古代世界建筑中的文化传播(以公元前3世纪至公元2世纪的伊希斯崇拜为例)

S. Linda
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引用次数: 0

摘要

从不同的文化环境中借用和混合建筑形式和意义的做法可以追溯到古代世界的建筑,今天仍然适用。因此,发现它的起源、机制和发展的原因是建筑理论和历史的重要课题。该研究的目的是引入文化传播的概念,作为一种混合来自不同艺术环境的建筑形式的方法论技术,这有助于形成新的建筑风格和综合新的意义的定性新解决方案的发展。同样重要的是,将文化传播现象作为建筑意义和形状发展的后续过程的第一个和必要阶段——为新设计有意识和合理地选择建筑原型的阶段——加以证实。研究的主要材料是与伊希斯崇拜有关的物品——这是古代世界建筑中最常见的宗教崇拜之一,属于希腊罗马文明。在方法论方面,该研究基于对与Isis崇拜有关的建筑对象的论文的分析和系统化,以及视觉观察的结果(描述和比较分析)。以与Isis崇拜相关的建筑对象为例,该研究表明,在古代世界的建筑中,各种方法方法在建筑形式制作中得到了发展:既有不同文化的自主过程,也有混合过程,这涉及到各种文化环境的能力和手段,为建筑形式和意义的发展开辟了无限的前景。科学原创性是对文化传播过程的解释,是新建筑形式和意义发展的重要方法论前提。这决定了这项研究的实际重要性,因为文化传播现象作为建筑师工作的一种方法论技术,今天仍然相关
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cultural Diffusion in the Architecture of the Ancient World (on the Example of the Cult of Isis in the 3rd Century BC – 2nd Century AD)
The practice of borrowing and mixing architectural forms and meanings from different cultural environments dates back to the architecture of the ancient world and is still relevant today. Therefore, discovering its origins, mechanisms and causes of development is an important subject in the theory and history of architecture. The purpose of the study is to introduce the concept of cultural diffusion, as a methodological technique for mixing architectural forms from different artistic environments, which contributes to the development of qualitatively new solutions that form new architectural styles and synthesise new meanings. It is also vital to substantiate the phenomena of cultural diffusion as the first and necessary stage of subsequent processes of development of architectural meaning and shape – the stage of conscious and reasonable choice of an architectural prototype for a new design. The main material for the study is objects related to the cult of Isis – one of the most common religious cults in the architecture of the ancient world, which belonged to the Greco-Roman civilisation. In terms of methodology, the study is based on the analysis and systematisation of papers on architectural objects associated with the cult of Isis, and the results of visual observations (description and comparative analysis). Using the example of architectural objects associated with the cult of Isis, the study demonstrates that in the architecture of the ancient world, various methodological approaches were developed in architectural form-making: both autonomous processes in different cultures and mixed, which involved the capabilities and means of various cultural environments, opening unlimited prospects for the development of architectural form and meaning. Scientific originality is the interpretation of the process of cultural diffusion as an important methodological prerequisite for a new architectural form and meaning development. This determines the practical importance of the study, since the phenomenon of cultural diffusion, as a methodological technique for the architect's work, is still relevant today
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