区域古典主义艺术的教育潜力(基于20世纪下半叶的艺术分析)

Polina R. Nechaeva, M. Tarasova
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引用次数: 0

摘要

本文根据茹科夫斯基的美术理论,分析了美术作品的教育潜力。分析了20世纪下半叶代表性艺术作品形成的说教和理性主义方面——克里斯托和珍妮-克劳德的《被包围的岛屿》、E.沃霍尔的《绿松石玛丽莲梦露》、D.德基里科的《尤利西斯归来》,充分代表了艺术形象的不同地位和各种教育机会。对代表作品的分析是考虑到观众和艺术作品之间相互作用的特殊性。在艺术形象的不同状态下所确定的教育机会,一般具有形成个人同一性的特征。提供了一个作品对观众的教育影响以及他根据作品传播的行动方案进行个人反思的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE EDUCATIONAL POTENTIAL OF THE ART OF AREACLASSICISM (BASED ON THE SECOND HALF OF THE 20TH CENTURY ART ANALYSES)
This article is an analysis of the educational potential of works of fine art in accordance with the theory of fine art by V.I. Zhukovsky. The didactic and rationalistic aspects of the formation of representative works of art of the second half of the 20th century are analyzed - "The Surrounded Islands" by Christo and Jeanne-Claude, "Turquoise Marilyn Monroe" by E. Warhol, "The Return of Ulysses" by D. De Chirico, fully represent the different statuses of the artistic image and various educational opportunities. The analysis of the works of representatives is made taking into account the peculiarities of the interaction between the viewer and the work of art. The identified educational opportunities at different statuses of the artistic image are generally characterized as forming a personal identity. An example of the educational influence of the work on the viewer and his personal rethinking according to the schemes of actions broadcast by the work is provided.
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