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MONUMENTAL WALL PAINTING (MURALI XXL). REVIEW ON BOOK BY CLAUDIA WALDE 纪念性壁画(壁画xxl)。克劳迪娅·沃尔德的书评
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-2-23-31
A. Shpak
{"title":"MONUMENTAL WALL PAINTING (MURALI XXL). REVIEW ON BOOK BY CLAUDIA WALDE","authors":"A. Shpak","doi":"10.31804/2782-4926-2022-1-2-23-31","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-2-23-31","url":null,"abstract":"A review of the book \"Monumental Wall Painting (MURAL XXL)\" by Claudia Walde presented. The book is a well-illustrated edition with a short description of the works of the artists chosen by the author. The analysis of the structure of the book, the content and the main ideas carried out. Much attention paid to the author himself, who works in the direction of monumental wall painting. The artists selected in the book are the pioneers of the direction, and the representatives of their creativity maximally reveal the features of their concept, technique, traditions, color and compositional solutions, and difficulties in creating large-scale monumental painting.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131175952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
RELIGIOUS FEATURES OF RUSSIAN PAINTING WORKS OF THE 1920S 20世纪20年代俄罗斯绘画作品的宗教特征
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-1-32-53
N. Sergeeva, M. Tarasova
{"title":"RELIGIOUS FEATURES OF RUSSIAN PAINTING WORKS OF THE 1920S","authors":"N. Sergeeva, M. Tarasova","doi":"10.31804/2782-4926-2022-1-1-32-53","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-1-32-53","url":null,"abstract":"In contemporary theory the problem of the relationship between religion and art is posed in a number of research papers. In the scientific literature devoted to the study of topical problems of philosophy, theory and history of art, the authors devoted their works to the problem of mastering the essential unity of the religious and artistic-visual language, comprehending their common meaning and purpose for individual and social human life. This article explores the specifics of enthusiastic religiosity, which is considered on the example of three works of Russian painting of the 1920s – \"People of the Future\" by K. F. Yuon, \"Fantasy\" by K. S. Petrov-Vodkin and \"Death of the Commissar\" by K. S. Petrov-Vodkin . The role of a work of art as an intermediary between the human world and the divine world is affirmed, and within the framework of enthusiasm, it is a person who performs an action towards the Absolute. It also defines a special place for art in the atheistic period, when it would seem inappropriate to draw parallels between artistic creativity and the religious component. This connection of the two aspects is capable of satisfying the completely objective needs of a person - aesthetic. However, the absence of a religious interpretation of the fine arts of Russia at the beginning of the century, during the period of the eradication of religious consciousness, turns the interest of the study to the definition of the “religiosity” of a work of Russian painting of the 1920s. Determining the indicated features is the purpose of the study. The religiosity of the works is manifested in the desire for a perfect future. Determining the peculiarity of the enthusiastic religiosity of the works of Russian painting of the 1920s, it should be concluded that the specifics were influenced by the search for a new artistic language through the transformation of iconographic and symbolic techniques, as well as the artistic traditions of Western European masters, caused by the formation of a new worldview in the 1920s.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134512799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
RESULTS OF THE SCIENTIFIC SEMINAR "THEORY AND PRACTICE OF APPLIED CULTURAL RESEARCH" ON 17TH JUNE 2022 (SIBERIAN FEDERAL UNIVERSITY, KRASNOYARSK) 2022年6月17日“应用文化研究的理论与实践”科学研讨会成果(西伯利亚联邦大学，克拉斯诺亚尔斯克)
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-2-55-74
N. Koptseva, A. A. Sitnikova, M. Tarasova, Elizaveta N. Ishutina, Daniil N. Lucik, Elena V. Uzgorova, A.A. Zhigaeva, Lubov A. Nagornaya
{"title":"RESULTS OF THE SCIENTIFIC SEMINAR \"THEORY AND PRACTICE OF APPLIED CULTURAL RESEARCH\" ON 17TH JUNE 2022 (SIBERIAN FEDERAL UNIVERSITY, KRASNOYARSK)","authors":"N. Koptseva, A. A. Sitnikova, M. Tarasova, Elizaveta N. Ishutina, Daniil N. Lucik, Elena V. Uzgorova, A.A. Zhigaeva, Lubov A. Nagornaya","doi":"10.31804/2782-4926-2022-1-2-55-74","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-2-55-74","url":null,"abstract":"This text presents a summary of the work of the educational, scientific and methodological seminar \"Theories and Practices of Applied Cultural Research\" (June 17, 2022, Krasnoyarsk, Siberian Federal University). The seminar was devoted to the presentation of current interest in art studies in accordance with memorable dates for the world of culture and art: 1) Art studies of works of architecture, dedicated to the 170th anniversary of the birth of Antoni Gaudí; 2) Current research of Russian art, dedicated to the 185th anniversary of the birth of Ivan Nikolaevich Kramskoy; 3) Animation art, dedicated to the 95th anniversary of the birth of Vyacheslav Mikhailovich Kotyonochkin, as well as the study of phenomena in the art of the XX-XXI centuries.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124514380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
CREATION OF ETHNO-CULTURAL MODEL OF WORLDVIEW IN THE WORKS BY IVAN, I. BILIBIN 伊凡·比利宾作品中民族文化世界观模式的创造
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-1-22-32
M. Kolesnik
{"title":"CREATION OF ETHNO-CULTURAL MODEL OF WORLDVIEW IN THE WORKS BY IVAN, I. BILIBIN","authors":"M. Kolesnik","doi":"10.31804/2782-4926-2022-1-1-22-32","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-1-22-32","url":null,"abstract":"The article is a study of works of fine art in the effects of the ethno-cultural model of the worldview. The object of the study is the work of Ivan Yakovlevich Bilibin. In the course of the analysis of the works “Vologda girl in a festive dress” (1905), the features of the model of the ethnocultural worldview in the artist’s work, as well as the features of the image of Russian culture, the Russian worldview, visualized in the production of the master’s products, are determined.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133210056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE MONUMENTAL MOSAIC OF MOSCOW: BETWEEN UTOPIA AND PROPAGANDA. REVIEW OF THE BOOK BY AUTHORS ANNA PETROVA, EKATERINA RUSKEVICH, JAMES HILL AND EVGENIA KUDELINA 莫斯科不朽的马赛克:在乌托邦和宣传之间。作者Anna petrova, ekaterina ruskevich, James hill和evgenia kudelina的书评
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-1-17-22
A. Shpak
{"title":"THE MONUMENTAL MOSAIC OF MOSCOW: BETWEEN UTOPIA AND PROPAGANDA. REVIEW OF THE BOOK BY AUTHORS ANNA PETROVA, EKATERINA RUSKEVICH, JAMES HILL AND EVGENIA KUDELINA","authors":"A. Shpak","doi":"10.31804/2782-4926-2022-1-1-17-22","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-1-17-22","url":null,"abstract":"The review of the book \"Monumental Mosaic of Moscow: Between Utopia and Propaganda\" by the author Anna Petrova, art critic and artist, with the participation of photographer James Hill, art critic Ekaterina Ruskevich and specialist in art attribution objects Evgenia Kudelina is presented. The analysis of the book structure, the content and the main ideas carried out. Much attention paid to the place of monumental mosaics in the art history and its purpose. Of interest is a large number of illustrations and their grouping in the book by the plots themes. The book also introduces the reader to a brief description of all the subjects of the Soviet monumental mosaic and their role in public space.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133410057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
RESULTS OF THE SCIENTIFIC SEMINAR "THEORY AND PRACTICE OF APPLIED CULTURAL RESEARCH" DEDICATED TO THE 570TH ANNIVERSARY OF THE BIRTH OF LEONARDO DA VINCI (SIBERIAN FEDERAL UNIVERSITY, KRASNOYARSK) 达·芬奇诞辰570周年科学研讨会“应用文化研究的理论与实践”成果(西伯利亚联邦大学，克拉斯诺亚尔斯克)
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-1-72-109
N. Koptseva, A. A. Sitnikova, N. Pimenova, K. Reznikova, Anna-Sofia I. Dyomina, Regina E. Husnullina
{"title":"RESULTS OF THE SCIENTIFIC SEMINAR \"THEORY AND PRACTICE OF APPLIED CULTURAL RESEARCH\" DEDICATED TO THE 570TH ANNIVERSARY OF THE BIRTH OF LEONARDO DA VINCI (SIBERIAN FEDERAL UNIVERSITY, KRASNOYARSK)","authors":"N. Koptseva, A. A. Sitnikova, N. Pimenova, K. Reznikova, Anna-Sofia I. Dyomina, Regina E. Husnullina","doi":"10.31804/2782-4926-2022-1-1-72-109","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-1-72-109","url":null,"abstract":"This text presents a summary of the work of the educational, scientific and methodological seminar \"Theories and Practices of Applied Cultural Research\" (May 13, 2022, Krasnoyarsk, Siberian Federal University). The seminar was devoted to the reflection of a team of scientists on the development of the Krasnoyarsk school of art history from the 1990s to the present, and timed to coincide with the 570th anniversary of the birth of the brilliant Italian Renaissance artist Leonardo da Vinci. The seminar held in three areas - 1) Krasnoyarsk School of Art History, 2) Modern trends in the development of conceptual art, 3) Current research in Russian art.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123116999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
VISUALIZATION OF THE ESSENCE OF HENRI ROUSSEAU’S OEUVRE IN THE PICTURE “TO FETE BABY (CHILD WITH PUPPET)” (1903) FROM THE KUNST MUSEUM WINTERTHUR COLLECTION 从温特图尔艺术博物馆收藏的《庆祝婴儿(带木偶的孩子)》(1903)这幅画中可以看出亨利·卢梭作品的精髓
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-2-32-54
A. Sitnikova
{"title":"VISUALIZATION OF THE ESSENCE OF HENRI ROUSSEAU’S OEUVRE IN THE PICTURE “TO FETE BABY (CHILD WITH PUPPET)” (1903) FROM THE KUNST MUSEUM WINTERTHUR COLLECTION","authors":"A. Sitnikova","doi":"10.31804/2782-4926-2022-1-2-32-54","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-2-32-54","url":null,"abstract":"The article presents a study of the work of the French artist H. Rousseau \"To fete baby (Child with puppet)\" 1903. The disposition of the work in the artist's work is carried out, in which a number of reflective works stand out over the concept of author’s own creativity and worldview - this is the painting \"Myself, portrait-landscape\" and children's symbolic portraits - \"Girl with a Doll\", \"Boy on the Rocks\" and \" To fete baby (Child with puppet)\". The artistic idea of the work is revealed - a representation of a serious attitude to childhood, which continues to control a person in adulthood; the concept of the image of an ideal artist who perceives the world around him in a childishly simple and natural way and is inspired by nature. The significance of the work \" To fete baby (Child with puppet)\" for French culture at the turn of the 19th-20th centuries is considered - in particular, the consonance of the ideas of H. Rousseau with the psychological concept of Z. Freud.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"64 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132982735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«SEVERE STYLE» IN SOVIET PAINTING IN THE 1950S-1960S. 1950 -1960年代苏联绘画中的“严肃风格”。
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-2-08-22
M. Kolesnik
{"title":"«SEVERE STYLE» IN SOVIET PAINTING IN THE 1950S-1960S.","authors":"M. Kolesnik","doi":"10.31804/2782-4926-2022-1-2-08-22","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-2-08-22","url":null,"abstract":"The article presents a general description of such a phenomenon in the Soviet fine arts as «severe style», explains its naming through a description of the history of its appearance in art criticism articles in relation to the works of some Soviet artists, among which are the Smolin brothers, Viktor Popkov, Geliy Korzhev, Pavel Nikonov , Nikolai Andronov. The paintings of these authors were selected as representatives of the «severe style» in order to conduct a philosophical and art history analysis, the results of which made it possible to draw conclusions about the essential characteristics of artistic images within this trend in art.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125817365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
DASHI NAMDAKOV. TRANSFORMATION. WHAT DID THE AUTHOR WANT TO SAY? 鱼汤NAMDAKOV。转换。作者想说什么?
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-1-53-72
A. Kistova
{"title":"DASHI NAMDAKOV. TRANSFORMATION. WHAT DID THE AUTHOR WANT TO SAY?","authors":"A. Kistova","doi":"10.31804/2782-4926-2022-1-1-53-72","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-1-53-72","url":null,"abstract":"The article considers the peculiarities of the viewer's perception of a work of fine art with two different approaches to its content. The first approach is based on the viewer's desire to get an answer to the question: «What did the author want to say?». The second approach keeps the focus of the viewer's communication with the work of art on the question: «What is this work about?». In the first case, the artistic idea of the work is comprehended on a personal level, based on the individual author's interpretation of the image. In the second case, a richer assimilation by the viewer of the artistic idea of the work is possible at the personal, actual-historical and universal levels. The specificity of each approach is considered on the example of the sculptural work \"Transformation\" by Dashi Namdakov, located on the campus of the Siberian Federal University (Krasnoyarsk). Based on the methodology of the modern theory of fine arts by V.I. Zhukovsky and N.P. Koptseva convincingly proves that both approaches require significant efforts from the viewer to prepare for interaction with a work of fine art. Otherwise, the content of the work will be reduced to the viewer's fantasies about the author and his life or about the theme of the work. Only conscious viewing, perceived as a skill that needs to be specially trained and constantly trained, can guarantee a deep meaningful interaction of the viewer with a work of fine art at its different content levels.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127639738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
THE EDUCATIONAL POTENTIAL OF THE ART OF AREACLASSICISM (BASED ON THE SECOND HALF OF THE 20TH CENTURY ART ANALYSES) 区域古典主义艺术的教育潜力(基于20世纪下半叶的艺术分析)
Siberian Art History Journal Pub Date : 1900-01-01 DOI: 10.31804/2782-4926-2022-1-1-01-17
Polina R. Nechaeva, M. Tarasova
{"title":"THE EDUCATIONAL POTENTIAL OF THE ART OF AREACLASSICISM (BASED ON THE SECOND HALF OF THE 20TH CENTURY ART ANALYSES)","authors":"Polina R. Nechaeva, M. Tarasova","doi":"10.31804/2782-4926-2022-1-1-01-17","DOIUrl":"https://doi.org/10.31804/2782-4926-2022-1-1-01-17","url":null,"abstract":"This article is an analysis of the educational potential of works of fine art in accordance with the theory of fine art by V.I. Zhukovsky. The didactic and rationalistic aspects of the formation of representative works of art of the second half of the 20th century are analyzed - \"The Surrounded Islands\" by Christo and Jeanne-Claude, \"Turquoise Marilyn Monroe\" by E. Warhol, \"The Return of Ulysses\" by D. De Chirico, fully represent the different statuses of the artistic image and various educational opportunities. The analysis of the works of representatives is made taking into account the peculiarities of the interaction between the viewer and the work of art. The identified educational opportunities at different statuses of the artistic image are generally characterized as forming a personal identity. An example of the educational influence of the work on the viewer and his personal rethinking according to the schemes of actions broadcast by the work is provided.","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122534054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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