Albert Ferrer Orts, Estefania Ferrer del Río, Josep-Marí Gómez i Lozano
{"title":"¿Gótico versus renacimiento? Una aproximación a la ornamentación “a la romana” en el reino de Valencia: ca. 1447-1564","authors":"Albert Ferrer Orts, Estefania Ferrer del Río, Josep-Marí Gómez i Lozano","doi":"10.29393/atat523-412afgv30412","DOIUrl":"https://doi.org/10.29393/atat523-412afgv30412","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87209876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Una aproximación crítica al método psicoiconográfico de Mary Matthews Gedo a través de los textos sobre Picasso","authors":"Javier Cuevas del Barrio","doi":"10.29393/at524-15jcac10015","DOIUrl":"https://doi.org/10.29393/at524-15jcac10015","url":null,"abstract":"This article proposes a critical review of Mary Matthews Gedo’s Psychoiconographic method through her confrontation with authors such as Rosalind Krauss, Didi-Huberman regarding the uses of psychoanalytical theory in art history and criticism. This critical analysis will allow us to differ-entiate some uses of psychoanalysis that derive in psycho-iconography from other uses derived from the reception of Lacanian psychoanalysis in the context of American art criticism by authors linked to the journal October such as Krauss and Foster. Despite some methodological successes, such as the use of psychoanalytical concepts in the analysis of images from an oneiric elaboration process, the critical approach will focus on two specific aspects: the excessive importance given to children’s traumatic experi-ences in Picasso’s artistic production in paintings such as Guernica, and the excessive “interpretive furor” of the artist’s private life in works such as La Vie or Old Guitarist .","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78037086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"¿Toma de terrenos? La población La Pincoya y el imaginario en torno a sus orígenes (1967-1970)","authors":"Jorge Alejandro Molina Jara","doi":"10.29393/at524-9jmtt10009","DOIUrl":"https://doi.org/10.29393/at524-9jmtt10009","url":null,"abstract":": The purpose of this investigation is to study how La Pincoya settlement is born between the years 1967-1970, by analysing the social imaginary of the squatting (the appropriation) that would give origin to it. Our hypothesis is that La Pincoya is born from diverse settlements, being the Pablo Neruda one the settlement and in the oral history, since it analyses the storytelling and the memory of the protagonists.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"2012 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87841971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Mónica Torres-Cajas, Adriana Lara-Velarde, Danilo Yépez-Oviedo, E. Heredia-Arboleda
{"title":"Teacher Coassessment Process in Higher Education","authors":"Mónica Torres-Cajas, Adriana Lara-Velarde, Danilo Yépez-Oviedo, E. Heredia-Arboleda","doi":"10.29393/atat523-425mttc40425","DOIUrl":"https://doi.org/10.29393/atat523-425mttc40425","url":null,"abstract":": Th e students’ learning results are closely related to the quality of teachers. Consequently, teaching practice implies a continuous search of the results it produces. Th e quality education policies in higher education institutions should be directed to transform the culture of performance evaluation into peer evaluation; trying to over-come the resistance it generates in many educational environments, especially those that are not linked to this culture. Th is bibliographic research aims to develop a dis-cussion about a process of co-evaluation to favor the improvement of the teacher and the educational institution, through a practical four-stage process: Pre Observation, Observation, Post Observation and Critical Refection that encourages new ways to facilitate knowledge. desarrollar una discusión sobre un proceso de co-evaluación para favorecer la mejora del profesor y la institución educativa. A través de un proceso práctico de cuatro etapas: Pre Observación, Observación, Post Observación y Refexión Crítica que aliente nuevas formas de facilitar el conocimiento.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"109 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88583314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Representaciones sociales sobre género en actores relevantes, vinculadas con la despenalización de la interrupción del embarazo en Chile","authors":"Mirliana Ramírez-Pereira, Adela Montero Vega","doi":"10.29393/atat523-424mrrs20424","DOIUrl":"https://doi.org/10.29393/atat523-424mrrs20424","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90232583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Huesos y Jardines. Discurso de recepción del Premio Atenea 2019 a la Mejor Obra Literaria Narrativa por El Sistema del Tacto","authors":"Alejandra Costamagna","doi":"10.29393/atat523-431achj10431","DOIUrl":"https://doi.org/10.29393/atat523-431achj10431","url":null,"abstract":"E la noche del 22 de diciembre de 1914 en el Teatro Santiago, en la esquina de Alameda con calle 18. Estamos en la premiación de los primeros Juegos Florales de Santiago, organizados por la Sociedad de Artistas y Escritores de Chile, que preside entonces Manuel Magallanes Moure. Una ceremonia selecta, a la que asiste el mismísimo presidente de la República, Ramón Barros Luco. La máxima distinción, la Flor Natural, ha recaído en Sonetos de la muerte, de una tal Lucila Godoy Alcayaga, de 25 años, que ha fi rmado sus versos como Gabriela Mistral. Pero la poeta no llega a la ceremonia. Aunque dicen que sí está esa noche en el teatro, pero que se oculta en la galería y toma apuntes, calladita en un rincón, observándolo todo. ¿Y qué es todo? ¿En qué consiste la ceremonia? Pues bien, el ganador debe elegir a la Reina de la Fiesta de entre una “corte de amor” en nombre “del arte y la belleza”2. Tal cual. Gabriela Mistral debió haber elegido y coronado esa noche a una reina de belleza.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"63 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88889334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Le qualita tutte personali e troppo ardite di quelle pitture erano di esempio pericoloso”. Alessandro Ciccarelli en Italia y el Filoctetes abandonado (1830-1843)","authors":"Noemi Cinelli","doi":"10.29393/atat523-413ncqt10413","DOIUrl":"https://doi.org/10.29393/atat523-413ncqt10413","url":null,"abstract":": Th e article provides new data about the Neapolitan painter Alessandro Ciccarelli, in particular about his Italian phase, which coincided with his academic education between Naples and Rome, and with his participation in the exhibitions car-ried out in both cities between 1830 and 1843.We will analyze the work Abandoned Philoctetes of the Capodimonte Museum in Naples, we will bring it face to face with the other version of the MNBA in Santiago and we will demonstrate the origin from the classic inspiration that permeated his theories and his canvas.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73389719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rodrigo Herrera Ojeda, María Isabel López Meza, María Fernanda Morales Ortiz
{"title":"Procesos contemporáneos de activación patrimonial: tensiones, disputas y consensos entre las comunidades, el caso de Bellavista en Tomé, Chile","authors":"Rodrigo Herrera Ojeda, María Isabel López Meza, María Fernanda Morales Ortiz","doi":"10.29393/at524-11rhpc30011","DOIUrl":"https://doi.org/10.29393/at524-11rhpc30011","url":null,"abstract":"Not without struggle, contemporary heritagization processes in Chile show a shift from traditional perspectives – functional to the nation state discourse and the pp. 195-217 * Artículo elaborado a partir del proyecto de investigación FONDECYT Regular N°1190992, “Escenarios probables de preservación o pérdida del patrimonio construido en proceso de conflicto social; el caso del patrimonio textil de Tomé”. Investigadora responsable: María Isabel López. ** Doctor en Antropología Social y Cultural, Director de Vinculación Social de la Vicerrectoría de Relaciones Institucionales y Vinculación con el Medio (VRIM), Universidad de Concepción, Concepción, Chile. Correo electrónico: rherrerao@udec.cl. Orcid: https://orcid.org/0000-0002-8750-8936 *** Doctora en Desarrollo Urbano Sostenible, Universidad Politécnica de Madrid, académica Depto. Planificación y Diseño Urbano y Directora del Magíster en Patrimonio Arquitectónico y Urbano, Facultad de Arquitectura, Construcción y Diseño, Universidad del Bío-Bío, Concepción, Chile. Correo electrónico: mlopez@ubiobio.cl. Orcid: https://orcid.org/0000-0002-0942-9722 **** Magíster en Patrimonio Arquitectónico y Urbano. Programa de Interculturalidad (UCO 1995), Universidad de Concepción, Concepción, Chile. Correo electrónico: mariafmorales@gmail. com. Orcid: https://orcid.org/0000-0002-3859-1729","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79589663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El desarrollo institucional del personal administrativo del Congreso Nacional en el Chile post-autoritario: ¿superposición institucional o trayectoria dependiente?","authors":"Ivan Obando Camino","doi":"10.29393/atat523-418iodi10418","DOIUrl":"https://doi.org/10.29393/atat523-418iodi10418","url":null,"abstract":"","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86534277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Institucionalización y consumo cultural: continuidades y transformaciones de las lógicas de acceso a las artes en Chile (2003 – 2017)","authors":"Tomás Peters","doi":"10.29393/atat523-411tpic10411","DOIUrl":"https://doi.org/10.29393/atat523-411tpic10411","url":null,"abstract":"Resumen: Este artículo describe y analiza las trayectorias del consumo cultural de las/os chilenas/os desde la creación del Consejo Nacional de la Cultura y las Artes en 2003 hasta 2017. Por una parte, presenta una breve revisión histórica de las políticas culturales en Chile y establece los principios que defi nen el acceso cultural como una estrategia de política pública. Por otra, y usando las cuatro encuestas implementadas por el CNCA, el artículo describe las principales trayectorias y mutaciones del acceso a las artes en Chile. En tercer lugar, usando un análisis de correspondencias múltiples de la Encuesta de Participación Cultural 2017, este artículo presenta un análisis de cluster con los actuales perfi les del consumo cultural de las/os chilenas/os. Este análisis identifi có cuatro perfi les: alto acceso (15%), acceso medio (20%), acceso bajo (27%) y acceso muy bajo (37%). Al igual que en estudios previos desarrollados en el campo, no hay evidencia de cambios estructurales en la estratifi cación del consumo cultural en Chile en la última década. Abstract: Th is paper describes and analyses the cultural consumption trajectories of Chilean people from the creation of the National Council of Culture and the Arts (NCCA) in 2003, using a multiple correspondence analysis of the 2017 Survey of Cultural Participation in Chile, this paper describes a cluster analysis with the current profiles of Chileans cultural consumers. The analysis identifies four profiles: high access (15%), middle access (20%), low access (27%) and very low access (37%). According to previous research developed in the field, there is no evidence of structural changes in the stratification of cultural consumption in Chile in the last decade.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"121 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90240189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}