Lavinia Fontana's Freedom

IF 0.3 2区 艺术学 0 ART
Emanuele Lugli
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引用次数: 0

Abstract

This essay searches for the meaning of the medal commemorating Bolognese painter Lavinia Fontana (1552–1614). While doing so, it rediscovers what has been regarded as an interesting but derivative object to be a most sophisticated artwork. Fontana's medal was not just an honour: it was a cultural intervention that addressed multiple cultural debates taking place across central Italy, from the nature of emblems to women's worth. While presenting some overlooked sources related to Fontana's medal and contemporary artistic production (a couple of treatises, a guidebook, and a thank you note), the essay introduces three new exemplars of the coin. This new evidence prompts a reconsideration of the circulation of Fontana's medal and the identity of its designer, a question that has so far escaped attention.

拉维尼娅·丰塔纳的自由
本文探讨了纪念博洛尼亚画家拉维尼娅·丰塔纳(1552-1614)的奖章的意义。在这样做的同时,它重新发现了一件被认为是有趣但衍生的艺术品。丰塔纳的奖牌不仅仅是一种荣誉:它是一种文化干预,解决了意大利中部发生的多场文化辩论,从徽章的性质到女性的价值。文章介绍了一些被忽视的与丰塔纳奖章和当代艺术作品有关的来源(几篇论文、一本指南和一封感谢信),同时介绍了三个新的硬币样本。这一新证据促使人们重新考虑丰塔纳奖章的流通情况及其设计者的身份,这个问题迄今为止没有引起人们的注意。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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