{"title":"Black wounded healers: A reflection on multimodal expression through a spoken word play in five movements","authors":"Timothy Berry","doi":"10.1177/26349795231185945","DOIUrl":"https://doi.org/10.1177/26349795231185945","url":null,"abstract":"Through the medium of performance, this reflection is a personal account of multimodal expression as a means to disseminate research and share historical memories in an interdisciplinary manner. Multisensory, multi-arts, and multidisciplinary processes were utilized to create the work. Wounded Healers was informed by multiple ways of knowing that occurred through the interplay of song, music, dance, visual art, and spoken word. Theoretical foundations were based in Africana and Black studies, Critical Race Theory, and neuroscience. The choices I made in the conception and design of the piece served a as way to share very dense narratives with audiences in ways that made them more accessible. The play is 65-minutes in length, covers over 400 years of history, and expresses the ways in which Black bodies have suffered, transcended their own pain, and fostered healing through creativity. The impact on me and the other performers was profound in that multisensory and multimodal expression penetrated all our central nervous systems in different ways. This type of expression allowed us to be authentic conduits, circulators of memory, necessary to remember how we heal.","PeriodicalId":134431,"journal":{"name":"Multimodality & Society","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134403607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Transmediating race and senses through subtitling in translanguaging classroom","authors":"Ayaka Yoshimizu, Saori Hoshi","doi":"10.1177/26349795231186979","DOIUrl":"https://doi.org/10.1177/26349795231186979","url":null,"abstract":"This article reflects on a transdisciplinary curricular project in a Japanese language course that employs audio–visual subtitling to promote students’ critical literacies in languages, cultures, and media. Drawing on Nornes’s (2015) notion of “sensuous subtitling,” which embraces the incorporation of the “materiality of language” into translation, we present how students’ experimental subtitlings potentially make a transformative intervention into how the characters are sensed and felt through film viewing. As Japanese-speaking women teaching Japanese language and culture at an English-speaking university in Canada, we use our bodies as racialized and racializing sites to explore the affective potentials of interlingual subtitles and their pedagogical implications. We reflect on students’ subtitling of Korean Japanese film Where Is the Moon (1993, dir. Yoichi Sai) that embodies race and senses through various cinematic techniques. Students’ subtitlings reshaped the “intercorporeal” space in which the cinematic bodies of the characters touch our bodies (Sekimoto and Brown, 2020).","PeriodicalId":134431,"journal":{"name":"Multimodality & Society","volume":"286 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123159483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Everybody is 1% of everything”: Youth ethnoracial positioning and constructing a semiotics of race","authors":"G. West","doi":"10.1177/26349795231187083","DOIUrl":"https://doi.org/10.1177/26349795231187083","url":null,"abstract":"Making meaning in transnational communications involves the use of transmodal resources that go beyond simply written and spoken language. The social semiotics of race, gender, and class also influence these communications, although they are not often accounted for. This study works to better understand the way in which the semiotics of race are constructed and interpreted by youth (aged 9–11) engaged in an educational, transnational communication project designed to improve their English language and technology skills. Drawing from a year-long ethnographic study of the youth participating in the project, I conduct a transmodal narrative analysis to show how the youth use small stories to position themselves and others in relation to ethnoracial identities. Using a micro-analysis of a segment of one meeting in which youth are responding to a video from their peers in Mexico, I show how the stories that emerge are polyphonic, transmodally composed, and work to ultimately position the youth as having a shared ethnoracial identity. In this, they challenge narratives that position them monoracially. The stories help us expand the way we can conceptualize counter-stories and raciolinguistic ideologies as emergent and interactionally constructed.","PeriodicalId":134431,"journal":{"name":"Multimodality & Society","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131376325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Teaching through objects and collections: The case of Strängnäs Secondary Grammar School and school museum 1830-1960","authors":"Eva Insulander, David Thorsén","doi":"10.1177/26349795231185957","DOIUrl":"https://doi.org/10.1177/26349795231185957","url":null,"abstract":"This paper aims to introduce educational history to multimodal studies by combining a source-oriented approach with multimodal social semiotics. We trace the role of objects and collections in teaching and learning, and focus on Strängnäs Secondary Grammar School in Sweden 1830-1960 as a case example. Closely examining original documents, remaining physical objects, and examples of their situated use as represented in photographs and drawings, the paper provides a nuanced perspective on how object-based pedagogy was applied. It traces how objects and artefacts were incorporated into the school’s collections, by the actions of different actors, in processes of recontextualisation and framing. The activity types that we use as examples, include: drawing lessons in art, weapons practice in physical education, plant collecting in botany, and map exercises in history. These examples show how objects and their meaning potential were used in teaching and learning, and how they realized certain discourses of schooling. Based on our examples, we can see how educational discourses such as progressivism came to have different impact in different subjects. While an authoritarian and national discourse prevailed in art and physical education, a scientific and progressive discourse seem to have been established in botany and history. By combining multimodality with historical research, we can understand meaning-making within a larger context of sociocultural practices and sociopolitical forces.","PeriodicalId":134431,"journal":{"name":"Multimodality & Society","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136286670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Latina/o bilingual teacher candidates’ meaning-making of space and place: Attending to raciolinguistic landscapes in bilingual teacher education","authors":"Christian Fallas-Escobar, Matthew R. Deroo","doi":"10.1177/26349795231182481","DOIUrl":"https://doi.org/10.1177/26349795231182481","url":null,"abstract":"In this article, we examine the ways 17 Latina/o bilingual teacher candidates (TCs) employed spatial rationales to make meaning of why they mostly leverage English within their bilingual teacher education classes at their Hispanic-Serving Institution. We asked: (1) How do TCs interpret the predominance of English on campus and the bilingual teacher education program? (2) What do TCs’ understandings reveal about the nature of the structures sustaining the hegemony of English? To answer these questions, we drew upon the raciolinguistic perspective and critical notions of space and place. Findings reveal that despite the University’s mission to serve Latina/o students, TCs still experience English as connected to the United States and the predominantly white community where campus is located, and Spanish as belonging in Mexico and the heavily Mexican and Mexican American neighborhoods south of the city. Our analysis suggests that this mapping of language and race ideologies onto particular spaces/places—or what we have termed raciolinguistic landscapes—reflects and reproduces boundaries that uphold institutionalized systems of exclusion. Findings have implications for bilingual teacher education, with regards to ways to help TCs critically engage raciolinguistic landscapes.","PeriodicalId":134431,"journal":{"name":"Multimodality & Society","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115063799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
D. Yamada-Rice, Steve Love, Jill Thompson, Sean Thompson, Helen McQuillian
{"title":"The importance of multimodal play and storytelling in medtech for children: A Case Study of Co-designing a Mixed Realities Play Kit to Prepare 4 to 10-year-Olds for an MRI Scan","authors":"D. Yamada-Rice, Steve Love, Jill Thompson, Sean Thompson, Helen McQuillian","doi":"10.1177/26349795231173420","DOIUrl":"https://doi.org/10.1177/26349795231173420","url":null,"abstract":"This article examines the research and development of a mixed realities play-kit to prepare children for an MRI scan to be undertaken without the need for a General Anaesthetic. The kit uses three different types of play; augmented, virtual reality and physical to help children become familiar with the look of an MRI scanner, the noises it makes, the role of the radiographer, what to expect when they go to hospital and to practise staying still. We reflect on the initial multimodal research methods that were used to bring children into the first stages of the design and development process. These included, model making, drawing, play and informal conversations. From which, data were analysed with visual and thematic means to make an original contribution to the field of medtech design for children, in that we found young children (aged six and under) prefer to receive medical information through opportunities for multimodal play and storytelling. As a direct result of this finding, we matched different play types to the various areas of preparation outlined above. In doing so, paying attention to the specific affordances of the different ways in which modes are combined depending on if physical, augmented or virtual reality play are used. Such findings are likely to be useful to other researchers and developers creating medtech products for young children. For those interested in multimodality specifically, this article also provides insight into the connection between information, modes of communication and play and the application of these to research design.","PeriodicalId":134431,"journal":{"name":"Multimodality & Society","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122561336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A-child’s-eye-view, perspectives on research-creation exploring early childhood literacies through a museum display","authors":"Steve Pool","doi":"10.1177/26349795231169161","DOIUrl":"https://doi.org/10.1177/26349795231169161","url":null,"abstract":"In this multimodal sensation, I propose that research-creation affords the potential to create a multimodal text that operates as one outcome of collaborative arts practice and research. The usefulness of the proposition within research-creation is to orientate towards what is possible, to speculate on futures yet unmade and carry the awareness that we are never sure what a body or a mind is capable of. I begin by explaining my encounters with the concept of multimodality working as a freelance artist on research projects. I then explain how research-creation as an approach afforded an opportunity to think and write differently, drawing on traditions from art practice and philosophy. I describe how research-creation engages with concepts and art practice and affords the potential to work in new ways and generate new thoughts. I then activate some of these ideas by creating a multimodal text through my art practice. This combines images and words from a research project as cut-up, juxtaposition and collage.","PeriodicalId":134431,"journal":{"name":"Multimodality & Society","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127819022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"I am a research-based practitioner, not a practice-based researcher: A laudation of the everyday and the in-between","authors":"Alexa Pollmann","doi":"10.1177/26349795231166279","DOIUrl":"https://doi.org/10.1177/26349795231166279","url":null,"abstract":"This essay addresses multimodal researchers thinking of working with practitioners or artists/researchers looking to use prototypes for research and identifies the struggles of positioning such research, as well as highlighting principles and benefits of practice when treated as main methodology. While the importance of practice in research areas related to artistic creation is acknowledged, I observe a culture where practice is analysed and narrated to underpin it as research. I studied Fashion (BA) and Design Interactions (MA) and have worked commercially in both fields before starting my own studio. Today, my work aligns to what commonly is considered design practice, but it also caters to the scientific analysis and data gathering of research. Rather than resulting in either products or new conclusions however, the work explores, tinkers, dares and tries, and sometimes fails. This sitting in between applied practice and more formal forms of research has great advantages, some of which I will discuss in the following. The dualism established between practice and research when treated as separate processes however sits uncomfortably with me. It feels like a return to the mind-body dualism. This text is a reflection and an account of the commonalities I detect throughout working with other practitioners and in my own rites and patterns of creating, directing, or producing. I identify underlying principles and concerns of practice that the discussion around practice would benefit from engaging with.","PeriodicalId":134431,"journal":{"name":"Multimodality & Society","volume":"162 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116390567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Towards literacies of immanence: Getting closer to sensory multimodal perspectives on research","authors":"Steve Pool, J. Rowsell, Yun-Fang Sun","doi":"10.1177/26349795231158741","DOIUrl":"https://doi.org/10.1177/26349795231158741","url":null,"abstract":"In this article, we propose ‘literacies of immanence’ as a term for sensory-laden, embodied multimodal practices that happen when researchers get out of the way to allow for modal diversity in meaning making. The learning encounters that we observed during our research combined senses with a kaleidoscope of modes that were hard to describe through more traditional multimodal methods. Literacies of immanence is the most fitting phrase for these practices because they were fluid, open, and they did not rely on written and spoken texts. Researching in a primary and secondary special school that are part of an academy trust in the southwest of England, the research team engaged in research-creation propositions (Truman, 2021) where we watched and built on multimodal meaning making supplementing it with story-making activities. Writing and sharing fieldnotes and filming interactions, we abandoned original plans and instead shaped methods and theoretical framings around the population of learners we met. Fieldnotes were shared on a blog and filmmaking helped us to describe and draw out multimodal, immanent literacies and their epiphanic qualities. This article features fieldnotes along with images of multimodal-sensory encounters and ways that they helped us relate to the learners, their teachers and Head Teacher as well as each other as researchers. The article is of relevance to researchers looking for ways to capture visible and invisible modal practices at work across settings and a movement away from a definite or true-false rendering of multimodality to one that allows for divergent ways of being with modes.","PeriodicalId":134431,"journal":{"name":"Multimodality & Society","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126733608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}