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Mit dem Kreidestift und Farben: Revolutionizing Grünewald in the German Democratic Republic 德意志民主共和国革命中的Grünewald
IF 0.5 2区 艺术学
Art History Pub Date : 2023-05-18 DOI: 10.1111/1467-8365.12714
Tamara Golan
{"title":"Mit dem Kreidestift und Farben: Revolutionizing Grünewald in the German Democratic Republic","authors":"Tamara Golan","doi":"10.1111/1467-8365.12714","DOIUrl":"https://doi.org/10.1111/1467-8365.12714","url":null,"abstract":"<p>In 1952, the director of East Berlin's Märkisches Museum discovered three drawings by Matthias Grünewald pasted into a Luther Bible. This remarkable find set off a fascinating tale of art-historical espionage, but also served as a generative moment for the construction of the well-worn cliché of Grünewald as a revolutionary and peasant sympathizer. I examine the artist's transformation into an embodiment of the GDR's socialist ideals by interrogating East German art historian W. K. Zülch's analyses of the newly discovered drawings, which used formal analysis – rather than historical evidence – to figure Grünewald as an ideological accomplice in the German Peasants' War of 1525. Significantly, Zülch presented the tools of the artist's trade (‘<i>Kreidestift und Farben</i>’) as a way to reconcile form and political content, offering an alternative Socialist model to the SED's state-sponsored culture.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8365.12714","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50136962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Discernment or Devotion: Egypt and Sculptural Politics in Eighteenth-Century France 执着还是奉献：埃及与18世纪法国的雕塑政治
IF 0.5 2区 艺术学
Art History Pub Date : 2023-05-03 DOI: 10.1111/1467-8365.12712
Elizabeth Saari Browne
{"title":"Discernment or Devotion: Egypt and Sculptural Politics in Eighteenth-Century France","authors":"Elizabeth Saari Browne","doi":"10.1111/1467-8365.12712","DOIUrl":"https://doi.org/10.1111/1467-8365.12712","url":null,"abstract":"<p>Although French fascination with Egyptian material culture is often dated to the nineteenth century, ancient Egyptian gems, architectural fragments, and small statues were already avidly collected in the eighteenth century. For some, the display and close study of small Egyptian works of art in private cabinets served to develop discernment, the formal properties illuminating historical moeurs, techniques, and artistic exchanges otherwise unknowable from then-untranslated hieroglyphs. Others, however, dismissed these objects as fetishes and idols, produced under the control of priests and despots for ritual devotion. Escalating prejudices in Europe toward the peoples and objects of Africa was fundamental to this latter attitude. Yet, the bigoted language also illuminates the fraught boundaries perceived between connoisseurship and idolatry, both predicated on the focused attention toward material objects. This essay addresses the implication of ancient Egyptian sculpture in these period debates, and demonstrates the impact of these biases on art histories of sculpture.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50130299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Inside Look at Yüksel Arslan's Outsider Practice, 1955–64 从内部看Yüksel Arslan的局外人实践，1955–64
IF 0.5 2区 艺术学
Art History Pub Date : 2023-05-02 DOI: 10.1111/1467-8365.12713
Ambra D'Antone
{"title":"An Inside Look at Yüksel Arslan's Outsider Practice, 1955–64","authors":"Ambra D'Antone","doi":"10.1111/1467-8365.12713","DOIUrl":"https://doi.org/10.1111/1467-8365.12713","url":null,"abstract":"<p>This essay provides new evidence for a historiographical re-contextualization of the early artistic practice of Turkish artist Yüksel Arslan (1933–2017). Within this scholarship, Arslan is generally portrayed as an outsider figure who resisted traditional artistic categorizations; consequently, the historical conditions leading to his artistic posture in 1950s Istanbul, where his career began, remain underexplored. Arslan's fascination for prehistoric methods of image making, his erudite subject matters, and his contributions to the legacies of surrealism and of <i>art brut</i> have been mostly regarded by critics and art historians as idiosyncratic elements of his artistic identity. Focusing on Arslan's early production in 1950s Istanbul and its reception in art criticism and art historiography, the essay argues that Arslan's outsider status was informed by and contributed to widespread debates about artistic heritage and what its role should be in Turkey's fraught political scenario of the 1950s, torn between liberalism and centralized governance, and in the context of Turkey's contemporary artistic production.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50121996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lavinia Fontana's Freedom 拉维尼娅·丰塔纳的自由
IF 0.5 2区 艺术学
Art History Pub Date : 2023-04-20 DOI: 10.1111/1467-8365.12715
Emanuele Lugli
{"title":"Lavinia Fontana's Freedom","authors":"Emanuele Lugli","doi":"10.1111/1467-8365.12715","DOIUrl":"https://doi.org/10.1111/1467-8365.12715","url":null,"abstract":"<p>This essay searches for the meaning of the medal commemorating Bolognese painter Lavinia Fontana (1552–1614). While doing so, it rediscovers what has been regarded as an interesting but derivative object to be a most sophisticated artwork. Fontana's medal was not just an honour: it was a cultural intervention that addressed multiple cultural debates taking place across central Italy, from the nature of emblems to women's worth. While presenting some overlooked sources related to Fontana's medal and contemporary artistic production (a couple of treatises, a guidebook, and a thank you note), the essay introduces three new exemplars of the coin. This new evidence prompts a reconsideration of the circulation of Fontana's medal and the identity of its designer, a question that has so far escaped attention.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50138413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Baroque Transfixions 巴洛克风格的变形
IF 0.5 2区 艺术学
Art History Pub Date : 2023-04-12 DOI: 10.1111/1467-8365.12703
Alexandra Kingston-Reese
{"title":"Baroque Transfixions","authors":"Alexandra Kingston-Reese","doi":"10.1111/1467-8365.12703","DOIUrl":"https://doi.org/10.1111/1467-8365.12703","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50149647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Who Is Photography For? 摄影是为了谁？
IF 0.5 2区 艺术学
Art History Pub Date : 2023-04-12 DOI: 10.1111/1467-8365.12704
Alina Khakoo
{"title":"Who Is Photography For?","authors":"Alina Khakoo","doi":"10.1111/1467-8365.12704","DOIUrl":"https://doi.org/10.1111/1467-8365.12704","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50149648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unstable Maps, Volatile Bodies 不稳定的贴图、易失体
IF 0.5 2区 艺术学
Art History Pub Date : 2023-04-12 DOI: 10.1111/1467-8365.12706
Aleksandra Gajowy
{"title":"Unstable Maps, Volatile Bodies","authors":"Aleksandra Gajowy","doi":"10.1111/1467-8365.12706","DOIUrl":"https://doi.org/10.1111/1467-8365.12706","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50149841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Copyright in the Expanded Field 扩展领域的版权
IF 0.5 2区 艺术学
Art History Pub Date : 2023-04-12 DOI: 10.1111/1467-8365.12699
Michael White
{"title":"Copyright in the Expanded Field","authors":"Michael White","doi":"10.1111/1467-8365.12699","DOIUrl":"https://doi.org/10.1111/1467-8365.12699","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50121375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Surviving the Afterlife 度过余生
IF 0.5 2区 艺术学
Art History Pub Date : 2023-04-12 DOI: 10.1111/1467-8365.12700
Anthony White
{"title":"Surviving the Afterlife","authors":"Anthony White","doi":"10.1111/1467-8365.12700","DOIUrl":"https://doi.org/10.1111/1467-8365.12700","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50121376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crunching the Canon 破解佳能
IF 0.5 2区 艺术学
Art History Pub Date : 2023-04-12 DOI: 10.1111/1467-8365.12701
Jorge Sebastián Lozano
{"title":"Crunching the Canon","authors":"Jorge Sebastián Lozano","doi":"10.1111/1467-8365.12701","DOIUrl":"https://doi.org/10.1111/1467-8365.12701","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50149620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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