Atenea (Concepción)最新文献

{"title":"La adulación del dictador y su superación por medio del coraje democratizador en El Señor Presidente de Miguel Ángel Asturias","authors":"Diego Octavio Pérez Hernández","doi":"10.29393/at524-18dpad10018","DOIUrl":"https://doi.org/10.29393/at524-18dpad10018","url":null,"abstract":"This paper explores the relevance of contrasting flattery to frankness within El Señor Presidente by Miguel Ángel Asturias. In order to do so, the paper begins by addressing flattery within the novel as a harmful political phenomenon that, on the one hand, legitimates the discussed dictatorial regime in the text and, and, on the other, serves to dismiss the possible criticism against the autocratic regime. It becomes evident later that the shape the punishment of flattery takes within the novel –through Miguel Cara de Ángel– recalls the torment experienced by flatterers in the Divine Comedy, who are sunk in manure in Malebolge. The proposal, finally, matches the idea that flattery is both contrasted and overcome within the novel through the frankness and bravery of the student. I then conclude that, by rebuking obsequiousness and flattery as pp. 347-365 * Doctor en Literatura, c/m en Literatura Hispanoamericana y Chilena. Investigador independiente. Santiago, Chile. Correo electrónico: diego.octavio.perez@gmail.com. Orcid: https://orcid.org/00000003-1326-6089.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"25 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72548946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Leo a continuación “La Pieza Oscura”, poema de Enrique Lihn","authors":"Grínor Rojo","doi":"10.29393/at524-2jmtn10002","DOIUrl":"https://doi.org/10.29393/at524-2jmtn10002","url":null,"abstract":"La pieza está cerrada y carece de luz, estableciéndose de inmediato en el poema de Lihn una contradicción entre un “afuera” manifiesto y un “adentro” que se recoge. En el interior de la pieza, el aire no es homogéneo. No está compuesto por un solo elemento, sino revuelto. A ese aire confuso, en el que se objetiviza un estado de espíritu ídem (por lo que su carácter mismo es incierto: la rima interna de “mixtura” con “oscura” no es casual), lo acompaña una todavía en veremos “vaga llovizna”, que obviamente no proviene del “cielo” externo, natural y munificente, sino del “cielorraso” interno, artificial y caprichoso. Ese cielorraso es el mismo que cubre nuestros sueños cada noche, y que aquí les promete a los ocupantes de la “pieza” no agua sino sangre (como si el cielorraso hubiera “amenazado”, en el participio al que el verso aísla solitario y amedrentador). De paso, la construcción analógica simple, que asocia una cosa con otra mediante el adverbio “como”, por lo general con el ánimo de una mejor visualización del objeto, ISSN 0716-1840 impresa ISSN 0718-0462 on-line","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73922257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Entre lo uno y lo otro. Encrucijadas de lo estético: lo que queda y lo que viene de la disidencia","authors":"Hebert Benítez Pezzolano","doi":"10.29393/at524-19hbeu10019","DOIUrl":"https://doi.org/10.29393/at524-19hbeu10019","url":null,"abstract":"E diferente, raro, disidente, atípico, distinto, disensional, alternativo, bizarro. Cabría, naturalmente, agregar una línea más extensa de palabras tras la búsqueda de conceptos y volver más expandida y abigarrada la semejanza de nociones que dan forma y presionan al conjunto. De ese modo pondríamos a prueba esa capacidad de tales palabras para reunirse y aumentar las notas compartidas que intensifican la cadena de lo distinto, para jugar el juego de la differánce que, sin embargo, casi paradójicamente, en lugar de confundirlas desliza una deriva que las confirma. Como fuere, la cualidad que las integra bien puede nombrarse como antítesis elástica de todo lo que se presenta con el sentido de corriente, habitual, normal, común, típico, consensual, avenido, regular, con un largo y variado etcétera que relaja toda semejanza aunque no la borre. Más allá de una considerable proliferación de matices en el interior de estos espacios antónimos, conviene pensar que el primer conjunto, por así llamarle, se construye, reconoce y consolida por una energía de contravención del otro conjunto, que responde a cierto imaginario estabilizado mediante acepciones, por más discutibles que realmente sean, de lo 'normal'.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"70 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78758007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Procesos de industrialización de los medios de producción marinos en las costas del norte de Chile (1935-1938). El caso del plan pesquero de Tarapacá","authors":"Claudio Aguirre, C. Mondaca","doi":"10.29393/atat523-410capi20410","DOIUrl":"https://doi.org/10.29393/atat523-410capi20410","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"394 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76616015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ERubén Darío y su flânerie en Santiago de Chile","authors":"J. Galgani, Paulina Daza","doi":"10.29393/atat523-420jgrd20420","DOIUrl":"https://doi.org/10.29393/atat523-420jgrd20420","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"243 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77477543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Nueva lectura de las Obras de misericordia de Mariano Benlliure","authors":"R. García-Lozano","doi":"10.29393/at524-3rgnl10003","DOIUrl":"https://doi.org/10.29393/at524-3rgnl10003","url":null,"abstract":"Resumen: Abordamos en este trabajo una nueva perspectiva de análisis de las Obras de misericordia realizadas por el renombrado escultor español Mariano Benlliure. El artis-ta realizó varias series de los originales en diversos materiales, las cuales se encuentran diseminadas por España. En virtud de nuestro estudio hemos detectado varios proble-mas en la identificación y ejecución de algunos relieves de las series, que a priori eran idénticos, debido a ciertas vicisitudes históricas, especialmente elocuentes en el análisis comparativo entre las piezas del mausoleo de la II Vizcondesa de Termens emplazado en Cabra (Córdoba) y el paso Redención de la Semana Santa de Zamora, así como en las obras existentes en algunos museos y colecciones particulares. Ello nos ha permi-tido realizar una nueva lectura y profundización en la interpretación de estas piezas, que nos lleva a descubrir y proponer algunas consideraciones que cuestionan ciertos aspectos sostenidos hasta ahora. Abstract: In this work there is a new approach to the analysis of the Works of mercy by the renowned Spanish sculptor Mariano Benlliure. The artist produced different series of the originals in various materials, which are scattered across Spain. In our study we have detected several inaccuracies in the identification and execution of some reliefs of these series, which a priori were identical. Such inaccuracies are due to certain histori-cal difficulties. This is especially evident in the comparative study of the pieces in the mausoleum of the II vizcountess de Termens, located in the town of Cabra in Cordoba, in Redemption, a sculpture group of Easter in Zamora, as well as existing works in many museums and private collections. This has allowed us to make a new reading in the interpretation of these pieces, which leads us to discover and propose some consid-erations which question certain ideas maintained until now.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84200069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Salinas Campos, Maximiliano. Gabriela Mistral. La revolución mestiza de la Tierra","authors":"M. Martínez","doi":"10.29393/atat523-429mmsc10429","DOIUrl":"https://doi.org/10.29393/atat523-429mmsc10429","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86781412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Construcción de una etiología de la violación en los discursos de la medicina legal y la criminología chilena (1900-1950)","authors":"Alejandra Palafox Menegazzi","doi":"10.29393/at524-14apce10014","DOIUrl":"https://doi.org/10.29393/at524-14apce10014","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75405546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Las tomas de terrenos y viviendas en Santiago de Chile, 1978-2000","authors":"Emanuel Giannotti, Santiago Braithwaite","doi":"10.29393/at524-10egtt20010","DOIUrl":"https://doi.org/10.29393/at524-10egtt20010","url":null,"abstract":"Resumen: , caracterizado la segunda Sin embargo, la literatura ha señalado que, después de las protestas nacionales de 1983-1986, estas acciones se han repetido de manera más espaciada, desapareciendo paulatinamente. A través de un catastro de las tomas realizadas en Santiago entre 1978 y 2000, mostramos que estas acciones han sido más numerosas de lo que se piensa habitualmente. Por lo tanto, se pueden entender como parte de un periodo unitario de movilización por la vivienda. La continuidad histórica de esta forma de movilización a lo largo de contextos políticos muy diversos, se puede explicar porque las tomas lograron en buena medida el objetivo de los pobladores sin casa o allegados: no tanto por asentarse en un terreno como por causar un evento público y poder acceder a negociaciones con las autoridades. Abstract: Land and housing occupations, known in Chile as “tomas”, have character-ized the “pobladores” movement since the second half of the 20th century. However, the literature indicates that, after the national protests of 1983-1986, these actions have been repeated with less frequency, and have gradually ceased. Through a protest event analysis of the occupations that took place in Santiago between 1978 and 2000, we have shown that these actions have occurred more commonly than thought. Therefore, homeless: not so much to settle on a plot of land, but rather to cause a public event, in order to start negotiation with the authorities.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84488232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El cuerpo audiovisualizado en la realización del vídeo musical contemporáneo","authors":"A. Sedeño-Valdellós, Virginia Guarinos","doi":"10.29393/atat523-414asca20414","DOIUrl":"https://doi.org/10.29393/atat523-414asca20414","url":null,"abstract":"Resumen: Este trabajo de investigación se enmarca, de un modo interdisciplinar, entre los estudios del cuerpo, la tecnología y los discursos audiovisuales. Se centra en el análisis del videoclip musical como formato/género. Dentro de él, los trabajos sobre corporeidad se han centrado tradicionalmente en la representación del cuerpo humano como elemento expuesto a la mirada, como objeto de consumo visual integrante de una puesta en escena, pero rara vez como un elemento en el complejo entramado que componen realización, tecnología y sonido, como parte de los productos mainstream En ese sentido, existen, aun no siendo comunes, una serie de técnicas y recursos audiovisuales que son puestos en práctica en numerosos vídeos musicales para componer fórmulas de síncresis músico-visual. En defi nitiva, en el artículo se analiza un corpus de videoclips a través del análisis textual, para tratar de localizar las técnicas de realización y de representación espacio-temporal, que permiten la audiovisualización de la presencia corporal de los miembros del grupo, con el objetivo de incrementar una identifi cación y fruición espectatorial: imitación y analogía, audiovisualización de parámetros musicales, texto escrito y juegos con el espacio son algunos de estos recursos del cuerpo audiovisualizado en el videoclip. Abstract: Th is research work is developed within a interdisciplinary framework among the studies of the body, technology and audiovisual discourses. It focuses on the analysis of the music video as format and genre. In this genre, works on corporeality have traditionally focused on the representation of the human body as an element ex-posed to the gaze, as an object of visual consumption that is part of a staging, but rarely as an element in the complex framework that make up fi lmmaking, technology and sound, as part of mainstream products. In this sense, there are, although not common, a series of audiovisual techniques and resources that are put into practice in numerous music videos to compose formulas for music-visual syncrisis. In sum, the article ana-lyzes a corpus of music video through textual analysis, trying to identify the techniques of realization and spatial-temporal representation, which allow the audiovisual presen-tation of the body presence of the members of the group, with the aim of increasing identification and enjoyment in the spectators: imitation and analogy, audiovisual visu-alization of musical parameters, texts and games with space are some of these resources of the audio-visualized body in the contemporary music video.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85527969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}