Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas最新文献_第2页

AAVV. Literatura-Mundo Comparada, Parte III: Perspectivas em Português - Pelo Tejo vai-se para o Mundo. Coordenação: Helena Carvalhão Buescu e Simão Valente.Tinta-da-China, 2020 AAVV。比较世界文学，第三部分:葡萄牙语视角-通过塔古斯走向世界。协调:Helena carvalhao Buescu和simao Valente。墨水笔,2020

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0012

H. Santos

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Le reste est ombre - Pedro Costa, Rui Chafes, Paulo Nozolino, 2022 其余的都是阴影——佩德罗·科斯塔，鲁伊·查菲斯，保罗·诺佐利诺，2022年

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0010

Raquel Morais

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Le Chef d’œuvre inconnu: Ekphrasis et palimpseste 不为人知的杰作:埃克phrasis和重写本

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0005

Ana Fernandes

{"title":"Le Chef d’œuvre inconnu: Ekphrasis et palimpseste","authors":"Ana Fernandes","doi":"10.51427/com.jcs.2022.0005","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0005","url":null,"abstract":": This paper explores how literary descriptions of visual artworks affect the narrative and descriptive fabric of a text. The novel we will examine operates on three textual levels: the painter’s creative struggles, his romantic relationships with his model and/or the painted women of his canvas, and his aesthetic claims to revolutionize painting. Our project argues that ekphrasis is a mode of translation that takes two forms: the traditional, “contained” description of a visual work of art; and a mode of writing that permeates the entire text and emulates the characteristics of the work. Balzac’s The Unknown Masterpiece successfully adopts the ekphrastic mode of writing, transforming the narrative into a canvas where the boundaries between media are blurred. At the heart of this realist text, the fundamental adherence to the mi-metic principle of art is confronted with the non-figurative experiences of their fictional painters. The female body, as the embodiment of art and the manifestation of the artist’s desire, becomes the symptom of the artist’s incursion into abstract painting and his will to appropriate art and the site of resistance to ekphrasis . We will focus on the way Balzac combines Rembrandt’s techniques — particularly his use of light — in the composition of his own descriptions. We will then follow the ekphrasis of the fictional master Frenhofer on his canvas and the interpretive lessons he gives throughout the text in order to analyse his final painting. By focusing on what lies beneath the surface of a canvas rather than what is visible, Frenhofer illustrates his vision of painting as palimpsest.","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123724142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Foreword — Materialities of the Photobook 前言-摄影书的材料

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0014

J. Bértolo, D. Campany

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Introdução - Humanidades digitais e diversidade cultural: aproximações críticas e comparativas 导论-数字人文和文化多样性:批判性和比较方法

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0028

Santiago Pérez Isasi, Patricia Murrieta Flores

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Kikuji Kawada. Vortex. AKAAKA, 2022

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0026

J. Bértolo

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Errâncias: O Acervo Biojuntado de Décio Pignatari 漫游:decio Pignatari的生物收集

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0018

H. Vieira

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La cosecha de los 80: El fenómeno bestseller de calidad 80年代的收获:高质量的畅销书现象

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0007

B. Pulleiro

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"A dream, dictating its own course": On Ralph Gibson’s Photobook Trilogy, 1970–1974 “一个梦，决定它自己的路线”:拉尔夫·吉布森的摄影三部曲，1970-1974

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0015

Antony Lee

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“I’m painting death”: Ekphrasis and Precarious Inspiration in Louise Erdrich’s Shadow Tag “我在画死亡”:路易丝·厄德里奇的《影子标签》中的措辞和不稳定的灵感

Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas Pub Date : 1900-01-01 DOI: 10.51427/com.jcs.2022.0008

Kathrin Neis

{"title":"“I’m painting death”: Ekphrasis and Precarious Inspiration in Louise Erdrich’s Shadow Tag","authors":"Kathrin Neis","doi":"10.51427/com.jcs.2022.0008","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0008","url":null,"abstract":": Today, world literature can be understood as including the literatures of the world, especially those that have been underrepresented before. It may also be associated with other arts such as painting and examine intertextual and intermedial relations to the construct of “the canon”. Therefore, in this essay, I examine the role of ekphrasis in Louise Erdrich’s artist novel Shadow Tag (2010) with the help of Laura Eidt’s typology for the analysis of ekphrases in literature and film. In the novel, fictional paintings are depicted as well as real works discussed, amongst others those of George Catlin in contrast to Native American Art. Ekphrasis in Shadow Tag is closely related to the often-difficult intra-familial relations, namely between painter--protagonist Gil and his wife and muse Irene. Gil’s artwork in general, and specifi-cally his “America” series are connected to the topic of colonialism, as his paintings evoke images of the exploited indigenous (Native American) body as well as to the topic of gender relations. Gil’s attitude towards his work and his muse shifts between attraction and repulsion, thereby fuelling his painting, whereas Irene experiences a growing discontent. The ekphrases are strongly influenced by the respective narrative focaliser, often to such an extent that depiction and depicted cannot be distin-guished. This immanent topic of perception is multiplied in Irene’s writing and the narrative construction of the text. da percepção é desenvolvido na escrita de Irene e na construção narrativa do texto. work on for the rest of his life, it would be a painting of Irene. (Erdrich, 11–12; my highlighting)","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"338 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134044486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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