“The World of Writers” in Z.N. Gippius’s Prose Works and Her Strategies at the Turn of the Century

Yulia A. Rykunina
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引用次数: 0

Abstract

The paper discusses Z.N. Gippius’s formation as a prose writer. Her position in literature was ambivalent: she published her prose in “thick” magazines, was a friend of some old generation writers and at the same time was associated with decadence and new directions in literature. It was important for her to get support of respectable writers and at the same time she criticized their outdated positivistic world perception from her modernist point of view. She also published her prose in thin illustrated magazines just to provide the Merezhkovskys’ financial position. All of these items are reflected in her letters of this period and as well in her prose, in which she represented various types of writers and showed her attitude to them. The analyses reveals that among the writers that were ironically shown by Gippius there were no authoritative figures; to the author’s opinion, for Gippius such figure was Leo Tolstoy, who would appear in her prose under his own name.
吉皮乌斯散文作品中的“作家世界”及其世纪之交的策略
本文论述了吉普斯散文作家的形成。她在文学上的地位是矛盾的:她在“厚”杂志上发表散文,是一些老一代作家的朋友,同时又与颓废和文学的新方向联系在一起。对她来说,获得受人尊敬的作家的支持是很重要的,同时她也从现代主义的角度批判了他们过时的实证主义世界观。她还在单薄的插图杂志上发表她的散文,只是为了提供梅列日科夫斯基夫妇的财政状况。所有这些都反映在她这一时期的信件和散文中,在她的散文中,她代表了各种类型的作家,并表明了她对他们的态度。分析表明,在被吉普斯讽刺的作家中,没有权威人物;在作者看来,对吉普斯来说,这样的人物就是列夫·托尔斯泰,他会以自己的名字出现在她的散文中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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