走向内在性的素养:更接近感官多模态研究视角

Steve Pool, J. Rowsell, Yun-Fang Sun
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引用次数: 2

摘要

在这篇文章中,我们提出“内在素养”作为一个术语,指的是当研究人员在意义构建中允许模态多样性时发生的充满感官的、具体化的多模态实践。我们在研究中观察到的学习遭遇结合了各种各样的模式,这些模式很难通过传统的多模式方法来描述。内在的文学是最适合这些实践的短语,因为它们是流动的,开放的,它们不依赖于书面和口头文本。在英国西南部的一所中小学特殊学校进行研究,研究团队从事研究创造命题(Truman, 2021),在那里我们观察并建立了多模式意义制造,并辅以故事制作活动。写作和分享现场笔记,拍摄互动,我们放弃了原来的计划,而是围绕我们遇到的学习者群体形成了方法和理论框架。现场记录在博客上分享,电影制作帮助我们描述和绘制出多模态、内在的素养及其顿悟的品质。这篇文章的特点是实地记录和多模态感官接触的图像,以及它们帮助我们与学习者、他们的老师、班主任以及作为研究人员的彼此建立联系的方式。这篇文章与研究人员寻找方法来捕捉在不同设置下工作的可见和不可见的模态实践以及从多模态的确定或真假呈现到允许不同方式与模态存在的运动有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Towards literacies of immanence: Getting closer to sensory multimodal perspectives on research
In this article, we propose ‘literacies of immanence’ as a term for sensory-laden, embodied multimodal practices that happen when researchers get out of the way to allow for modal diversity in meaning making. The learning encounters that we observed during our research combined senses with a kaleidoscope of modes that were hard to describe through more traditional multimodal methods. Literacies of immanence is the most fitting phrase for these practices because they were fluid, open, and they did not rely on written and spoken texts. Researching in a primary and secondary special school that are part of an academy trust in the southwest of England, the research team engaged in research-creation propositions (Truman, 2021) where we watched and built on multimodal meaning making supplementing it with story-making activities. Writing and sharing fieldnotes and filming interactions, we abandoned original plans and instead shaped methods and theoretical framings around the population of learners we met. Fieldnotes were shared on a blog and filmmaking helped us to describe and draw out multimodal, immanent literacies and their epiphanic qualities. This article features fieldnotes along with images of multimodal-sensory encounters and ways that they helped us relate to the learners, their teachers and Head Teacher as well as each other as researchers. The article is of relevance to researchers looking for ways to capture visible and invisible modal practices at work across settings and a movement away from a definite or true-false rendering of multimodality to one that allows for divergent ways of being with modes.
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