{"title":"[Reseña] Dolores Romero López yJeffrey Zamostny(eds.).Towards the Digital Cultural History of the Other Silver Age Spain.Peter Lang, 2022","authors":"Guadalupe Nieto Caballero","doi":"10.51427/com.jcs.2022.0038","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0038","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116979560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Returning to Another Black Darkness: Materiality and Mattering in Photobook Encounters Over Time","authors":"Briony Carlin","doi":"10.51427/com.jcs.2022.0016","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0016","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"334 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132872539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Moscow Out of Time: Varvara Stepanova and the Soviet Photobook in 1932","authors":"Josie Johnson","doi":"10.51427/com.jcs.2022.0020","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0020","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126139239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Question of Misattribution: Women’s Art & Feminist Art History in Contemporary Fiction","authors":"J. Clayton","doi":"10.51427/com.jcs.2022.0003","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0003","url":null,"abstract":": This paper explores three works of fiction — Elizabeth Kostova’s The Swan Thieves (2010), Siri Hustvedt’s The Blazing World (2014) and Jessie Burton’s The Muse (2016) — all of which attempt to answer the question “why have there been no great women artists?” by exploring the possibility that artworks by women may have been misattributed to their male contemporaries. It is suggested that authors of art-fiction often draw on the work of feminist art historians not only to show how such misattribution might occur, but also how it might be consolidated and perpetuated via the international mechanisms which govern the circulation of art, thus relegat-ing female artists from the status of practitioner to muse. In exploring how the reception of an artwork can be influenced by viewers’ perceptions about the artist’s gender, fiction about women’s art also contributes to the debate over whether it is possible to identify a distinctive feminine aesthetic. Whilst suggesting that art-history novels often defer to a traditional hierarchy of art forms, in which oil paintings of mythological subjects carry the greatest pres-tige, this paper argues that art-fiction can also create an alternative narrative of art history which can be used to challenge or at least supplement the mainstream narrative in which great artworks are almost exclusively produced by men. qual as grandes obras de arte são quase exclusivamente produzidas por homens.","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123402933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Turn to Reception: Readers and Reading in the Contemporary Photobook Ecology","authors":"Matt Johnston","doi":"10.51427/com.jcs.2022.0021","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0021","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128001168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A conversation with André Príncipe & José Pedro Cortes (Pierre von Kleist)","authors":"J. Bértolo","doi":"10.51427/com.jcs.2022.0022","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0022","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133436363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interview with Andreas Fickers (Luxembourg Centre for Contemporary and Digital History)","authors":"Santiago Pérez Isasi","doi":"10.51427/com.jcs.2022.0035","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0035","url":null,"abstract":"Andreas Fickers is Professor for Contemporary and Digital History at the University of Luxembourg and the Director of the Luxembourg Centre for Contemporary and Digital History (C²DH), 3rd interdisciplinary center at the University of Luxembourg and head of its Digital History Lab. He's also prinicipal investigator of several projects such as Popkult60 (Populärkultur transnational - Europa in den langen 1960er Jahren) or LuxTime (Luxembourg Time Machine).","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114608620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Questionnaire on the Photobook: Publishers","authors":"J. Bértolo, D. Campany","doi":"10.51427/com.jcs.2022.0024","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0024","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129732194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Representación digital del Romanceiro de Almeida Garrett: cuestiones de marcado estructural","authors":"Sandra Boto, Bruno Ministro","doi":"10.51427/com.jcs.2022.0031","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0031","url":null,"abstract":"En este estudio se discuten algunos de los procedimientos tecnológicos de marcación de texto del proyecto editorial digital del Romanceiro del poeta portugués Almeida Garrett (1799-1854), cuya textualidad es, de por sí, compleja. Para ello, nos acercamos a aspectos de índole metodológica y práctica asociados al entorno digital y a las herramientas y metodologías que elegimos de cara al desarrollo del proyecto Garrettonline (www.garrettonline.romanceiro.pt). Los conectaremos con las particularidades y los problemas filológicos y genéticos que dicha colección de romances plantea, y que moldean una parte importante de las opciones que se han tomado y que aquí se detallarán. Así, nos volcaremos en cuestiones de adaptación de las metodologías de la ecdótica dicha tradicional a la ecdótica digital, de visualización de la edición y de cómo todo esto impacta en los procedimientos de marcación XML-TEI que se han adoptado como punto de partida de la representación digital de este primer Romanceiro moderno ibérico.","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131597041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Carlos Lobo.I Would Run This Way Forever (and over again).Lebop Books, 2022","authors":"Humberto Brito","doi":"10.51427/com.jcs.2022.0025","DOIUrl":"https://doi.org/10.51427/com.jcs.2022.0025","url":null,"abstract":"","PeriodicalId":171699,"journal":{"name":"Compendium : Journal of Comparative Studies = Revista de Estudos Comparatistas","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116042160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}