French Cultural Studies最新文献_第5页

Generating desire: Chocolate, chromolithographs, and Marie-Catherine d’Aulnoy's fairy tales 产生欲望：巧克力、彩色石版画和玛丽·凯瑟琳·奥尔诺伊的童话

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-04-06 DOI: 10.1177/09571558231165249

A. Duggan

{"title":"Generating desire: Chocolate, chromolithographs, and Marie-Catherine d’Aulnoy's fairy tales","authors":"A. Duggan","doi":"10.1177/09571558231165249","DOIUrl":"https://doi.org/10.1177/09571558231165249","url":null,"abstract":"There existed a fascinating means of collecting fairy tales in the nineteenth and early twentieth centuries that has hitherto remained unexplored: the collection of chromolithographs or “chromos,” used as a marketing tool by French department stores like Le Bon Marché and by chocolate producers like Poulain. Scholars such as Emily Cormack, Laura Kalba, and Pearl Michel have carried out essential research on the deployment of chromos in the rise of consumer society, but this is the first study with a specific focus on chromos that feature fairy tales. In mid-century, Victor-Auguste Poulain, a French chocolatier from Blois, found the means to mass produce chocolate and sought to transform the nineteenth-century conception of chocolate from being an elite privilege or a medicinal product to being a plearurable food accessible to the middle classes. It was under the direction of Victor-Auguste's son Albert that chromos, including fairy-tale themed chromos, became an important marketing tool for the company in the 1880s. Children in particular were encouraged to purchase the mass-produced chocolate by the insertion into the packaging of fragments of tales like “The White Cat,” “The Doe in the Woods,” and “Beauty with the Golden Hair.” Each chocolate bar would include a beautiful color chromo of the tale on the recto, with the narrative fragment on the verso. This marketing strategy becomes a desire-generating machine: the desire for more story fuels the desire to purchase more chocolate, which subsequently fuels the desire for more story. In effect, as I hope to show through this case study of Poulain's use of tales by d’Aulnoy, narrative desire gets converted into consumer desire through Poulain's marketing campaign.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47296509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pastiche, protest, and the politics of reception in “the J’irai cracher Affair” 糕点、抗议和“J'irai cracher事件”中的接待政治

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-03-03 DOI: 10.1177/09571558231156993

I. Curtis, Andrew M. Davenport

{"title":"Pastiche, protest, and the politics of reception in “the J’irai cracher Affair”","authors":"I. Curtis, Andrew M. Davenport","doi":"10.1177/09571558231156993","DOIUrl":"https://doi.org/10.1177/09571558231156993","url":null,"abstract":"In The Devil Finds Work (1976), James Baldwin presents a remarkably generous review of Boris Vian's controversial novel, J’irai cracher sur vos tombes (1946). Vian's book was exceptionally sensitive to the “rage and pain” of African Americans, Baldwin thought. Baldwin's words seem surprising today: Vian, a white Frenchman, published the work as a protest novel under the false identity of a fictional African American, whom he called Vernon Sullivan. The novel was a hoax, a prank. J’irai cracher sur vos tombes tends to be viewed today in North America, rightly, as an egregious instance of cultural appropriation. The present study argues, however, that the French pastiche of a Black American protest novel baited the reading public into a debate that ignored racism, colonialism, and protest. We argue to view J’irai cracher sur vos tombes and the ensuing scandal it provoked, as an historical archive that allows us to chart a certain ideological climate in France. The public reception of the novel makes abundantly clear that, on the subject of J’irai cracher, Paris wanted to talk about sex, youth morality, and the threats of American cultural hegemony—not racism. Read as an historical affaire, the scandal exposes an extended moment of collective blindness in France. When examined as an historical incident, “the J’irai cracher Affair” reads like a dramatic ironic pronouncement, as if Vian were making a joke only he and a select audience—Baldwin, for one—would understand.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43494587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The mainstreaming of the far right in France: Republican, liberal and illiberal articulations of racism 极右翼在法国的主流化：共和党、自由派和非自由派对种族主义的阐述

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-02-19 DOI: 10.1177/09571558231157224

A. Mondon, S. Dawes

引用次数: 0

33 ans après la première affaire du foulard : où en est la laïcité en France ? 第一次头巾事件33年后：法国的世俗主义在哪里？

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-02-16 DOI: 10.1177/09571558221150999

M. Wieviorka

引用次数: 0

‘Du Crésoxipropanédiol en capsule’. Jean Yanne's musical satire: ‘Interdit d’interdire’ or ‘chanter juste et penser faux’? “胶囊中的异丙二醇”。Jean Yanne的音乐讽刺：“禁止禁止”还是“唱对错”？

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-02-08 DOI: 10.1177/09571558221143491

Hugh Dauncey

引用次数: 0

Dany Laferrière as a Japanese writer: Fantasy and despair Dany Laferrière作为日本作家：幻想与绝望

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-02-03 DOI: 10.1177/09571558231152994

P. Mcquade

引用次数: 0

'Ici et par toute la terre': Paris, British universities and the French study abroad in the inter-war “i et par toute la terre”:两次世界大战期间，巴黎、英国大学和法国留学

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-02-01 DOI: 10.1177/09571558221150702

Wendy Michallat

{"title":"'Ici et par toute la terre': Paris, British universities and the French study abroad in the inter-war","authors":"Wendy Michallat","doi":"10.1177/09571558221150702","DOIUrl":"https://doi.org/10.1177/09571558221150702","url":null,"abstract":"This article begins with the recommendations of the Leathes Report of 1916 in connection with the internationalisation of language study and the reasons why the ideal of transnational mobility was slow to take root in language departments in the UK. It examines how the provision of safe, secure and affordable accommodation for women students was an effective counter to alarmist stay-at-home tales. And it looks at how feminist educators campaigned to promote international learning and teaching opportunities for women scholars. It argues that the Leathes concept of an ‘immersion’ experience conflicted with the University of Paris's interpretation of the ‘internationalisation’ of study. The Cité universitaire (CU) project, launched in the 1920s, offered the possibility for the easy placement of a growing number of students from the British red-brick universities in particular. But the conviction of British academics that the proposed Collège Franco-Britannique should house both French and British students was at odds with the University of Paris's concept of a campus of representative national houses in which only students of that country were permitted to live. It concludes that the mobilisation of the profession into subject bodies was a key factor in the evolution of study abroad programs and more broadly in the consolidation of ‘modern studies’ in the new civic and red-brick universities across Britain.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"34 - 48"},"PeriodicalIF":0.4,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48177125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pourquoi terroir? Reflections on French influences on Australian winemakers’ senses of place 为什么是风土？反思法国对澳大利亚酿酒师的影响

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-01-31 DOI: 10.1177/09571558221150700

J. Dutton

引用次数: 0

La Vagabonde assise – space, place and the meaning of home in Colette and other women writers 《流浪汉》——柯莱特和其他女作家笔下的空间、地点和家的意义

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-01-29 DOI: 10.1177/09571558221144368

D. Holmes

引用次数: 0

Placing lost intersectional plots in Houellebecq's Anéantir (2022): Race, climate and scandalous textual necropolitics 在Houellebecq的《anacimantir》(2022)中放置丢失的交叉情节:种族，气候和诽谤性的文本死亡政治

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2023-01-29 DOI: 10.1177/09571558221145188

R. Cruickshank

引用次数: 0