VISUALIZATION OF THE ESSENCE OF HENRI ROUSSEAU’S OEUVRE IN THE PICTURE “TO FETE BABY (CHILD WITH PUPPET)” (1903) FROM THE KUNST MUSEUM WINTERTHUR COLLECTION

A. Sitnikova
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Abstract

The article presents a study of the work of the French artist H. Rousseau "To fete baby (Child with puppet)" 1903. The disposition of the work in the artist's work is carried out, in which a number of reflective works stand out over the concept of author’s own creativity and worldview - this is the painting "Myself, portrait-landscape" and children's symbolic portraits - "Girl with a Doll", "Boy on the Rocks" and " To fete baby (Child with puppet)". The artistic idea of the work is revealed - a representation of a serious attitude to childhood, which continues to control a person in adulthood; the concept of the image of an ideal artist who perceives the world around him in a childishly simple and natural way and is inspired by nature. The significance of the work " To fete baby (Child with puppet)" for French culture at the turn of the 19th-20th centuries is considered - in particular, the consonance of the ideas of H. Rousseau with the psychological concept of Z. Freud.
从温特图尔艺术博物馆收藏的《庆祝婴儿(带木偶的孩子)》(1903)这幅画中可以看出亨利·卢梭作品的精髓
本文对法国艺术家卢梭的作品《用木偶祭拜婴儿》进行了研究。1903. 在艺术家的作品中进行了作品的配置,其中一些反思性的作品突出了作者自己的创意和世界观的概念-这是绘画“我自己,肖像-风景”和儿童的象征性肖像-“带娃娃的女孩”,“岩石上的男孩”和“To fete baby(带木偶的孩子)”。作品的艺术理念被揭示出来——一种对童年的严肃态度的表现,这种态度在成年后继续控制着一个人;一个理想的艺术家的形象的概念,他以孩子般的简单和自然的方式感知他周围的世界,并受到大自然的启发。在19 -20世纪之交的法国文化中,作品“用木偶来庆祝婴儿(孩子)”的意义被认为-特别是卢梭的思想与弗洛伊德的心理概念的一致性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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