符号学分析:以“Acımak”肥皂剧为例

Merve Harbeli̇oğlu, Özge ZEYBEKOĞLU AKBAŞ
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引用次数: 0

摘要

reutat Nuri g ntekin是土耳其共和时期文学史上重要的小说家、故事家和戏剧家,他创作了许多著名的作品,如;《灌木鸟》(1922)、《秘密之手》(1922)、《记号》(1924)、《从嘴到心》(1925)、《绿夜》(1928)、《落叶》(1930)、《蔚蓝》(1935)、《老病》(1938)、《火夜》(1942)和《云中之头》(1961)。re Nuri g ntekin处理个人和社会主题,例如;家庭、爱情、孩子、孤独、友谊、牺牲和伦理,他试图描绘与传统相反的新事物,传播共和思想。本文从符号学的角度分析其小说《怜悯》的肥皂剧改编。该肥皂剧是一部土耳其制作的电视剧,于1985年至1986年在TRT 1播出,共七季。在符号学分析的基础上,对肥皂剧中的场景进行了思考分析;从小说与肥皂剧的时代特征出发,对巴塞的内涵与外延、语言与表达、时间与地点、服饰等概念进行了比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Semiological Analysis: Example of Soap - opera named “Acımak”
Reşat Nuri Güntekin is a Turkish novelist, story writer and dramatist who has a significant role in literature of Republican Era and he wrote many well-known works such as; Scrub bird (1922), Secret Hand (1922), The Mark (1924), From Mouth to Heart (1925), Green Night (1928), Fall of the Leaf (1930), Azure (1935), Old Illness (1938), Firey Night (1942) and Head in the Clouds (1961). Reşat Nuri Güntekin deals with individual and social subjects such as; family, love, child, loneliness, friendship, sacrifice and ethics and he try to depict the new contrary to the traditional and spread the ideology of Republic. In this study, it is aimed at analysing Soap - opera adaptation of his novel “Pity” based on semiological analysis. The said Soap - opera is a Turkish made drama displayed in TRT 1 between 1985 and 1986 in seven seasons. The scenes that are taken from the said Soap - opera based on semiological analysis is tried to be analysed by considering; Barthe’s concepts of connotation and denotation, language and expression, time and place, clothing and they are compared by taking features of both the period of the novel and that of the Soap - opera into consideration.
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