अनलाइन मिडिया वि.सं. २०७३–७८ द्वारा प्रकाशित गरिएका सामग्रीहरूको समाचारीय कोणको पहिचान गर्ने कार्य गरिएको छ । राजनीतिक परिवर्तनमा प्रगतिशील गीतको भूमिकाको समीक्षा गर्नु र त्यसउपर मिडियाले लिएको समाचारीय दृष्टिकोणको विवेचना गर्नु प्रस्तुत लेखको मूल उद्धेश्य हो । यस लेखले पञ्चायती शासनकालमा राजनैतिक परिवर्तनलाई मूल एजेण्डा बनाएका प्रगतिशील गीत र मिडियाको सम्बन्धलाई उजागर गरेको छ । प्रस्तुत अध्ययनमा विश्लेषणात्मक एवम् वर्णनात्मक विधि अपनाइएको छ ।  प्रजातान्त्रिक आन्दोलनमा प्रगतिशील गीतको भूमिकाका बारेमा अध्ययन गर्न चाहने अध्येताहरूका लागि यो अध्ययन बढी उपयोगी हुने अपेक्षा गरिएको छ । प्रजातन्त्रको पुनः स्थापना, र गणतन्त्रको स्थापनामा प्रगतिशील गीतले महत्वपूर्ण सहयोगी औजारको रूपमा भूमिका खेलेको र नेपाली मिडिया पनि त्यसको पुरक भूमिकामा रहेको थियो भन्ने शोध निष्कर्ष प्रस्तुत गरिएको छ ।\u0000टीकाप्रसाद भण्डारी\u0000{Modernization of society is the most important process of change, in which all kinds of social, economic, political, psychological changes are intertwined. During the Panchayat period, progressive songs and Nepali media were complementary to each other. Both of them helped the cause of the political parties for the restoration of democracy. The relationship between these two is dependent even after democracy. In this context, political change vs. In 2046, 2062-63, the role played by progressive songs in the anti-establishment movement and the news angle of the materials published by the independent Nepali print and online media of Nepal (year 2073-78) have been identified. The main objective of this article is to review the role of progressive songs in political change and to analyze the news approach taken by the media. This article has exposed the relationship between progressive songs and media that made political change the main agenda during the Panchayati regime. Analytical and descriptive methods have been adopted in the present study. This study is expected to be more useful for scholars who want to study the role of progressive songs in the democratic movement. The research conclusion has been presented that the progressive song played a role as an important supporting tool in the re-establishment of democracy and the establishment of the republic and the Nepali media also played a complementary role.}","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116513457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"नेपालका सङ्गीत रेकर्डिङ्ग स्टुडियोमा तबलावाद्यको प्रयोग - अवस्था र चुनौती {Use of tabla in music recording studios of Nepal - situation and challenges}","authors":"वेङ्कटेश Wenkatesh ढकाल Dhakal","doi":"10.3126/jfac.v4i2.54827","DOIUrl":"https://doi.org/10.3126/jfac.v4i2.54827","url":null,"abstract":"रेकर्डिङ्ग (अभिलेखन) भन्नाले कुनै उल्लेख्य कार्यको आधिकारिक जानकारी उपलब्ध गर्न÷गराउने उद्देश्यका लागि गराइने विभिन्न प्रक्रिया वा कार्य भनेर प्रज्ञा नेपाली बृहद शब्दकोषमा उल्लेख रहेको छ । प्राचीनकालमा अभिलेख राख्नका लागि छाला, वस्त्र, ताडपत्र, शिला, स्वर्णपत्र, ताम्रपत्र, आदिमा लेखन गर्ने वा कुँद्ने प्रचलन रहेको थियो । वर्तमान समयमा भौतिक विज्ञानद्वारा आविष्कार गरिएका विभिन्न विद्युतीय उपकरणको प्रयोग गरी अभिलेख राख्ने प्रचलन रहेको छ । माइक्रोफोन, मिक्सर, स्पिकर, एम्प्लिफायर विभिन्न उपकरणहरू प्रयोग गरी सङ्गीत सम्बन्धी अभिलेख तयार गरिने स्थानलाई वर्तमान समयमा रेकर्डिङ्ग स्टुडियो भनिन्छ । प्रस्तुत लेख काठमाडौँमा रहेका रेकर्डिङ्ग स्टुडियोहरुमा स्वतन्त्रवादन बाहेक सङ्गीत अन्तर्गतका विभिन्न रचनात्मक कार्यमा गरिने तबलावादनका बारेमा केन्द्रित रहने छ । नेपालको रेकर्डिङ्ग स्टुडियोहरूमा तबलावादनको विषयका बारेमा यस किसिमको लेख प्राप्त नभएको हुनाले यस शिर्षकमा केहि जानकारी उपलब्ध गराउन खोजिएको हो । शास्त्रीय एवम् रेकर्डिङ्ग स्टुडियोमा क्रियाशील रहेका वादकहरूमध्ये प्रसिद्ध कलाकारहरूमध्ये अध्येताको पहुँचमा रहेका तबलावादकहरूसँगको छलफलका आधारमा लेखमा केहि तथ्य उपलब्ध गराइएको छ । प्राथमिक (काठमाडौँ उपत्यका भित्रका सम्बन्धित विषयका विभिन्न व्यक्तिहरूसँग छलफल), द्वितीयक (विभिन्न विद्वानहरूको स्नातकोत्तर एवम् विद्यावारिधी शोधग्रन्थ, प्रकाशित पुस्तक, खोजमूलक लेखहरू) श्रोतको सहयोगमा गुणात्मक विधिको प्रयोग गरि लेख तयार गरिएको छ । तबलावादनको व्यावसायिक मार्ग रेकर्डिङ्ग स्टुडियो तर्फ लाग्न चाहने व्यक्तिहरूलाई प्रस्तुत लेखले केहि जानकारि प्रदान गर्ने छ ।\u0000{Pragya Nepali comprehensive dictionary mentions that recording means various processes or actions carried out for the purpose of providing official information of a significant work. In ancient times, there was a practice of writing or engraving on leather, cloth, palm paper, stone, gold paper, copper paper, etc. to keep records. Nowadays, there is a trend of keeping records using various electronic devices invented by science. A recording studio is a place where music records are prepared using various devices like microphones, mixers, speakers, amplifiers. The presented article will be focused on the tabla playing in various creative works under music apart from freestyle in the recording studios in Kathmandu. Since there is no such article about the subject of tabla playing in the recording studios of Nepal, we have tried to provide some information on this topic. Some facts have been provided in the article based on discussions with tabla players who are within the reach of scholars among the famous artists who are active in classical and recording studios. The article has been prepared using the qualitative method with the help of primary (discussion with various people of related subjects within Kathmandu Valley), secondary (postgraduate and postgraduate research papers of various scholars, published books, investigative articles) sources. This article will provide some information for people who want to take the professional path of tabla playing towards the recording studio.}","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124284499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Musical instruments in Nepali sculpture","authors":"P. Poudel","doi":"10.3126/jfac.v4i1.51734","DOIUrl":"https://doi.org/10.3126/jfac.v4i1.51734","url":null,"abstract":"Nepal is rich in fine arts. Within the fine arts, music and sculpture have an interdependent relationship because of the various religions, cultures, festivals, and traditional practices, that have been existing since ancient times. As a result, varieties of musical instruments can be seen in some of the sculptural works such as metal, stone, and wood sculptures that the ancestors carved out and installed in the various temple courtyards. The main purpose of this article is to interpret and analyze, only the string instruments (Tantri V dya), that have been carved in Nepali sculptures. To solve the query, some temple areas in the Kathmandu Valley have been visited to find out the sculptures carved along with musical instruments. From the study, it has been found that some tantri v dya, such as veena and other string instruments which are played using the bow, were seen played by various religious and mythological characters. Likewise, the instrument playing style and posture were also found in many manners. The present study is more focused on only the string instruments in sculptures rather than their historical background. Thus, future researchers will be get precise guide to study about others musical instruments too.  Although the research is carried out within a limited time and area, the present paper appears to be relevant and fruitful for all the readers.","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130678771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Philosophy in Art Research","authors":"Y. Sharma","doi":"10.3126/jfac.v4i1.51743","DOIUrl":"https://doi.org/10.3126/jfac.v4i1.51743","url":null,"abstract":"Philosophy is the exploration, quest or search of truth, essence, idea or a thing that has certain value. In art research, there is a question, and we search for the answer. The answer is the essence. Ontology is the study of essence or existence. There is a method to find the truth or essence. Epistemology is the study of method or way of finding truth. What is the use or value of the truth to the researcher and the society? Does it teach or help us in our life? Does it provide us beauty and pleasure? Axiology is the study of the value of the research. There is a problem in a research area. We search for the solution of the problem. We have a method of solving the problem. The solution has certain impact on the society. The research area is explored from certain perspective. This article attempts to clarify the connection of philosophy and research methodology in the research of arts and humanities.   ","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130718360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Composition of a Research Paper","authors":"Y. Sharma","doi":"10.3126/jfac.v4i2.54836","DOIUrl":"https://doi.org/10.3126/jfac.v4i2.54836","url":null,"abstract":"A research paper is a verbal presentation of research finding in reliable and persuasive manner. A researcher has a problem/question or questions on particular subject, area or issue. A research finds the answer to this question. The answer of this question is the finding of the research. A thesis statement is a sentence that includes the finding of the research, the main point of the research paper. The paper clearly states the main point and supports it with reasoning, data, examples and interpretations. The topic of the research paper includes the research area and the perspective of the researcher on it. In other words, it attempts to provide a glimpse of the main point as far as possible. The topic is linked to thesis statement. The thesis statement is clarified and a bit more elaborated in abstract. \"Keywords\" in research paper lists some words that are closely related to the main point of the paper. Introduction briefly presents the background of the research area and perspective (theory). Literature review surveys earlier researches and finds the research gap. The purpose of the research is to fill this gap. The secondary sources like books and articles are acknowledged and cited in the text and listed in the references. Introduction and literature review are based on secondary sources but analysis and interpretation has your own voice. We can use the earlier researches and books in our paper but the statement of the paper should be different from earlier works. Others' views should not dominate our paper but our own voice should be leading others with additional emphasis. ","PeriodicalId":201405,"journal":{"name":"Journal of Fine Arts Campus","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116535379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}