Literary Fact最新文献_第6页

For the Literary Biography of Olga Chyumina 奥尔加·奇尤米娜的文学传记

Literary Fact Pub Date : 1900-01-01 DOI: 10.22455/2541-8297-2022-26-107-122

Yulia A. Rykunina

{"title":"For the Literary Biography of Olga Chyumina","authors":"Yulia A. Rykunina","doi":"10.22455/2541-8297-2022-26-107-122","DOIUrl":"https://doi.org/10.22455/2541-8297-2022-26-107-122","url":null,"abstract":"The article presents little-known documents and evidences, concerning the early biography of Olga Nikolaevna Chyumina (1858 –1909) — a poet, a writer, a translator — including ego-documents. The author of the article observes the peculiarities of her relations with modernist writers and her literary position, expressed largely in opposition to modernists. Despite the fact that nowadays Chyumina is almost forgotten, at the turn of the 20th century she was a famous writer who achieved both the attention of critics and high fees. The article examines the beginning of her creative career, the relationship with the critic V.P. Burenin, the first publications dedicated to the memory of General M.D. Skobelev. The author quotes from letters stored in archives, in which Chyumina writes about herself and subjects the role and place of women in literature to reflection. Chyumina wrote from a male person before women writers of the modern era began to resort to this technique. Critics have noted this feature, at the same time in the reviews she was advised not to raise serious topics, which corresponds to the traditional attitude towards women writers. In the second book of poems, Chyumina seems to have found exactly her voice, but the rapid development of new trends pushed this figure into the background.","PeriodicalId":176975,"journal":{"name":"Literary Fact","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114653349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Additions on I.A. Goncharov’s Service in the Foreign Trade Department 关于贡恰洛夫在外贸部工作的补充

Literary Fact Pub Date : 1900-01-01 DOI: 10.22455/2541-8297-2020-18-384-392

A. V. Romanova

{"title":"Additions on I.A. Goncharov’s Service in the Foreign Trade Department","authors":"A. V. Romanova","doi":"10.22455/2541-8297-2020-18-384-392","DOIUrl":"https://doi.org/10.22455/2541-8297-2020-18-384-392","url":null,"abstract":"The article summarizes the data of many years of research on I.A. Goncharov’s service activity in the Foreign Trade Department of the Ministry of Finance as an official, but not as a translator and a secretary of Admiral E.V. Putyatin aboard the frigate Pallada. The time period is from May 1835 to November 1838, from 1843 to October 1852 and from the spring of 1855 to early 1856, when Goncharov took the post of censor. The character of Goncharov's service in 1843 –1845 is emphasized. The author investigates the case of the Foreign Trade Department on the construction of furniture in 1846 –1849, in which, in addition to the already known list of documents (for depositing in the archives), compiled and signed by Goncharov, his notes on separate sheets were revealed. The documents allow to make a reasonable conclusion that Goncharov, in addition to his official duties as a translator, participated in other affairs of the department. It is possible that, at the request of his superiors, he sometimes performed some errands when his colleagues were on vacation. But his officially undisclosed return to the duties of a clerical worker on a permanent basis is also possible. For this service, Goncharov was presented with several gifts.","PeriodicalId":176975,"journal":{"name":"Literary Fact","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124762347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Let it be Empty”: “The Curse of Eudokia” and its Reception in Russian Culture of the 19th – Early 20th Centuries. “让它空”:“尤多基亚的诅咒”及其在19世纪至20世纪初俄罗斯文化中的接受。

Literary Fact Pub Date : 1900-01-01 DOI: 10.22455/2541-8297-2023-27-173-194

{"title":"“Let it be Empty”: “The Curse of Eudokia” and its Reception in Russian Culture of the 19th – Early 20th Centuries.","authors":"","doi":"10.22455/2541-8297-2023-27-173-194","DOIUrl":"https://doi.org/10.22455/2541-8297-2023-27-173-194","url":null,"abstract":"Since the beginning of the 20th century, the leitmotif of the theme of the end of St. Petersburg is the so-called “curse of Evdokia”: “Petersburg to be empty.” This is a contamination of two quotes from the Petrine era. Both of them, when they appeared, did not have any distinct eschatological sound, and both were not known in the era of romanticism. From the 1860s to the beginning of the 20th century the prophecy “Let it be empty” was cited as a formula of the retrograde of the reign of Peter the Great, moreover as a prediction or threat, but not a curse. Actual eschatological sound was given to him by Merezhkovsky in the novels “Peter and Alexei” (1904–1905), “Alexander I” (1911–1912) and the article “Petersburg to be empty” (1908). The formula “St. Petersburg to be empty” entered the political agenda on the eve and after the February Revolution, in connection with rumors about the surrender of Petrograd to the Germans and the government moving to Moscow. Afterwards the 19th centuries prophecies were perceived by the eyes of the creators of the Russian symbolism. The result of such distorted optics was the idea of the formula “Let it be empty” as the original curse that gravitates over St. Petersburg, as well as identification of this formula with the eschatology of the Old Believers.","PeriodicalId":176975,"journal":{"name":"Literary Fact","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130247049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“The World of Writers” in Z.N. Gippius’s Prose Works and Her Strategies at the Turn of the Century 吉皮乌斯散文作品中的“作家世界”及其世纪之交的策略

Literary Fact Pub Date : 1900-01-01 DOI: 10.22455/2541-8297-2021-20-257-279

Yulia A. Rykunina

引用次数: 0

Gogol, N.V. “The Old World Landowners.” Autograph, text prep. and comment. by A.S. Sholokhova 果戈理，N.V.，《旧世界地主》签名，文本准备和评论。肖洛科娃著

Literary Fact Pub Date : 1900-01-01 DOI: 10.22455/2541-8297-2022-24-8-36

Anna S. Sholokhova

引用次数: 0

E.A. Gilyarova’s Memoirs about her Censor’ and Editor’ Work e·a·吉尔亚罗娃关于她的审查和编辑工作的回忆录

Literary Fact Pub Date : 1900-01-01 DOI: 10.22455/2541-8297-2022-23-146-163

O. Simonova

{"title":"E.A. Gilyarova’s Memoirs about her Censor’ and Editor’ Work","authors":"O. Simonova","doi":"10.22455/2541-8297-2022-23-146-163","DOIUrl":"https://doi.org/10.22455/2541-8297-2022-23-146-163","url":null,"abstract":"The study of the history of censorship in the USSR attracts a large number of researchers, but publications of censors’ memoirs are not so common. The memoirs of E.A. Gilyarova represent one of the most interesting periods of the Soviet press, i. e. the 1930s. The introductory article to the publication examines the significance of the censors’ memoirs for the history of literature. A brief biographical note is given about Gilyarova, who, being a prominent Bolshevik, an employee of the People’s Commissariat of Education, was repressed in the 1930s. Subsequently, she contributed to the study of the Bolshevik movement’s history by publishing her memoirs and compiling several collections about the participants of the Revolution and the Civil War. In the being publishing memoirs, Gilyarova describes the internal routine of work in Gorlit, (the General Directorate for Literature and Publishing which carried out censorship in USSR), direct interactions with writers. The above episode with the B.A. Lavrenev’novel “The World in a Piece of Glass” shows how censorship changed the text: subsequently it was reproduced without the final author’s conclusion. Also, Gilyarova remembers how she took off an obscene poem from Nekrasov’s poetry collection. In the narrative about her work at the GIHL, Gilyarova pays the greatest attention to the figure of K.I. Chukovsky. She describes the editorial work on his book about N.A. Nekrasov, tells about the prohibition of Chukovsky’s works at the turn of the 1920s — 1930s. The present text allows us to form a more comprehensive picture of the pre-War development of Soviet literature, to make conclusions about the influence of censorship and editorial interference factors on it and to show this influence on concrete examples.","PeriodicalId":176975,"journal":{"name":"Literary Fact","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131241908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Calvary 受难

Literary Fact Pub Date : 1900-01-01 DOI: 10.1093/nq/s2-i.19.374a

I. Surat

引用次数: 0

Literary Fact 文学事实

Literary Fact Pub Date : 1900-01-01 DOI: 10.22455/2541-8297

引用次数: 5

M.A. Maksimovich as the Addresse of N.V. Gogol's Letters (From the Commentary) 马克西莫维奇作为果戈理书信的收信人(摘自评论)

Literary Fact Pub Date : 1900-01-01 DOI: 10.22455/2541-8297-2023-28-89-102

Lyudmila V. Deryugina

{"title":"M.A. Maksimovich as the Addresse of N.V. Gogol's Letters (From the Commentary)","authors":"Lyudmila V. Deryugina","doi":"10.22455/2541-8297-2023-28-89-102","DOIUrl":"https://doi.org/10.22455/2541-8297-2023-28-89-102","url":null,"abstract":"The article is devoted to the relationship between N.V. Gogol and M.A. Maksimovich (1804–1873), his fellow countryman from the Poltava region. In his family there were writers and professors, they were proud of it, and Maksimovich himself from childhood dreamed of becoming a professor of botany in Moscow, but became a professor of Russian literature in Kiev and as a philologist and historian lived a fruitful scientific life. With Gogol he was brought together by his love for Little Russian songs. For the famous collection of songs by Maksimovich, Gogol offered several of his recordings and took part in its publication. Both were enthusiastic about the unrealized project to occupy university departments in Kiev together and turn it into a “new Athens,” launching an extensive educational program there. Their relations, invariably warm, were almost in absentia, until the autumn of 1849, when at the end of October Maksimovich arrived in Moscow, where Gogol then lived, and remained there for more than six months. In June they went together to their native lands, and in August 1850 Maksimovich visited Gogol in his village of Vasilyevka. Botany classes during the trip gave Gogol knowledge about Russia, important for the continuation of “Dead Souls.” Maksimovich, in his turn, left a portrait of the writer marked by professional observation and at the same time sympathetic understanding.","PeriodicalId":176975,"journal":{"name":"Literary Fact","volume":"153 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122863863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Maria Nikitichna Ryzhkina as a Translator of the Publishing House “World Literature” (Marcel Proust and Others) Maria Nikitichna Ryzhkina作为出版社“世界文学”(Marcel Proust等)的翻译

Literary Fact Pub Date : 1900-01-01 DOI: 10.22455/2541-8297-2023-28-218-240

Marina Iu. Liubimova, Ya. D. Chechnev

{"title":"Maria Nikitichna Ryzhkina as a Translator of the Publishing House “World Literature” (Marcel Proust and Others)","authors":"Marina Iu. Liubimova, Ya. D. Chechnev","doi":"10.22455/2541-8297-2023-28-218-240","DOIUrl":"https://doi.org/10.22455/2541-8297-2023-28-218-240","url":null,"abstract":"The article examines the creative biography of the translator and librarian of the Public Library, a student of M.L. Lozinsky, Maria Nikitichna Ryzhkina (married Petersen; 1998–1984), the first translator of M. Proust’s novel Towards Swann. Special attention is paid to her activities in the publishing house “World Literature” (“Vsemirnaya Literatura”), where she is under her own name and under the pseudonym “M. Elagina” published, in addition to excerpts from M. Proust’s novel Towards Swann, the novels of R. Rolland Cola Brunion, The Enchanted Soul, A. Bero The Sufferings of a Fat Man and M. Marx The Woman, collections of short stories The Man is Kind by L. Frank and Timur by K. Edschmid, plays by G. Buchner The Death of Danton and Woyzeck. The authors of the article examine archival documents from the collections of the Russian National Library: the personal file of M.N. Ryzhkina (Petersen) and her diary (1920–1921); as well as her memoirs written in the 1980s and covering almost the entire life path, from the Archival Collection of the House of the Russian Abroad. The article gives numerous fragments from these sources. The information significantly complements the already known facts (according to other sources) about the work of M.L. Lozinsky’s Translation Studio, about his method of “collective translation,” about the relationship of students. The appendix contains archival documents from the personal file of M.N. Ryzhkina (Petersen) about her life in the period from 1919 to 1941.","PeriodicalId":176975,"journal":{"name":"Literary Fact","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125326019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0