Architectural Studies最新文献

{"title":"IGOR SEREDYUK – AN ARTIST WHO WAS AHEAD OF TIME","authors":"C. B., Myhal S.","doi":"10.23939/as2019.01.058","DOIUrl":"https://doi.org/10.23939/as2019.01.058","url":null,"abstract":"","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122055237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GESAMTKUNSTWERK AS A FORMULA FOR CREATING ARTISTIC CHARACTER IN ARCHITECTURE BY VOLODYMYR POKROVSKY","authors":"Kondratyeva O.","doi":"10.23939/as2019.01.027","DOIUrl":"https://doi.org/10.23939/as2019.01.027","url":null,"abstract":". The concept of architecture as Gesamtkunstwerk exemplifies a model for creating an artistic building’s character. This article explores how it is reflected in non-ecclesiastical edifices of Volodymyr Pokrovsky (1863–1924) during the cultural Renaissance of the early twentieth century in Ukraine within the context of the fin de si è cle’s architecture.","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114999609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TRANSFORMATION OF PARADIGM IN CONTEST FOR THE DEVELOPMENT OF KYIV CITY CENTER IN THE 1930–1940s","authors":"M. A","doi":"10.23939/as2019.01.045","DOIUrl":"https://doi.org/10.23939/as2019.01.045","url":null,"abstract":". The main tendencies of transformation of the city's architectural and artistic field in connection with social and political changes caused by the World War II have been explored on the example of two key contests for the development of Kyiv city center (Government quarter in 1934–1935 and Khreshchatyk in 1944).","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124783378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Scientific Secretary of the Department of Plastic Arts Synthesis at National Academy of Arts of Ukraine","authors":"Sleptsov O., Soltani Ali Alimadad","doi":"10.23939/as2019.01.053","DOIUrl":"https://doi.org/10.23939/as2019.01.053","url":null,"abstract":"","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"122 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128491840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Specifics of Examination of Basilian Monastic Complexes as an Architectural and Spatial Phenomenon","authors":"Ivan Znak, Anna Znak, Yaroslav Rakochyi","doi":"10.56318/as2022.01.034","DOIUrl":"https://doi.org/10.56318/as2022.01.034","url":null,"abstract":"The replication of architectural and spatial design of the Order of Saint Basil the Great monasteries in Western Ukraine cannot be addressed within a single scientific hypothesis focused on the unity of imagery, planning, and function. The architectural and spatial arrangement of the Basilian monasteries in Western Ukraine emerges as a non-homogenous fragmented phenomenon, which should be investigated with regard to chronological distinctions. The purpose of the study is to develop a methodology for the examination of the OSBM monastic complexes considering a variety of factors that have influenced the appearance, dissemination, growth, and disappearance of the Basilian centres. The general methodological approaches of the study are historical, morphological, culturological, and systemic. In addition, the following general scientific methods of inquiry were used: an examination of literature and documents, corpus, description, statistical method, analysis and synthesis, comparison, abstractisation, concretization, generalisation, and systematisation (classification and typology). Thus, five territorial and chronological scenarios have been highlighted within the Basilian architectural legacy in Western Ukraine. A relatively small number of papers dedicated to the design and planning aspects of the development of the Order of Saint Basil the Great monasteries are retroactive. Upon analysing the Basilian legacy in Western Ukraine, the material has been divided into three historical waves related to the development of monastic complexes. The authors of the paper have outlined the commonality of morphological features, dominant stylistics, and layout plans to examine the Order of Saint Basil the Great monasteries as an architectural and historical phenomenon. One important aspect of the subject is an interpretation of monastic complexes that factors modern conditions like the comfort of living, economic activities, organisation of mass prayers, the development of tourist infrastructure, etc. Therefore, a study of similar theoretical approaches to the functioning and interpretation of monastic complexes helped to outline three types of their interpretation in the modern context","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128241587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Architectural and artistic features of the entrance portal of the church in Velykyi Khodachkiv of Ternopil region","authors":"Lesya Chen, Natalia Yavna","doi":"10.56318/as2022.01.063","DOIUrl":"https://doi.org/10.56318/as2022.01.063","url":null,"abstract":"The design of the main entrances in cathedrals and churches has always been one of the main tasks of artists. Realising the importance of the entrance to the Temple of God, the sculptors tried to design it in the form of a portal and give it prominence with an original sculpturesque design. This study covers the features of the architectural and artistic structure of the main portal of the Church of the Mother of God in Velykyi Khodachkiv, justifies its artistic value, examines the technical condition of the newly discovered monument, and identifies aspects of the restoration of the portal. Based on the general scientific and special restoration research methods used, the paper investigated the style characteristics of the portal, identified the main reasons for the degradation of the monument, and developed a set of restoration measures. In the study, based on literary sources and field surveys, an attempt to investigate the influence of one of the main architectural elements of the temple decoration – the portal, on the architectonics of the main facade of the shrine was made. Special attention was drawn to the unexplored Velykyi Khodachkiv Church in the Ternopil region, which is in a dilapidated state with an interesting architectural design of the main entrance. The architectural, artistic, and compositional design of the entrance portal of the Church of the Mother of God the Comforter and St. Joseph in Velykyi Khodachkiv was analysed in detail. Its stylistic and proportional solutions were examined. The portal is characterised by the expressiveness of architectural details, the integrity and aesthetics of this work of art were created according to the laws of beauty. Based on a thorough study of the features inherent in the portal, its architectural and artistic value was determined, and its technical condition was investigated. The Church of the Mother of God the Comforter in the former town of Velykyi Khodachkiv, Ternopil region, is not included in the Register of architectural monuments of Ukraine, so there is little information about the monument under study. Overlooked by researchers and art historians, the church has been in ruins for centuries and continues to collapse. The results of the study can be used in the system of historical and architectural education and practical restoration activities","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130320559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Modern Trends in the Design and Construction of Hotels in Morocco","authors":"Hicham Azzaoui, Yurii Dyba","doi":"10.56318/as2022.01.007","DOIUrl":"https://doi.org/10.56318/as2022.01.007","url":null,"abstract":"The study examines the state of the hotels in Morocco and covers the problem of preserving the national traditional style in the interior and exterior decoration of hotel buildings. The relevance of developing the basic principles of architectural and planning organisation and the three-dimensional composition of hotel and tourist complexes in the hot climate of Morocco was substantiated. The purpose of the study is to determine the main trends in the development of national traditions in the construction of hotels in Morocco over the next 20-30 years. During the research, general scientific and special methods were used: analysis, comparison, comparison, and generalisation. It was determined that in the current conditions of rapid development of tourism in Morocco, new hotel complexes are designed and built mainly spontaneously. In order for such buildings to be created as systems of spatially connected architectural ensembles, it is necessary to develop and comply with the basic principles of functionality, sustainability, and aesthetics – this will preserve the originality of Moroccan architecture in the new complexes and establish the national flair as the main architectural feature of hotels in the Arab world. The use of traditional materials such as natural stone and clay for the exterior structures of buildings will not only protect against the hot climate of Africa but also preserve the authentic architectural form. The study complements the general state of hotel development and clarifies the current state of modern multifunctional hotels in Morocco. The practical value of this study lies in the fact that recommendations for preserving the materials, national traditions, and architectural techniques typical for this area will allow new buildings to fit harmoniously into the environment and optimally adapt them to natural and climatic conditions","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123908925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Use of Symbolic Reconstructions in Open-Air Museums","authors":"Maria Brych","doi":"10.56318/as2022.01.015","DOIUrl":"https://doi.org/10.56318/as2022.01.015","url":null,"abstract":"The Russian-Ukrainian war, which took on a full-scale form in February 2022, became a tragedy and set the question of restoring lost monuments with new vigour. Therefore, the publication which aims to identify the specific features of symbolic reconstructions’ use for the representation of lost architectural monuments becomes especially relevant. Based on a comprehensive architectural-typological and comparative analysis of the renovation of architectural structures and non-existent objects, open-air exhibiting methods in Ukraine and the world (fixation, interpretation, revitalisation, reconstruction, and modelling), the study reflects on the possibilities to preserve the history of destroyed monuments. Open-air museums offer a wide range of activities allowing to include monuments that are not subject to further functional adaptation into the expositions. The study proposes to use symbolic reconstructions to reproduce and exhibit lost monuments. Graphic (the simplest and most universal, consist of the two-dimensional image demonstration), physical (larger-scale, permanent, three-dimensional stylised installations that carry information about the lost monument’s nature), virtual (the most flexible and the most promising, do not require the direct impact on the exhibit, include the use of augmented reality technologies), and performative (one-time or temporary activities, most often are used in the associative landscapes’ territories) symbolic reconstructions on the example of their use in museums and open-air exhibitions were examined in detail. The effectiveness of these measures in open-air museums was considered and recommendations for their use, which can become the basis for further implementation in practice in Ukrainian exhibition institutions, were formulated","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121535805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Integral Development of the Historical City Centres of Ukraine","authors":"Oleg Rybchynskyi","doi":"10.56318/as2022.01.041","DOIUrl":"https://doi.org/10.56318/as2022.01.041","url":null,"abstract":"The subject of this study is the signs of integrated development and the reasons for the intermittent success of the historical cities of Ukraine. City centres from settlements different in size and function were included in this study: Chernihiv, Lyubech, Baturyn, Romny, Chyhyryn, Motovylivka, Nizhyn, which testify that the tradition of integral development of the centres of historical cities of Ukraine is ancient. City governments and magnates in different ways supervised safety, production, and trade infrastructure, and improved the public space of market squares. The inner parts of the historical cities of Ukraine developed individually, had different goals and opportunities, used separate resources, and tried to achieve similar results - a harmonious socio-economic environment. Unfortunately, a thorough destruction of the historical cities of Ukraine as a result of the aggression of Moscow-Russian troops occurred during the 17th and early 21st centuries. In conclusion, it was noted that the logical area of long-term development of Ukrainian historical cities is the analysis and reproduction of historical and urban traditions, active implementation of revitalisation projects, and restoration of tangible cultural legacy. The study uses methods of structural analysis of spatial characteristics of planning and functional-territorial features of the city centres, processing and sampling the information in literary and archival sources. The purpose of the study is to determine the signs of integrated development of the centres of historical cities of Ukraine. The results of the study can be used in monument protection activities and practical work on the regeneration of the central part of the historical cities of Ukraine","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115083398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cultural Diffusion in the Architecture of the Ancient World (on the Example of the Cult of Isis in the 3rd Century BC – 2nd Century AD)","authors":"S. Linda","doi":"10.56318/as2022.01.051","DOIUrl":"https://doi.org/10.56318/as2022.01.051","url":null,"abstract":"The practice of borrowing and mixing architectural forms and meanings from different cultural environments dates back to the architecture of the ancient world and is still relevant today. Therefore, discovering its origins, mechanisms and causes of development is an important subject in the theory and history of architecture. The purpose of the study is to introduce the concept of cultural diffusion, as a methodological technique for mixing architectural forms from different artistic environments, which contributes to the development of qualitatively new solutions that form new architectural styles and synthesise new meanings. It is also vital to substantiate the phenomena of cultural diffusion as the first and necessary stage of subsequent processes of development of architectural meaning and shape – the stage of conscious and reasonable choice of an architectural prototype for a new design. The main material for the study is objects related to the cult of Isis – one of the most common religious cults in the architecture of the ancient world, which belonged to the Greco-Roman civilisation. In terms of methodology, the study is based on the analysis and systematisation of papers on architectural objects associated with the cult of Isis, and the results of visual observations (description and comparative analysis). Using the example of architectural objects associated with the cult of Isis, the study demonstrates that in the architecture of the ancient world, various methodological approaches were developed in architectural form-making: both autonomous processes in different cultures and mixed, which involved the capabilities and means of various cultural environments, opening unlimited prospects for the development of architectural form and meaning. Scientific originality is the interpretation of the process of cultural diffusion as an important methodological prerequisite for a new architectural form and meaning development. This determines the practical importance of the study, since the phenomenon of cultural diffusion, as a methodological technique for the architect's work, is still relevant today","PeriodicalId":190845,"journal":{"name":"Architectural Studies","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129158766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}