Medya ve Kültürel Çalışmalar Dergisi最新文献_第2页

Feminist Karşı Sinema Bağlamında Agnès Varda Filmleri: ‘Cléo Beşten Yediye’, ‘Mutluluk’, ‘Biri Şarkı Söylüyor, Diğeri Söylemiyor’

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2023-04-03 DOI: 10.55055/mekcad.1261091

Gül Yaşartürk, Melisa Budak

引用次数: 0

“ADI VASFİYE” VE “AH BELİNDA” FİLMLERİNDE BELLEK YANILSAMALARI VE TOPLUMSAL CİNSİYET

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2023-03-15 DOI: 10.55055/mekcad.1246779

Nilhan Habaci

{"title":"“ADI VASFİYE” VE “AH BELİNDA” FİLMLERİNDE BELLEK YANILSAMALARI VE TOPLUMSAL CİNSİYET","authors":"Nilhan Habaci","doi":"10.55055/mekcad.1246779","DOIUrl":"https://doi.org/10.55055/mekcad.1246779","url":null,"abstract":"Bellek hatırlama ve unutma ile inşa edilir. Kolektif hafıza belirli bir bağlamda oluşur. Bu bağlamın boyutlarından biri de toplumsal cinsiyet ilişkileridir. Sinema toplumun dinamiklerini resmederken bireysel ve toplumsal bellek inşasında etkili bir rol oynar. Dil, müzik, kurgu ve anlatı yapısı bu inşanın araçlarıdır. 1980’li yıllarda Türk sinemasında kadın filmi dendiğinde akla ilk gelen sinemacı Atıf Yılmaz’dır. Yönetmenin filmlerini çektiği yıllar aynı zamanda kadın hareketinin yükselmeye başladığı dönem olması açısından önemlidir. Bu çalışmada, bahsedilen arka plan düşünülerek Atıf Yılmaz’ın belleğin merkezi rol oynadığı Adı Vasfiye ve Ah Belinda filmleri örneklem olarak seçilmiştir. Filmlerin analizlerine temel oluşturması için bellek, hatırlama ve belleğin sinema ile ilişkisi literatürle temellendirilmiştir. Filmler, toplumsal cinsiyet ilişkileri bağlamında bellek yanılsamalarının nasıl kurulduğunu açıklamak üzere metin analizi yöntemiyle incelenmiştir. Sonuç olarak, iki farklı kadının hikayelerinde görülen bellek yanılsamalarının ve bellek inşasının anlamı değerlendirilmiştir.","PeriodicalId":184881,"journal":{"name":"Medya ve Kültürel Çalışmalar Dergisi","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123435248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Rethinking Women Empowerment within the Context of Daytime Shows: Example of Gelin Evi 日间节目语境下的女性赋权再思考——以格林·埃维为例

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2022-10-17 DOI: 10.55055/mekcad.1163097

Merve Çopuroğlu

{"title":"Rethinking Women Empowerment within the Context of Daytime Shows: Example of Gelin Evi","authors":"Merve Çopuroğlu","doi":"10.55055/mekcad.1163097","DOIUrl":"https://doi.org/10.55055/mekcad.1163097","url":null,"abstract":"Gelin Evi (Bride’s House) program, which has been broadcasted in the daytime since 2016, is often criticized for encouraging the conspicuous consumption culture, and reducing women representations to being a good bride by showing the domestic talents of new brides as competition although the program has the potential to affect the society, just like other media contents. Especially in the current episodes of the program, the presenter's emphasis on the importance of women's taking their own decisions when choosing a spouse and having economic independence, and institutions which women can learn an occupation gives importance to the program in terms of spreading the discourse of women's empowerment to different segments of the society. While women's empowerment conceptually expresses women's ability to use resources and opportunities to make and implement their own decisions without being dependent on others, this discourse disseminates itself in the Gelin Evi program at a contextual level. Thus, Gelin Evi program can be tool that provide women empowerment when it is considered with its influential capacity. Television does not only entertain people, but also functions as a tool to convey ideas and new living practices to the masses. In this context, since the discourse of women's empowerment is an important tool for the audience to adopt gender equality, its importance within Gelin Evi program should not be underestimated.","PeriodicalId":184881,"journal":{"name":"Medya ve Kültürel Çalışmalar Dergisi","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129662803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

New Mentality to the Old Village: Peasant Discourse on the Graphic Designs of İhap Hulusi Görey 旧村的新心态:İhap葫芦丝平面设计中的农民话语Görey

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2022-10-13 DOI: 10.55055/mekcad.1176996

Bilgen AYDIN SEVİM, Ali Can Meti̇n

{"title":"New Mentality to the Old Village: Peasant Discourse on the Graphic Designs of İhap Hulusi Görey","authors":"Bilgen AYDIN SEVİM, Ali Can Meti̇n","doi":"10.55055/mekcad.1176996","DOIUrl":"https://doi.org/10.55055/mekcad.1176996","url":null,"abstract":"İhap Hulusi Görey (1898-1986) is an extraordinary artist who has an important place in Turkey’s mass media history with his graphic designs. He made a great contribution to the shaping of the visual memory of the Republic with his works in many different genres from public institution posters to press announcements of private enterprises. Görey’s designs became a medium that conveyed the messages of the newly established regime to the public in the Early Republican Period (1923-1950), when visual, audio and printed mass media were weak. Görey’s designs were the most effective means of creating a change in attitude and behavior in an imperial remnant society, 85% of whom lives in villages and whose literacy rate is around 5%. Although Görey came from an upper class family, he analyzed the psychology of the peasants very well and encoded visual and verbal messages in an empathetic language in his graphic designs. These works, designed with a romantic point of view, carry all the handicaps of the ambivalent attitude towards the peasants of the Early Republican Period. The Turkish peasant, presented in an idealized composition on Görey’s designs, was positioned both as the real owner of the newly established regime and as the object of the behavioral engineering project of the Republican elites. The aim of this study is to reveal the reflection of the contradictory discourse of the Republic towards the peasants in Görey’s graphic designs, based on Mehmet Asım Karaömerlioğlu’s arguments about peasantism. In this framework; a Critical Discourse Analysis (CDA) of ten designs belonging to Görey, which was chosen as the criterion sample within the scope of purposeful sampling, was conducted.","PeriodicalId":184881,"journal":{"name":"Medya ve Kültürel Çalışmalar Dergisi","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131953406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Relationship Between Cultural Space and Power in the Union of Soviet Socialist Republics 苏维埃社会主义共和国联盟的文化空间与权力关系

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2022-10-07 DOI: 10.55055/mekcad.1163797

Nermin AZİZZADE JULAR

{"title":"The Relationship Between Cultural Space and Power in the Union of Soviet Socialist Republics","authors":"Nermin AZİZZADE JULAR","doi":"10.55055/mekcad.1163797","DOIUrl":"https://doi.org/10.55055/mekcad.1163797","url":null,"abstract":"Russia experienced a very turbulent period in the Tsarist Period before the Soviet Union, and the traces of the political events and social structures of the period were seen intensely on the structures serving the society as well as on the society. During the Tsarist period before the establishment of the Soviet Union, Feudal rule was experienced, then the socialist system was adopted in the country, and housing was one of the biggest problems of the people in both periods. \u0000In this article, it is examined how different policies implemented in the Tsarist Period and the Soviet Union affected the architecture and how they changed according to the periods. Socialism, which began to be implemented with the collapse of the Absolute Monarchy and the establishment of the Soviet Union, underwent different political processes during the Soviet Union Period and was exposed to various changes. The housing and cultural structures of the country, which experienced different leadership and regime processes, and the leadership ideology reflected in the structures were investigated in the cultural dimension. The cultural structures of the Lenin and Stalin periods were selected starting from the Tsarist Period. The impact of leaders on their housing and cultural spaces in line with spatial formation and policy was tried to be measured.","PeriodicalId":184881,"journal":{"name":"Medya ve Kültürel Çalışmalar Dergisi","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126324746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Stage as a Community Possibility and a Space of Resistance: A Study on Pose 舞台作为一个共同体的可能性和一个抵抗的空间:姿势的研究

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2022-09-29 DOI: 10.55055/mekcad.1145805

Melisa Yilmaz

{"title":"The Stage as a Community Possibility and a Space of Resistance: A Study on Pose","authors":"Melisa Yilmaz","doi":"10.55055/mekcad.1145805","DOIUrl":"https://doi.org/10.55055/mekcad.1145805","url":null,"abstract":"It is possible to read Pose (Ryan Murphy, 2018), which brings together different human profiles belonging to intersectional identities, as a defense of singularity that rebels against identity politics and directly the issue of identity, beyond being a fiction about American ball culture. The always marginalized characters in Pose find an opportunity for liberation on prom nights, where they can only be together by disguising, putting on makeup, dancing and posing. This opportunity for liberation is also their opportunity to reconstruct the truth about who they are. The purpose of this study is to evaluate Pose as a project shaped around the problem of identity and singularity, a proposition about how people under domination can establish their own singularity and how they can become a community. For this purpose, in the first part of the study, Pose's organic connection with the identity and subject problem was examined, and the mechanisms of domination (for example, institutions and cultural norms) that were clearly revealed in the series were analyzed in the context of discourse practices theorized by Foucault. In addition, the AIDS epidemic emphasized in the series and the way the epidemic was defined by the dominant institutions were analyzed. In the second part, the process of transforming people who are dominated in Pose into a community and the role of death in this process are examined within the framework of the ideas put forward by some thinkers such as Nancy and Blanchot. In the third part, Agamben's views on community and political exceptions and homo sacer terminology are evaluated through Pose. It has been concluded that Pose has a very rich fiction in terms of identity and community theories, and that the gesture of posing, which is frequently mentioned in this fiction, reveals the theme of \"being with others through self-expression\", and that both the singularity and the community are a part of the stage, which has become a field of resistance and reconstructed as a counter-stance.","PeriodicalId":184881,"journal":{"name":"Medya ve Kültürel Çalışmalar Dergisi","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114540880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Semiological Analysis: Example of Soap - opera named “Acımak” 符号学分析:以“Acımak”肥皂剧为例

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2022-09-29 DOI: 10.55055/mekcad.1179545

Merve Harbeli̇oğlu, Özge ZEYBEKOĞLU AKBAŞ

{"title":"Semiological Analysis: Example of Soap - opera named “Acımak”","authors":"Merve Harbeli̇oğlu, Özge ZEYBEKOĞLU AKBAŞ","doi":"10.55055/mekcad.1179545","DOIUrl":"https://doi.org/10.55055/mekcad.1179545","url":null,"abstract":"Reşat Nuri Güntekin is a Turkish novelist, story writer and dramatist who has a significant role in literature of Republican Era and he wrote many well-known works such as; Scrub bird (1922), Secret Hand (1922), The Mark (1924), From Mouth to Heart (1925), Green Night (1928), Fall of the Leaf (1930), Azure (1935), Old Illness (1938), Firey Night (1942) and Head in the Clouds (1961). Reşat Nuri Güntekin deals with individual and social subjects such as; family, love, child, loneliness, friendship, sacrifice and ethics and he try to depict the new contrary to the traditional and spread the ideology of Republic. In this study, it is aimed at analysing Soap - opera adaptation of his novel “Pity” based on semiological analysis. The said Soap - opera is a Turkish made drama displayed in TRT 1 between 1985 and 1986 in seven seasons. The scenes that are taken from the said Soap - opera based on semiological analysis is tried to be analysed by considering; Barthe’s concepts of connotation and denotation, language and expression, time and place, clothing and they are compared by taking features of both the period of the novel and that of the Soap - opera into consideration.","PeriodicalId":184881,"journal":{"name":"Medya ve Kültürel Çalışmalar Dergisi","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120936570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

YABANCILARA TÜRKÇE ÖĞRETİMİNDE YAŞAYAN KÜLTÜREL MİRASIN AKTARIM ARACI OLARAK TÜRK YEMEK KÜLTÜRÜ

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2022-04-30 DOI: 10.55055/mekcad.1102981

Ayşe Uğureli

引用次数: 0

Gelenekselden Küresele Yabancı Dil Olarak Türkçe Öğretiminde Türk İmgelerinin Kullanımı: Yedi İklim Örneklemi 在土耳其语外语教学中使用土耳其图像，从传统到全球：七种气候样本

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2022-04-30 DOI: 10.55055/mekcad.1102910

Tülin Gümüş

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Aklın Yargıcı Olarak Akıl: Kant, Pink ve The Wall

Medya ve Kültürel Çalışmalar Dergisi Pub Date : 2022-04-30 DOI: 10.55055/mekcad.1072243

Çiçek Topçu

引用次数: 0