Bringing French modernism to Singapore: Nanyang painter Georgette Chen

IF 0.4 4区社会学 Q3 CULTURAL STUDIES

French Cultural Studies Pub Date : 2022-12-06 DOI:10.1177/09571558221109703

C. Neal

引用次数: 0

Abstract

A veritable world citizen, Nanyang painter Georgette Chen (1906–1993) melded artistic influences from both the East and West, bringing French modernism to Singapore. Much has been written about her contribution to the art of Singapore, her role in the establishment of the Nanyang Style, the lasting influence that she exerted on younger artists, and her considerable artistic achievements. Never before examined is the development of her oeuvre that reflects this mixture. The works selected for this investigation reveal her artistic development from student to teacher, the range of her thematic interests, and the stimuli that she absorbed from a life ensconced in eastern and western cultures.

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把法国现代主义带到新加坡:南洋画家Georgette Chen

南洋画家陈（1906-1993）是名副其实的世界公民，他融合了东西方的艺术影响，将法国现代主义带到了新加坡。关于她对新加坡艺术的贡献，她在南洋风格建立中的作用，她对年轻艺术家的持久影响，以及她可观的艺术成就，人们已经写了很多文章。她作品的发展反映了这种混合，这是前所未有的。本次调查选择的作品揭示了她从学生到教师的艺术发展，她的主题兴趣的范围，以及她从东西方文化生活中吸收的刺激。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

French Cultural Studies Multiple-

CiteScore

0.70

自引率

0.00%

发文量

期刊介绍： French Cultural Studies is a fully peer reviewed international journal that publishes international research on all aspects of French culture in the Nineteenth and Twentieth Centuries. Articles are welcome on such areas as cinema, television and radio, the press, the visual arts, popular culture, cultural policy and cultural and intellectual debate. French Cultural Studies is designed to respond to the important changes that have affected the study of French culture, language and society in all sections of the education system. The journal encourages and provides a forum for the full range of work being done on all aspects of modern French culture.